The Zodiac of Malta - The Tal Qadi Stone Enigma: Ultimate proof of Newtons Theory
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The Maltese Tal Qadi Stone on which celestial navigation charts for the Mediterranean and Black Sea as well as a seaworthy Phoenician birdship were represented, is a maritime navigation instrument as proposed by Isaac Newton according to which heavenly constellations enable navigation on sea routes.
Kai Helge Wirth
Kai Helge Wirth studierte Anthropogeografie, Kartografie sowie Kunstwissenschaft und Kunstpsychologie. Weiterhin hat er Geschichte und Philosophie studiert. Zu seinen Studiengebieten gehörte außerdem Film- und Trickfilmtechnik. Er wirkt in Lehre (Kunst und Geographie) und Forschung und ist Autor und Koautor mehrerer Bücher, die zum Teil verfilmt wurden (Arte, HR, RTL). Seit über 30 Jahren forscht er in dem Gebiet, über das dieses Buch handelt. Darüber befindet er sich im steten Austausch mit anderen Wissenschaftlern. Er ist völlig ideologiefrei und sieht in der Freiheit des Menschen das höchste Gut! Seit er 15 ist, beschäftigt ihn die Astronomie. Er denkt oft an die Freitagsvorträge im Hörsaal des physikalischen Vereins zurück. Als Jugendlicher schaute er dort oft durch das große Teleskop. Das hat ihn immer mehr interessiert als der langweilig vorgetragene Schulstoff. Hier wurde er gebildet, seine Liebe zur Astronomie begann.
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The Zodiac of Malta - The Tal Qadi Stone Enigma - Kai Helge Wirth
2016
1. Status Quo of research
The engraved slab discovered on Malta and exhibited in Valletta's Museum of Archaeology has been the object of several interpretative studies. Previous theories have claimed the following assertions:
The gravures represent a moon
The gravures show astral constellations
The gravures are to preserve priest knowledge
The gravures are to show the entrance to a temple
The gravures' purpose is to evoke multiple impressions
To validate an interpretation of the slab some aspects must be ignored, others added
The artefact is approximately dated at 3000 years B.C.
2. Previous theories
2.1. Crescent Moon theory
In his work Kosmische Kultstätten der Welt, von Stonehenge bis zu den Maya-Tempeln
Ken Taylor develops the theory that the engraving in the star-free zone represents the Moon.¹
The claim of a crescent Moon on the Maltese slab is based on the methodology of analogy. Only those aspects of the image have been considered that correspond with other familiar and comparable representations.
When, however, a procedure of strict formal analysis is applied, whereby actual formal elements of the total work and its correlations are studied, results based on actual analysis can be reached, far removed from personal interpretation or mere association.
This procedure has been convincingly applied in the analyses performed by Prof. H.W.Wirth.²
Under such close examination of the form it becomes apparent that we are dealing with neither semi- nor third- circular part that might justify identification with the Moon. On the contrary: close scrutiny and correct illumination leave no doubt that the engraving was performed to a high degree of subtle differentiation³.
In fact there exists a totally different overall picture.(cf. III.10)
Conclusion 1
The Moon Theory
is proven untenable on the basis of aesthetic form analysis.
2.2. Temple theory
A second theory the Templetheory presents the idea that astral symbols and a temple entrance are depicted on the stone. The crescent- shaped form interpreted as crescent moon in the aforesaid theory is deemed to show the temple entrance of Tal Quadi, the place where the stone was found. Astral groups depicted in limited zones are said to correspond to three definite signs of the zodiac. The author writes that his research is drawn from images on a Celtic sword, that, in his view, are