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Monosauce: 30 award-winning monologues
Monosauce: 30 award-winning monologues
Monosauce: 30 award-winning monologues
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Monosauce: 30 award-winning monologues

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Monologues are a fast-growing area of theatre, with new opportunities to perform them popping up left, right and centre.

Most actors only learn short monologues for auditions. Equally, most monologues you come across are written expressly for this purpose, with a typical duration of 1-3 minutes. Longer monologues – from 5-10 minutes and onwards – aren’t all that easy to find and the majority of actors don’t know one by heart.

This is not a good thing. There’s no excuse for an actor not to have at least one comedic and one dramatic monologue ready to go at all times. From a career perspective, it’s beyond undesirable if they don’t – it’s borderline negligent.

Why such a strong statement?

An actor who doesn’t have monologues in their repertoire is like a musician who doesn’t know any songs. They might be good at what they do but it will be hard for them to prove it.

Monologues provide an opportunity for an actor to showcase their work, putting them alone in the spotlight to demonstrate just how good they are. They are not designed for auditions, which are usually done in front of a small panel; they are designed for performance, meaning they are something you can put in front of an audience of any size. They are easily transportable, rarely being dependent on props and costumes (since we have mime and imagination to compensate) and never reliant on other actors being around. There are many thousands of festivals around the world which produce monologues, providing a platform for any actor who wants an audience. A monologue is the perfect vehicle for you to show off your stuff.

On top of that, many drama students around the world are required to perform monologues as part of their schooling and it’s incredibly difficult to find well-written pieces which are longer than 2-3 minutes.

As a playwright, International Literary Manager, and former Festival Director of the world’s largest short play festival (Short+Sweet Sydney), I know for sure there is a great market need for quality monologues. Quite simply, it’s hard to find good ones. There are many out there but they’re often weak on story and character, therefore not providing the raw materials an actor needs to shine. I had an epiphany when actor after actor told me they struggled to find a piece they liked: I realised I could help them!

So I moved the focus of my writing away from novels and full-length plays and onto monologues, emphasising rich characters and original, engaging stories that stay with you well after the performance. That said, actors thrive when they’re having fun on stage, so there are also a few “silly” pieces in here which are simply designed to make people laugh.

I’ve been fortunate enough to have these monologues produced over 600 times around the world and win 19 major awards from them. What’s more, 17 actors have won major awards from performing them. As my main aim is for people to enjoy watching and performing them, I’m glad to be on the right track.

For this volume, I’ve collated my best 30 pieces for you. Drama, comedy, male monologues, female monologues, gender-neutral monologues, good silly fun and dark serious stuff – this book has it all. All ages, races, genders, sizes, and personalities are catered for. And it’s formatted for performance so you can print the scripts and start rehearsing.

Do yourself a favour. Learn one of these pieces. The next time someone says, “So you’re an actor eh? Show me what you can do,” you’ll know exactly what to show them.

LanguageEnglish
PublisherPete Malicki
Release dateOct 22, 2016
ISBN9781370047109
Monosauce: 30 award-winning monologues
Author

Pete Malicki

Pete Malicki is a versatile writer and a maverick of the arts and entertainment industries. He's won writing awards all around the globe and holds a world record for running the longest short play festival in history.As a writer, Pete began by writing five novels before broadening his horizons and diving into the theatre world. His first published novel, "Eyes And Knives", was named book chain Berkelouw’s "Book Of The Week" upon its release. His fifth novel, "The Travellers' Guide to the Afterlives", is an endearing mock-autobiography affectionately thought of as The Most Important Book In The History Of Literature, because no other book tells you how to secure the best eternal life!In theatre, Pete has had over 750 productions of 70 different plays in 20 countries. His plays have won 21 awards between them at nationwide/international events. “V.D.”, his full-length one-woman show, has toured Australia, England and New Zealand to great critical acclaim.His speciality is writing theatrical monologues which actors love to perform. These have rich, textured characters and engaging stories, and with 200+ performances of them each year they are among the most popular and successful monologues in the world. Six volumes of these monologues have been published at SpeechGeek and a collection of the best 30, called Monosauce, are now available at Smashwords.Outside of writing, Pete is a heavyweight producer in his hometown of Sydney Australia. He's run the world's largest short play festival - Short+Sweet Sydney - four times and been the coordinator of artist development program Crash Test Drama for close to a decade. He founded The Monologue project in 2013, which offers live shows, a script resource and workshops for drama students. He's directed dozens of award-winning actors and stood at the helm of major Sydney productions. On top of that, he runs workshops on business skills and monologue performance, works as an editor for New Holland Publishers and his own company Editors Australia, and holds regular writing courses.He is also developing Monologue Master, an online educational resource for actors wanting to get better at performing monologues, and co-founded Horizon VR, a virtual reality production company.www.petemalicki.com

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  • Rating: 5 out of 5 stars
    5/5
    These are really great monologues. Versatile, powerful story arcs, characters you can sink your teeth into. Recommended!
  • Rating: 5 out of 5 stars
    5/5
    this is amazing! best monologues ever. if you need something for your HSC Individual Performance IP exam these are peffect
  • Rating: 5 out of 5 stars
    5/5
    Excellent monologues! Some of the best I've ever read. So deep, so powerful.

Book preview

Monosauce - Pete Malicki

Male

Character: Theo, late thirties, skinny-normal build.

Theo sits. He is largely unemotional and speaks with a wry, sardonic tone throughout. The lights come up and he studies the audience before speaking.

People have called me a hero, a killer, a saint and a psychopath. They even used to say the first three all in the same sentence: hero, killer, saint.

Maybe you’re thinking army. Prancing around the desert saving his country from towelheads. That ain’t me. I don’t give three tosses about my country and I sure as hell don’t want to die for it. I’m not a cop or a bodyguard or anyone else where you’d expect killer and hero to go together.

My name is Mark Theo Carter and until recently I lived a completely unremarkable life. Last five years I hardly worked a day and more or less lived off welfare. I’m not a stupid person, but I’ll be the first to admit I’m inherently lazy. If someone else wants to do something for me I’m not going to get in their way. The only thing most of you would find interesting about my last five years is that I killed sixteen people. Only got charged for four of them but that was more than enough for the life sentence.

I did the first one not too long after I quit my job. My latest de facto relationship had just broken down and I was going through some shit. Killing someone wasn’t exactly on my things-to-do list but, you know, the right situation crops up and you never know what might happen.

It was late at night on a Wednesday. There I was walking through Hyde Park when I come across what looks like a couple of teenagers having a root. Not many people go in the dark spots around here but I always walk in a direct line to where I want to go. When I get closer I see the guy has his hand clamped down on the girl’s mouth and there’s something glinting in the lamplight. He sees me and freaks a bit, holding what I can now see is a knife at her throat. Fuck off or I cut the bitch, he says.

What a charmer. I keep walking towards him. She can’t move her head but her terrified eyes fix on me. He gives me that second and last warning bullshit so I say to him, You ever done this before, boy? You’re holding that little butter knife like you’re ready to spread some vegemite on your toast. I’m real close now. I can see he’s still got his pants on. If you don’t mind me getting her a little messy I can show you a trick or two with your Swiss Army.

The guy stares at me. He recognises a stronger male. The girl’s so scared she can’t move a muscle, let alone work up the breath for a good scream. I crouch down beside her and look the guy straight in the eyes. He’s curious so he hands me the knife.

I feel this overpowering hatred take control of me. This sensation is way too strong for me to deal with and I need to get rid of it. Fast. I grab the knife and it’s over in a second. His throat is gashed open and he collapses in a heap of bleeding dead shit. I pull his body away from the girl and offer her my hand. She lies there whimpering for almost a minute before I pull her to her feet and send her on her merry way.

Got off without so much as a wrist slap for this one. Girl told the court he attacked me and I somehow managed to take his weapon and defend myself. Media called me a hero and the girl’s family were ready to bloody knight me.

The second guy didn’t get me quite the same reception. It was an accident, but he’s one of the four I was charged for icing. I’d been helping my brother out loading electronics into his store at 3am. Drove off when I was done but came back ten minutes later because I forgot my wallet. Now there’s this guy in there stuffing cameras into a garbage bag. Oy! I said, and he spins around to find my fist breaking his nose.

I thought it’d be over in two seconds but this guy was tough. He hit me right back and we ended up on the floor. I rolled on top of him and grabbed a fistful of his Fabio hair. Made it real easy to smash his head into the ground. It was years later before they pinned it on me; maybe if I hadn’t have done him I might not have got life.

Before my trial, the shrinks all agreed I was a psychopath. Most people wouldn’t have the first clue what this is. You see movies with complete crazies killing people at random or making skin suits or whatever, but that’s not what a psycho is. Quite simply, we’re people who don’t feel guilt, remorse or empathy. That’s the biggest distinction between me and you. It doesn’t mean we’re naturally wired to kill or that we enjoy it or seek it out, we just don’t feel anything when it happens. It’s like having a cup of tea.

Oh what’s that look on your faces? I know you all came here to feel superior but it’s a little bit early for your holier-than-thou act to start. I was a saint for the first twenty-eight years of my life, you know. Didn’t hardly hurt a fly. The rapist set me off and it was only after him that I killed people. In my early twenties I actually worked at a charity helping the poor. I volunteered one evening a week at an animal shelter and I was a Lifeguard. I never felt anything for any of these causes but your intellect and your emotions are quite separate things, so I did what I thought was right even though I didn’t get the thrill of do-goodery all you would have.

The third guy was on a train. He was listening to that awful fucking doof doof music real loud on his phone and using his keys to graffiti the walls. The kid was getting under my skin so I pushed him in the shoulder and told him to cut that shit out. He said Don’t touch me, cunt and kept at it.

I don’t like being called names so I took his keys and put them out the nearest window. He took a swipe at my face and a minute later I’ve choked the little dick to death.

Four, five and six were all in a similar fashion. Young fuck-up type guys doing something anti-social in my face who didn’t like it when I told them to stop. Pretty easy to finish what they started with me. Had one guy blow smoke in my face and put his cigarette out on my arm when I told him off for it. I actually enjoyed icing him.

Theo pauses and looks at a few audience members.

Okay, I know what you’re thinking. This is where the line’s no longer blurry. Theo’s crossed all the way through the grey and he’s nothing but pure psycho now. Starting fights and icing losers them is pretty uncool, yeah? Well you know what? I don’t think you’re all that great yourselves. Go on, who of you have ever helped a homeless? Like, really helped one. Given them a grand or two or a place to stay. You’re all middle class – you could do it if you wanted to. How many of you eat meat? You all know what goes on there. Overcrowded cages, diseases, Indonesian fucking abattoirs. A torturous life and a worse death but you turn a blind eye because it tastes good, right? Look at your clothes. Child labour, slave wages. You say you care, but you’re still wearing the shit. Me, I’m a psychopath. I have a physiological reason not to give a toss about the above inhumanity we’re all a part of. Don’t you reckon that makes you kinda worse than me?

Anyway, you all didn’t come to find out how miserable you are. This is your Psych 101 with Theo Carter and his sixteen victims. Seven was drunk and picked a fight with me, which I well and truly won. Eight and nine were drug dealers from my old high school peddling shit in my neighbourhood. I told ’em where to go and one of them pulled a gun, so I shot them both in the laneway near my unit. Ten was… what? Is this boring you? Want me to skip ahead?

Fine, so the last guy was known to me. I used to get Christmas cards from him after I saved his life eight years back. He was down at Bondi and got his stupid arse caught in a rip, so being a Lifeguard it was up to me to rescue him. This guy bought me and the others a few drinks to thank me for the extra life. Seemed like a decent fella.

A few years later, he bumps into my friend Sam from the surf club. Buys her a few drinks, snogs her, ends up taking her home. She gets cold feet as the beers wear off but he doesn’t take no for an answer so he rapes her a couple of times. She’s too chicken to go to the cops so he gets away with it.

I see him all these years later on Pitt Street. I saved this fucker’s life and he thanks the world by sexually assaulting my friend. So I ask myself, Why help people? If this prick had drowned, he wouldn’t’ve been around to diddle Sam. It made me realise I could do society a much bigger favour by icing people I know are bad than saving ones who may or may not be good. A dead scumbag is a dead scumbag, but a living person could do anything. So I took out the only weapon I had – a pen – and I stabbed this guy in the neck right in the middle of Pitt Street. Everyone started screaming and he fell onto the ground and tried to crawl away, bleeding all over the damn place. I watched him for three whole minutes before some cop had his gun in my face. Before you know it, I’m in the slammer with a life sentence.

Anyway, that’s my story. Make of it what you will and judge me as much as you see fit. God knows I’m judging you hypocritical shitbags.

I’m Theo Carter: hero, killer, psychopath.

APOCALYPSE SOON

Male/Female

Character: a young university student.

I can’t find the milk. I’ve been up and down each aisle five times but there’s no milk anywhere. There’s no one in here which I should probably find strange but I don’t. I go back to aisle three and check behind the Oreos. Oh hey, it’s the milk. Who put it there? I reach in and grab two litres.

Something smashes behind me. I turn. My heart almost turns to lead when I see the man. His clothing is torn, his hair looks like it’s been ripped half out, his arms are bloody. He staggers towards me, eyes glazed and unblinking. Then he says, Brains! I drop the milk and back away, and he starts stumbling faster. I turn to run and another bloodied man grabs me and tries to bite my neck.

Screams. Confused for a moment before finding bearings.

That’s the fourth time this week. I don’t normally have dreams of any kind but this last week has been nightmare after nightmare. Mum comes in. Honey, you okay?

Yes mum.

That’s the fourth time this week.

This is already established. I send her away and step into the shower to rinse off the sweat and maybe a little pee. A bit later I call my girlfriend. Hey Jules, how you? (pause) Yeah, I’m alright. (pause) Nah, I’m alright. It’s… yeah, another one of those dreams. (pause) Jesus, yes it’s the fourth time this week. Did I make that my Facebook status or something? (pause) I’m so damned tired but I have to stay awake through uni.

This all started because of movies. Every second Sunday Jules and me do a themed movie marathon. First one ever was Pixar movies, then obvious stuff like Star Wars and Lord of the Rings. We’ve done heaps and heaps of TV series and we even did the entire Fast And Furious franchise. Most recent one zombies. World War Z, 28 Days Later, I Am Legend and Shaun of the Dead. Now, I am totally not scared of zombies. What am I? A five year old? Zombies are stupid and impossible. But ever since we did this I’ve been having these really vivid dreams and it’s starting to get out of control.

I head to university and put the undead out of my mind for a while. I sit up the back of Global Economics and watch the room fill up. This old guy Benson who has this creepy crush on me sits beside me and stares discreetly at me for a long creepy minute. He totally waited until there were no other seats before sitting down so I’m stuck.

The professor is talking about how China is communist politically but fiscally capitalistic… exporter of cheap goods thanks to low cost of labour… low regulation something government something.

The key thing I learn today in Global Economics is that Global Economics is an effective cure for insomnia. I wake up when my spidey sense senses that Benson is about to zero in on my inner thigh so I jump up and run to the loo. I can’t wilfully go back to that creep so I go to the library and try to study what I’m missing. I read a book called Twentieth Century Economic Policy in China, but all I’m thinking is What would I do if a zombie came around the corner? I’d… run through natural sciences and kick that wooden table in. The leg would be good for both whacking and stabbing. Or I could make a break for the window past the self-help aisle.

What am I doing? I need to study.

The rest of the day passes unproductively. That night I dream I’m in class with Benson squeezing my thighs and staring like real deep into my eyes. It’s more disturbing than the three zombies that come in and maul the Global Economics students. I wake up screaming when one grabs me from behind and starts eating my head.

That’s five times now, bumblebee.

I send my mother away and try to go back to sleep but now I’m scared of what I might dream so I lie awake until dawn. The day passes in a sleep-deprived blur. Two days later I have the dreams again, and this time the zombies are fast. It’s utterly terrifying.

I have to do something about this. Jules comes over and we brainstorm

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