Guide to the Art of Illuminating and Missal Painting: Including an Introduction by George French
4/5
()
About this ebook
A treasure trove of inspiration and practical guidance, exploring the history, techniques, and symbolism of the ancient religious art of missal painting.
The tradition of illuminating missal paintings dates back as far as the thirteenth century. In this work, discover the secrets of the sacred calligraphic art and explore the history of gilding, brushwork, and grouping of colours. This comprehensive overview of the early practices and processes of illumination and missal painting is the perfect guide for artists and enthusiasts who wish to revive the forgotten craft.
The chapters featured in this volume include:
- The Art During the Middle Ages
- Materials Used in the Early Practice of the Art
- Manipulatory Processes
- Design
Read more from George Ashdown Audsley
The Art of Organ Building, Vol. 2 Rating: 0 out of 5 stars0 ratingsOrgan-Stops and Their Artistic Registration Rating: 0 out of 5 stars0 ratings
Related to Guide to the Art of Illuminating and Missal Painting
Related ebooks
The Art of Fresco Painting in the Middle Ages and the Renaissance Rating: 0 out of 5 stars0 ratingsWestern European Illuminated Manuscripts Rating: 4 out of 5 stars4/5Designs and Patterns from Historic Ornament Rating: 4 out of 5 stars4/5Religious Art in France of the Thirteenth Century Rating: 4 out of 5 stars4/5Writing & Illuminating & Lettering Rating: 4 out of 5 stars4/5Historic Ornament: Treatise on Decorative Art and Architectural Ornament (Complete Edition) Rating: 0 out of 5 stars0 ratingsIlluminated Initials in Full Color: 548 Designs Rating: 4 out of 5 stars4/5Celtic Art: The Methods of Construction Rating: 4 out of 5 stars4/5Masterpieces of Illuminated Letters and Borders Rating: 4 out of 5 stars4/5English Wood-Engraving 1900-1950 Rating: 4 out of 5 stars4/5Decorative Illustration of Books Rating: 0 out of 5 stars0 ratingsEngraving for Illustration Historical and Practical Notes Rating: 0 out of 5 stars0 ratingsTwo Hundred Sketches Rating: 0 out of 5 stars0 ratingsThe Complete Works of Albrecht Durer Rating: 0 out of 5 stars0 ratingsMonumental Brasses of England and the Art of Brass Rubbing Rating: 0 out of 5 stars0 ratingsCeltic Line Drawing - Simplified Instructions Rating: 5 out of 5 stars5/5Album of Painting and Calligraphy: Volume Iii Rating: 0 out of 5 stars0 ratingsBride's Boxes: How to Make Decorative Containers for Special Occasions Rating: 0 out of 5 stars0 ratingsEarly American Decorating Techniques: Step-by-Step Directions for Painting and Stenciling Rating: 0 out of 5 stars0 ratingsIlluminated Manuscripts in Classical and Mediaeval Times: Their Art and Their Technique Rating: 0 out of 5 stars0 ratingsThe Illustrated Letters of Richard Doyle to His Father, 1842–1843 Rating: 0 out of 5 stars0 ratingsCeltic Knot Artwork with Gaelic Proverbs Rating: 4 out of 5 stars4/5The Woodcut Artist's Handbook: Techniques and Tools for Relief Printmaking Rating: 5 out of 5 stars5/53,000 Decorative Patterns of the Ancient World Rating: 5 out of 5 stars5/5Albrecht Altdorfer: Drawings & Paintings (Annotated) Rating: 0 out of 5 stars0 ratingsIlluminated Manuscripts Rating: 0 out of 5 stars0 ratings2,286 Traditional Stencil Designs Rating: 4 out of 5 stars4/5French Decorative Designs Rating: 5 out of 5 stars5/5Victorian Imagery and Design: The Essential Reference Rating: 0 out of 5 stars0 ratings
Design For You
Feck Perfuction: Dangerous Ideas on the Business of Life Rating: 5 out of 5 stars5/5The New Bohemians Handbook: Come Home to Good Vibes Rating: 4 out of 5 stars4/5Paperbacks from Hell: The Twisted History of '70s and '80s Horror Fiction Rating: 4 out of 5 stars4/5Architecture 101: From Frank Gehry to Ziggurats, an Essential Guide to Building Styles and Materials Rating: 4 out of 5 stars4/5A Victorian Lady's Guide to Fashion and Beauty Rating: 4 out of 5 stars4/5The Designer's Dictionary of Color Rating: 5 out of 5 stars5/5Story: Style, Structure, Substance, and the Principles of Screenwriting Rating: 4 out of 5 stars4/5Become An Exceptional Designer: Effective Colour Selection For You And Your Client Rating: 3 out of 5 stars3/5How to Build a Car: The Autobiography of the World’s Greatest Formula 1 Designer Rating: 4 out of 5 stars4/5Ogilvy on Advertising in the Digital Age Rating: 5 out of 5 stars5/5Crochet: Fun & Easy Patterns For Beginners Rating: 5 out of 5 stars5/5Alchemy: The Dark Art and Curious Science of Creating Magic in Brands, Business, and Life Rating: 4 out of 5 stars4/5Expressive Digital Painting in Procreate Rating: 5 out of 5 stars5/5Graphic Design Rules: 365 Essential Design Dos and Don'ts Rating: 4 out of 5 stars4/5Elements of Style: Designing a Home & a Life Rating: 4 out of 5 stars4/5Lettering Alphabets & Artwork: Inspiring Ideas & Techniques for 60 Hand-Lettering Styles Rating: 5 out of 5 stars5/5Hand Lettering on the iPad with Procreate: Ideas and Lessons for Modern and Vintage Lettering Rating: 4 out of 5 stars4/5Brush Pen Lettering: A Step-by-Step Workbook for Learning Decorative Scripts and Creating Inspired Styles Rating: 5 out of 5 stars5/5Picture This: How Pictures Work Rating: 4 out of 5 stars4/5Line Color Form: The Language of Art and Design Rating: 4 out of 5 stars4/5Live Beautiful Rating: 4 out of 5 stars4/5Thinking with Type: A Critical Guide for Designers, Writers, Editors, & Students Rating: 4 out of 5 stars4/5Lolita - The Story of a Cover Girl: Vladimir Nabokov's Novel in Art and Design Rating: 5 out of 5 stars5/5Creative Workshop: 80 Challenges to Sharpen Your Design Skills Rating: 4 out of 5 stars4/5Disney Tim Burton's The Nightmare Before Christmas: The Official Knitting Guide to Halloween Town and Christmas Town Rating: 0 out of 5 stars0 ratingsBazooka Joe and His Gang Rating: 5 out of 5 stars5/5101 Midjourney Prompt Secrets Rating: 3 out of 5 stars3/5Writing That Works, 3rd Edition: How to Communicate Effectively in Business Rating: 3 out of 5 stars3/5Down to Earth: Laid-back Interiors for Modern Living Rating: 4 out of 5 stars4/5
Reviews for Guide to the Art of Illuminating and Missal Painting
1 rating0 reviews
Book preview
Guide to the Art of Illuminating and Missal Painting - George Ashdown Audsley
GUIDE TO THE
ART OF ILLUMINATING
AND MISSAL PAINTING
By
GEORGE ASHDOWN AUDSLEY
INCLUDING AN
INTRODUCTION BY
GEORGE FRENCH
First published in 1861
Copyright © 2023 Old Hand Books
This edition is published by Old Hand Books,
an imprint of Read & Co.
This book is copyright and may not be reproduced or copied in any
way without the express permission of the publisher in writing.
British Library Cataloguing-in-Publication Data
A catalogue record for this book is available
from the British Library.
Read & Co. is part of Read Books Ltd.
For more information visit
www.readandcobooks.co.uk
Contents
AN INTRODUCTION
By George French
PREFACE
INTRODUCTION
PART FIRST
THE ART DURING THE MIDDLE AGES
PART SECOND
MATERIALS USED IN THE EARLY PRACTICE OF THE ART
PART THIRD
MANIPULATORY PROCESSES
PART FOURTH
DESIGN
AN INTRODUCTION
By George French
Because it is difficult to perfectly transfer a thought from one mind to another it is essential that the principal medium through which such transference is accomplished may be as perfect as it is possible to make it.
It is not wholly by means of the literal significance of certain forms of words that ideas are given currency, whether the words are spoken or printed. In speaking it is easy to convey an impression opposed to the literal meaning of the words employed, by the tone, the expression, the emphasis. It is so also with printed matter. The thought or idea to be communicated acquires or loses force, directness, clearness, lucidity, beauty, in proportion to the fitness of the typography employed as a medium.
It is not primarily a question of beauty of form that is essential in printing, but of the appropriateness of form. Beauty for itself alone is, in printing, but an accessory quality, to be considered as an aid to the force and clarity of the substance of the printed matter.
An object of art illustrating forms and expressions of beauty subtly suggests esthetic or sensuous emotions, which play upon the differing consciousnesses of beholders as their capacities and natures enable them to appreciate it. The impulse received from the art object is individually interpreted and appropriated, and its value to the individual is determined by each recipient, in accord with his nature, training, and capacity.
The motive of a piece of printing is driven into the consciousness of the reader with brutal directness, and it is one of the offices of the typographer to mitigate the severity of the message or to give an added grace to its welcome.
The book has become such a force as had not been dreamed of a generation ago. The magical increase in the circulation of books, by sale and through libraries, is one of the modern marvels. It is inevitable that the gentle and elevating influence of good literature will be greater and broader in proportion to the increase of the reading habit, for despite the great amount of triviality in literature the proportion of good is larger than ever before, and the trivial has not as large a proportion of absolute badness. The critical are prone to underrate the influence of what they esteem trivial literature upon the lives of the people who read little else. It is certain that there is some good in it, and that it affects the lives of those who read it. Even the most lawless of the bandits of the sanguinary novels has a knightly strain in his character, and his high crimes and misdemeanors are tempered with a certain imperative code of homely morality and chivalry. The spectacular crimes are recognized by the majority of readers as the stage setting for the tale—the tabasco sauce for the literary pabulum. They are not considered to be essential traits of admirable character. The cure for the distemper it is supposed to excite resides in the sensational literature of the day; it is as likely to lead to better things, it may be, as it is likely to deprave.
The cultivating power of any book is enhanced if it is itself an object of art. If it is made in accord with the principles of art, as they are applicable to printing and binding, it will have a certain refining influence, independent of its literary tendency.
If we are to subscribe to the best definition of esthetics, we are bound to recognize in the physical character of the books that are read by masses of people a powerful element for artistic education, and one lending itself to the educational propaganda with ready acquiescence and inviting eagerness.
The business and the mechanics of printing have attained a high degree of perfection. The attention bestowed upon the machinery of business, the perfection of systems and methods, has brought commercial and mechanical processes to a degree of perfection and finish that leaves slight prospect of further improvement, more illuminating systems, or more exact methods. The business of printing is conducted in a manner undreamt of by the men who were most consequential a generation ago. Only a few years have passed since the methods that now control in the counting-rooms of the larger printshops were unknown. Now all is system; knowledge, by the grace of formulas and figures.
A like condition prevails in the work rooms: in the composing-room and the pressroom. The processes incident to printing have been improved, in a mechanical way, until little is left for hope to feed upon. The trade of the printer has been broken into specialized units. The all 'round
printer is no more. In his place there is the hand compositor, the ad
compositor, the job compositor, the machine operator, the make-up man, the pressman, the press feeder, etc., each a proficient specialist but neither one a printer. To further mechanicalize the working printers, the planning of the work has been largely taken into the counting-room, or is done in detail at the foreman's desk. So every influence has been at work to limit the versatility and kill the originality of the man at the case. The compensatory reflection is the probability that the assembly of results accomplished by expert units may be a whole of a higher grade of excellence.
The process of specialized improvement has been carried through all the mechanical departments, and has had its way with every machine and implement, revolutionizing them and