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The Legend of a Blues Guitar
The Legend of a Blues Guitar
The Legend of a Blues Guitar
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The Legend of a Blues Guitar

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"The Legend of a Blues Guitar" is a collection of short stories with the same anti-hero: a haunted guitar. Its journey spans the years 1900-1971.
LanguageEnglish
PublisherBookBaby
Release dateAug 1, 2016
ISBN9781483576084
The Legend of a Blues Guitar

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    The Legend of a Blues Guitar - J. Stephen Howard

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    The Galveston Flood

    I’m writing this in the year of our Lord, 1960, realizing that my days are numbered. It’s amazing I’ve lasted this long, not because of my advanced age but rather considering I survived to see my adulthood at all. Not many could say the same who experienced a modern day example of God’s wrath in Galveston, TX, in the year of our Lord, 1900.

    But while one might think that’s quite enough to survive, what emerged in the wake of that terrible storm cursed me for years, and I hope no one else has had the misfortune to come across this evil talisman. But if they have, I pray they could play the blues from the heart. Otherwise, they might as well have been standing in the eye of a hurricane.

    Forgive an old man for prattling on, but while I got rid of the Devil’s instrument some time ago, I still wake with a chill in my old bones and can swear I hear a haunting blues melody that won’t let me be. Maybe by writing this down, I’ll receive some measure of relief.

    It was a windy morning to be sure on Saturday, September 8, and we’d received warnings, but my father, a prominent stock trader in this the Wall Street of the West, said, Jeremiah, God has been good to us. He’ll be good again.

    I’d never seen a more confident man then or since. My father’s faith in God seemed intertwined with his faith in himself. That’s what made him a successful trader, and how could I, a mere boy of ten years, argue with him?

    Besides, we lived in one of the best, most solidly built houses in all of Texas. The Greek columns of Belle de las Santos, the name of our mansion, stood tall as I cowered in the basement with a friend of the family.

    While it was a Saturday, my father told me he needed to tidy up some business affairs in an office he kept downtown on the island. Although I worried, he’d reminded me with an admonishing finger about God’s providence. Also, he reiterated his certainty propped up by the scientific pondering of Isaac Cline, from the Galveston Weather Bureau. Cline had said nine years prior that the city didn’t need a seawall, so a seawall was never built.

    God and science were telling us everything would be just fine.

    I tried to wear a smile as my father patted me on the head before walking out into the gusting wind, but it just wouldn’t fit.

    The friend of the family down in the basement with me was none other than Willy Custard, a once-in-demand guitarist who played in many bands until he began playing a different kind of music. The popular hits of the day were tunes such as In the Shade of the Old Apple Tree and Give My Regards to Broadway. However, after his son died, who’d been the only good thing left after a busted-up marriage, old Willy started playing some new music. The blues, he called it, but I never thought that adequately defined it. I would string some adjectives along in front such as the down-and-out, dark spirit, howling wind blues.

    He was there on that morning when the Great Flood, as people on the island called it, made landfall as if an invasion had occurred. It was an invasion all right but of water, wind, and pure evil.

    Custard had his guitar, which was nothing unusual as he carried it slung around his neck wherever he went. He should have been knocked out still from a powerful hangover, but he’d been keenly awake when my father suggested he might like to stay in the basement with me, his son, to ride out the temper tantrum of Mother Nature. As I’ve said, though, Dad had some business affairs downtown that needed managing, and when it came to work, he couldn’t leave anything untidy, no matter if the winds were picking up at steady 50 mph gusts.

    My mother, who suspected my father had stepped out on her with his secretary, had stepped out on him to stay at her sister’s.

    You best get on with your business, Winfred, Willy told my father for Winfred was his name. You know God will get on with His no matter what our earthly affairs might be.

    Willy had been a friend of the family for a good five years. My father had saved him from getting strung up by a bunch of KKK members who had no idea they were about to lynch a well-traveled musician.

    You should’ve let them hang me from a tree, Willy had said on occasion, to which my father would always ply him with more liquor and more musical requests.

    The morning when the hurricane was about to hit, Willy was, as I said, down in the basement with his wooden chair tipped back against a support beam. It looked as if at any moment he and the guitar would tip over.

    Being a boy of only ten, though, I didn’t say anything. I just kept imagining him falling to the ground as water from the hurricane came thundering down here.

    There was one light, flickering off before coming back on, dangling from the ceiling. We were directly beneath, in the center of a vast empty space that my father had always been meaning to convert into an entertainment room with a stage, dance floor, and bar. All the ceilings in the mansion were so high up, a boy’s neck could ache from looking up at them for too long. It was no different in the basement where the vaulted golden tiles suggested the emptiness of what could be.

    The fact that those remodeling plans had never been set in motion, not to mention the moans of a particularly hell-bent storm, didn’t keep Custard from singing and playing as if they had been. He sang as if he were playing before a packed house.

    Did I mention that he should’ve still been suffering the stabbing pains of a monstrous hangover? Again, all was immaterial save for the languorous sound of Custard’s voice that seemed to hang above the guitar chords clanging with resolute accompaniment.

    The wind’s gonna blow, just like a man’s gotta know, Willy sang, his voice raw with emotion but rich in tone. It was like the mixed cries of a wolf and a baby. The water’s gonna rise, just like a man’s gotta die. His soul gonna blow, gonna rain, gonna fly.

    Remember, I was just a kid. I was out-of-my-mind scared from that wind, already blowing mighty strong. From the vantage point of the basement, I could hear all kinds of creaking sounds as if the house above was not settled. I shouldn’t have been able to hear the water pouring in relentless sheets, but I did.

    And thanks to either the confidence or negligence of my father, I was left alone with old Willy. My mother, who as I’ve said was still at her sister’s, would’ve taken me with her but for the powerful will of my father. Also, she had no idea the nanny had fled two days ago thanks to an evil premonition of her witch doctor that all signs pointed to disaster striking the Belle de las Santos. Hazel just about knocked me down, she was in that big a hurry to leave.

    I’d never seen her act that way before, with her eyes fully dilated and her breathing heavy like she might either bulldoze me or faint there on the spot. It upset me that my mother thought I still needed a nanny looking after me as if I’d never made it out of daycare, but that’s another story.

    I guess my father thought putting me down here with Willy might calm my nerves in the face of a big storm. Of course, we both needed shelter, and Dad knew that no matter how much he denied its effectiveness against his own impenetrable mortality. His marriage was another thing my father thought was beyond reproach, although she’d been apart from him for a week at that point. I’d heard whispers, even as a kid, of Dad’s fling.

    The wind’s gonna blow, Willy sang as if confronting me personally with an inescapable truth.

    Just like a man’s gotta know, I replied, trying my best to sing Willy’s beloved blues. The words had risen from deep in the pit of my stomach, surprising me, for the intention to sing them hadn’t come from me.

    For a second, I thought Willy might smack me for crowding his stage, but he nodded. He was never one for conversation, but that morning, he looked more in the mood to sing than speak. That, however, would change.

    I’d been aware of Willy’s tragic past and how his only son was killed in a freak accident. Trevor had been about my age when he climbed a tree only to slip and fall, snapping his neck on a fence post.

    He was only trying to show me he could climb that tree to the top, I heard Willy say once during a rare moment when he spoke about the accident with my father. God doesn’t want us to climb.

    As I stared at Willy the morning of the Great Flood, those words about his son were telegraphed via his soulful eyes. Willy was a man in his fifties, although he looked to be in his sixties. Grey hair dominated his fuzzy hairdo that was as unkempt as the rest of him. He wore raggedy blue overalls that had served many years as his jack-of-all-trades, handy-man’s uniform. He’d done many odd jobs for us around the house, including fixing the plumbing when all the toilets stopped flushing at once.

    The truth was, I liked old Willy, but that didn’t stop me from being scared of him. I’d been a pampered boy, that is in terms of having any material thing I desired; therefore, I’d never been exposed to the kind of hard living that inspired the blues which Willy sang about. So, when I saw the deep sorrow in his eyes and felt the sadness which clung to him like a martyr’s robes, it spooked me.

    Of course, it didn’t help me now to be in the basement with him while a powerful storm raged. I must’ve appeared like I’d seen a ghost. That, however, got turned around.

    Trevor, Willy said, at which I blinked.

    I didn’t dare correct him for calling me by his deceased son’s name.

    Trevor, ain’t no need to be afraid. Your pops is here. I gots you. I gots you, my son.

    I think I mentioned it was dark down there, except for the meager light cast by a single overhead lightbulb. There were other lights that could’ve been switched on, but I was too transfixed by a haunted Willy to alter my position.

    In the center of the dark basement which had an unused, musty smell, I felt swallowed by a void. I knew, from being down there once or twice with the lights all turned on, that it was as wide as two normal-sized rooms and long enough to accommodate six.

    Willy’s eyes were strained wide as if he saw more than what I or anyone else could see, which of course he did since he thought I was his boy. He was leaned forward now in a position

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