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Before I Wake
Before I Wake
Before I Wake
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Before I Wake

Rating: 3.5 out of 5 stars

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Would you risk it all to uncover the truth?

This secret is killing me.

It's only one line from her fifteen-year-old daughter's diary, but Susan knows it means everything. Charlotte is smart, popular, and beautiful. She is also in a coma following what looks like a desperate suicide attempt. What's more, Susan has no idea what compelled her daughter to step out in front of a city bus.

Did she really know her daughter at all? In her hunt for the truth, Susan begins to mistrust everyone close to Charlotte, and she's forced to look further, into the depths of her own past. The secrets hidden there may destroy them both.

"This fast, twisty psychological thriller has suspense on every page!"—Paula Daly, author of Just What Kind of Mother Are You?

"One of the best books I've read in ages...such a chilling read."—Mel Sherratt, author of Taunting the Dead

"Gripping, memorable, and tense...a delight."—Alex Marwood, author of The Wicked Girls

Previously published in the U.K.as The Accident

LanguageEnglish
PublisherSourcebooks
Release dateJun 10, 2014
ISBN9781402294198
Before I Wake
Author

C.L. Taylor

C.L. Taylor is a Sunday Times bestselling author. Her psychological thrillers have sold over a million copies in the UK alone, been translated into over twenty languages, and optioned for television. Her 2019 novel, Sleep, was a Richard and Judy pick. C.L. Taylor lives in Bristol with her partner and son.

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Reviews for Before I Wake

Rating: 3.507352823529412 out of 5 stars
3.5/5

68 ratings9 reviews

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  • Rating: 3 out of 5 stars
    3/5
    A 3.5 star read for me. While I liked the mystery of what happened to Charlotte and I can usually roll with unreliable narrators, I found Sue & her diary entries of the past to be irritating. This was definitely a page turner but once the past and present converged this was a crackfic hot mess and I kept reading to see how far the author was going to take this. If I'd known this was how the book was going to read, I'd have saved it for a vacation beach read. It was that kind of melodramatic. Still, I'm glad I read it as it's been on my TBR list for some time and all in all, I'd read another book by this author.
  • Rating: 4 out of 5 stars
    4/5
    Sehr spannend und vor allem realistisch.
  • Rating: 4 out of 5 stars
    4/5
    Book DescriptionThis secret is killing me.It's only one line from her fifteen-year-old daughter's diary, but Susan knows it means everything. Charlotte is smart, popular, and beautiful. She is also in a coma following what looks like a desperate suicide attempt. What's more, Susan has no idea what compelled her daughter to step out in front of a city bus.Did she really know her daughter at all? In her hunt for the truth, Susan begins to mistrust everyone close to Charlotte, and she's forced to look further, into the depths of her own past. The secrets hidden there may destroy them both.My ReviewSue is plagued by her abusive past at the hands of James Evans. In the present day, she is trying to find out why her daughter is in a coma from purposely walking into the path of a bus. The story switches between the past and the present until the point where they collide into the present. There are lots of twists and turns which kept me turning the pages until the tension-filled ending. I found this book to be very well-written and entertaining. I will definitely seek out more books by C.L. Taylor and I highly recommend this book to those who love psychological thrillers.
  • Rating: 5 out of 5 stars
    5/5
    Sue Jackson's daughter, Charlotte, walked in front of a bus and is now in a coma. Sue's husband, Brian, believes it was an accident but Sue thinks there is more to it than that and sets to trying to find out what really happened. Sue has demons in her own past which she also has to deal with.The story is told by Sue which really helps to ramp up the tension in this novel as she desperately tries to get to the truth, and there are diary entries from 20 years earlier which tell the reader what Sue had to deal with in her past.The Accident is a fantastic psychological thriller which I read in 2 days. I raced through the last half, unable to put it down as the sense of foreboding grew.This is such a good debut novel which I found exciting to read and I think the author has a good career ahead of her.Thank you to the publishers and Netgalley for allowing me to review this book.
  • Rating: 4 out of 5 stars
    4/5
    This was the first book I had read by this author and I will diffidently be searching for more. I'll have to admit that I didn't think I was going to care for it in the beginning. The story interweaves diary entries with flashbacks. At first I just didn’t get the connection but once it settled down and I kept reading, it became clearer. There is so much good stuff in this action-packed novel. The author does an excellent job of showing the horror and fear of being in an abusive relationship and how difficult it is sometimes to leave it behind and start over. Overall this will appeal to thriller fans and for those who love an action-packed ride.
  • Rating: 4 out of 5 stars
    4/5
    It's obvious that a fiction book called 'The Accident' and marketed as a suspense thriller is going to be about something more chilling than a simple accident, and so it proved with C. L. Taylor's crime debut.The premiseSue Jackson is horrified when her teenage daughter, Charlotte, deliberately steps in front of a bus. Weeks later, as Charlotte remains in a coma, Sue reads her daughter's diary in the hope of finding answers. Instead, she finds only a frightening question: what was the secret Charlotte could no longer bear to live with?My thoughtsFrom the opening pages, the first-person narrative successfully creates suspense. Sue appears to distrust her husband, sending him away on an errand while she asks her comatose daughter whether or not her secret has to do with him. As the relatively short chapters fly by, it becomes clear that Sue is paranoid and unable to trust even those closest to her, but it is also clear that husband Brian is lying to her. Could he have harmed Charlotte? Or is the truth more prosaic?Sue's paranoia means she is a difficult character to empathise with initially. Her husband previously had an affair with a younger woman, but her willingness to believe that he has committed incest is difficult to credit. Taylor aims to alleviate any potentially negative reader response by interspersing chapters following Sue's modern-day investigation into Charlotte's life with entries from Sue's diary entries.Written twenty years previously, the diary entries focus on Sue's developing relationship with James. Initially I found this switch in focus a little disconcerting, but as both plot lines develop, a nice rhythm builds up and it is to Taylor's credit that I never found myself simply skimming one narrative thread in order to return more swiftly to the other.The trajectory of Sue and James' relationship is rather predictable and I became frustrated with her justifications for him, but I felt it was (sadly) a largely realistic representation. (Taylor explains in a sort of afterword that she was involved in a similar relationship, so she has some personal insight here.) The predictability wasn't a problem because I was still interested to see what would happen next and the storyline did help to make Sue's 43 year old character more understandable.Sue's investigation is largely carried out by conversation, particularly with her daughter's friends and boyfriend. None of these characters want to talk to her, so much of Sue's time is spent trying to exert pressure on them to reveal what they know. This is certainly more realistic than some crime novels where characters suddenly become super-sleuths whose knowledge of some hobby or friends in particular places help them to achieve what an ordinary Jane or John Jones couldn't. This means the story goes back and forth a lot as Sue gets a snippet of information here, a snippet of information there, and has to return to question the same friends over and over. Some readers may find this approach to crime-solving less compelling than a more CSI-style approach.The conversational structure does make Sue's urgency striking in contrast to the more typical concerns of her daughter's school friends, who just want to avoid being reported to their mothers. She's gradually revealed to be a disturbed and unreliable narrator with a history of mental illness whose husband tries to insist she take anti-anxiety medicines, but just as the reader begins to wonder whether Sue herself poses the greatest threat to Charlotte, there's a chilling development...Final thoughtsTaylor successfully creates an atmosphere of menace throughout the 400 pages of the kindle edition, which is perhaps particularly impressive when evaluated in light of the fundamentally domestic nature of events in the novel. This is another example of the recent trend for 'domestic noir' - dark fiction where the home is the source of unease and danger.Sue's predicament is crucial to this feeling of menace and the book is a chilling addition to the vast body of fiction which features women in deadly scenarios who are not believed due to (perceived or actual) mental illness. Although the book features a character with PTSD, domestic abuse and anxiety, Taylor isn't aiming to explore the issues involved; they're simply part of the storyline. This isn't intended as a criticism, just an observation; the story is intended to create suspense, not engender discussion.The storyline was a little far fetched in places - it's almost like Taylor thought 'How could I make this even more dramatic and creepy?' - and James' character risks becoming a bogeyman rather than a genuine threat. I thought this was a bit of a shame and would have preferred greater ambiguity around his character. I didn't feel that the climax of the main story was predictable, though in retrospect, if I had properly applied myself to thinking about it I feel I could have worked out the finale from about two-thirds of the way through. Of course, the joy of an unreliable narrator is that you can never be confident about your guesses, so even Iif a reader could anticipate the ending, it would only be as one if several possibilities and shouldn't spoil the overall reading experience.Once Sue has uncovered the secret, events happen quickly and, in a brief final chapter, everything is settled. I think I would have preferred a different ending, with less action, but Taylor's ending at least resolved everything quickly and neatly without pages of tedious explanation. The book is a suitable length, feeling neither too long or too short, and is self-contained. (This was a plus for me as I dislike reading what I think is a standalone book only to find that it ends on a massive cliffhanger and I'm now expected to read volumes 2 and 3.)The marketing blurb claims the book is 'fast-paced and suspenseful...perfect for fans of Before I go to Sleep, Gone Girl and Sophie Hannah'. Tick, tick, tick...I should love this. It is fast-paced and suspenseful, but 'Before I go to Sleep' was more chilling, 'Gone Girl' was cleverer and Sophie Hannah's novels are far more concerned with the inner psychological workings of her characters. (Her endings would never dismiss motives in as few words as Taylor's does.) This isn't to say that Taylor's debut isn't a good read, simply that it isn't quite as compelling as the works the marketing department have compared it to.Overall I did find this quite gripping - I read it within two days - and would be happy to read Taylor's next novel, 'Before I Wake', though I'd be perfectly content with a library copy; I didn't find this book sufficiently compelling to think that I might want to re-read it, though that's not really an issue since it only cost 69p (currently reduced from £6.99) and takes up minimal space on my Kindle. This is also available as a paperback, though I'd be tempted to look for an offer rather than paying the £6.99 RRP, because I'm not sure many readers would want to re-read it. (The climax is memorable and with this kind of suspense story, where all the focus is on getting to the climax rather than on, say, character development, once you know the ending there's little value in re-reading.) The kindle version includes book club questions and a conversation with the author. I didn't feel these added anything to the package, but I suppose it's always nice to get some extras.Read this if:- you enjoy domestic noir and stories that focus on normal people enduring abnormal circumstances;- you enjoy suspense stories that focus on moving along the plot rather than on characterisation or setting;- you are looking for an undemanding, easy read to while away sme time.Avoid this if:- you are irritated by stories which use diary entries that are able to reproduce whole conversations between characters;- you prefer suspense thrillers with lots of action or potential for consequences stretching beyond a family unit;- you would find domestic abuse too difficult to read about.
  • Rating: 4 out of 5 stars
    4/5
    The Accident is a fast paced psychological thriller from debut author, C.L. Taylor.Desperate to understand why her comatose 15 year old daughter would deliberately step into the path of a bus, Susan Jackson begins a frenzied hunt for clues amongst the secrets her daughter kept from her. As Susan slowly begins to piece together information from Charlotte’s diary, phone and friends, shocking evidence of betrayal and blackmail begins to emerge, along with ugly secrets from Susan’s own past.The author nurtures an uneasy atmosphere from the first few pages of The Accident, building mistrust and dread as the story unfolds. Surrounded by secrets and lies, Susan doesn’t know where to turn or how to make sense of the information she learns but is certain she can find the truth, even if everyone else believes she is simply chasing ghosts.Taylor quickly establishes Susan an an unreliable narrator, Susan is deeply distressed and confused as you would expect of a mother whose child is lying in a coma but it soon becomes obvious that she is also unusually neurotic, and paranoid. While the present day, first person narrative communicates Susan’s growing nervousness and fear, it’s Susan’s journal excerpts from 22 years earlier that helps to explain why she is so anxious.A well crafted thriller, The Accident is fast paced and tense, culminating in a dramatic conclusion. A strong debut, I’d recommend it particularly to those who enjoyed Kimberly McCreight’s novel, Reconstructing Amelia.
  • Rating: 4 out of 5 stars
    4/5
    Before I Wake is C. L. Taylor's debut novel. And I have to tell you - it's really good. Present day. Susan sits by a hospital bed, hoping her comatose daughter will wake up. It was a dreadful accident, Charlotte stepping out in front of the bus like that. Or so Susan thought until she found Charlotte's diary - and the cryptic line - "This secret is killing me." Taylor then cuts the narrative to the past and we are privy to Susan's diary, before she married and had Charlotte. The journal is troubling and worrisome, giving the reader a good idea of where Susan's life might be headed. We want to shake Susan out of her fantasy world but we can only keep reading as things deteriorate. And just at a pivotal moment, Taylor switches back to the present. Susan needs to know the secret her daughter was keeping. Maybe, just maybe, by discovering the truth, she can help Charlotte wake up. But her attempts to ferret out the truth have her lying to her husband, badgering Charlotte's friends and more. She begins to dig up small tidbits of information, but no one believes her. In fact, they all think she's having an 'episode'. After all, it wouldn't be the first time would it? Present day Susan is an unreliable narrator We just never really know if she is telling the truth or telling the truth as she imagines it to be. But her earlier diary is quite the opposite. And is in fact, quite frightening in the scenario that Taylor portrays. Taylor's characters are all quite well drawn and definitely evoke reactions from the reader. Although the main plot idea has been done before, Taylor adds enough spin to make it her own. I quite enjoyed the past and present timeline and the cliffhanging chapter endings. The suspense starts in the first few pages and doesn't let up until the very end. (Although, it did keep me reading long past the time I should have shut off the light.) Before I Wake was an excellent psychological suspense read. Taylor herself has a degree in psychology and that knowledge is used very effectively at building her story, in both timelines. A recommended read and I'll be watching for Taylor's second book.
  • Rating: 4 out of 5 stars
    4/5
    This book was a tremendous treat, recommended for fans of suspenseful mysteries with unreliable narrators like Alice LaPlante’s Turn of Mind or S.J. Watson’s Before I Go To Sleep. I received an advanced reader copy of this book from NetGalley (THANKS NETGALLEY!). It is due for release in a just few short months - on June 1, 2014 – perfect timing for those going on vacation and looking for the perfect book to sprawl out with in the sand this summer. It just might be too addictive for vacation though. While I was reading it, I got so wrapped up in it that I read the second half of the book all in one night, staying up far too late, adding to my now perpetual state of zombie-like sleep deprivation. (Babies are things of wonder and joy, but HOLY CRAP they are a lot of work – as in, I now have no life because the baby is my life, and the simple joys in like…sleeping on your own schedule or even sleeping at all…don’t have much of a part to play in this new life with my baby. But, I digress.) My point is – I missed out on a few hours of much needed sleep because I couldn’t tear myself away from this book – and that’s saying something.With books of this ilk, it is typically best to let them speak for themselves; the less known about them, the better – especially this far in advance of its publication date – so, I’ll be brief and above-board in my synopsis. Susan, a middle aged seamstress, is married to Brian, a middle aged politician. They are parents to Charlotte, your typical angst-ridden, secretive fifteen year old. Except, normal fifteen year olds don’t walk into traffic, staring a fast approaching bus driver in the face, bringing about a life-threatening coma and horrible injuries. Naturally, her parents are distraught, but after Susan finds her daughter’s dairy and reads of a terrible secret that could have contributed to Charlotte’s presumed suicide attempt, she turns amateur detective, trying to uncover reason behind this disaster that has torn her family apart. The thing is – Susan doesn’t have a history of the most stable mental health, and her daughter’s secret threatens to unhinge her once again. As Susan delves into her daughter’s deep secret life, her own dangerous past becomes mingled with her current reality. The narrative bounces between the present day detective work and entries from Susan’s old diary where she chronicles a tumultuous romantic relationship with a past boyfriend named James. Is Susan’s past finally impacting the future of her and her family, or is she looking for clues to something that just isn’t there?Before I Wake is a page turner guaranteed to grip fans of both mystery and suspense. A rock-solid recommendation.

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Before I Wake - C.L. Taylor

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Copyright © 2014 by C. L. Taylor

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Contents

Front Cover

Title Page

Copyright

Chapter One

Chapter Two

Chapter Three

Chapter Four

Chapter Five

Chapter Six

Chapter Seven

Chapter Eight

Chapter Nine

Chapter Ten

Chapter Eleven

Chapter Twelve

Chapter Thirteen

Chapter Fourteen

Chapter Fifteen

Chapter Sixteen

Chapter Seventeen

Chapter Eighteen

Chapter Nineteen

Chapter Twenty

Chapter Twenty-One

Chapter Twenty-Two

Chapter Twenty-Three

Chapter Twenty-Four

Chapter Twenty-Five

Chapter Twenty-Six

Chapter Twenty-Seven

Chapter Twenty-Eight

Chapter Twenty-Nine

Chapter Thirty

Chapter Thirty-One

Chapter Thirty-Two

Chapter Thirty-Three

Reading Group Guide

A Conversation with the Author

A Sneak Peek of The Lie

Acknowledgments

About the Author

Back Cover

For Chris Hall

Chapter

One

April 22, 2012

Coma. There’s something innocuous about the word, soothing almost in the way it conjures up the image of a dreamless sleep. Only Charlotte doesn’t look to me as though she’s sleeping. There’s no soft heaviness to her closed eyelids. No curled fist pressed up against her temple. No warm breath escaping from her slightly parted lips. There is nothing peaceful at all about the way her body lies, prostrate, on the duvetless bed, a tracheostomy tube snaking its way out of her neck, her chest polka-dotted with multicolored electrodes.

The heart monitor in the corner of the room bleep-bleep-bleeps, marking the passage of time like a medical metronome, and I close my eyes. If I concentrate hard enough, I can transform the unnatural chirping into the reassuring tick-tick-tick of the grandfather clock in our living room. Fifteen years fall away in an instant, and I am twenty-eight again, cradling baby Charlotte to my shoulder, her slumbering face pressed into the nook of my neck, her tiny heart outbeating mine, even in sleep. Back then, it was so much easier to keep her safe.

Sue? There is a hand on my shoulder, heavy, dragging me back into the stark hospital room, and my arms are empty again, save the handbag I clutch to my chest. Would you like a cup of tea?

I shake my head, then instantly change my mind. Actually, yes. I open my eyes. Do you know what else would be nice?

Brian shakes his head.

One of those lovely tea cakes from M&S.

My husband looks confused. I don’t think they sell them in the canteen.

Oh. I look away, feigning disappointment, and instantly hate myself. It isn’t in my nature to be manipulative. At least I don’t think it is. There’s a lot I don’t know anymore.

It’s okay. There’s that hand again. This time it adds a reassuring squeeze to its repertoire. I can pop into town. He smiles at Charlotte. You don’t mind if I leave you alone with your mum for a bit?

If our daughter heard the question, she doesn’t let on. I reply for her by forcing a smile.

She’ll be fine, I say.

Brian looks from me to Charlotte and back again. There’s no mistaking the look on his face—it’s the same wretched expression I’ve worn for the last six weeks whenever I’ve left Charlotte’s side. Terror she might die the second we leave the room.

She’ll be fine, I repeat, more gently this time. I’ll be here.

Brian’s rigid posture relaxes, ever so slightly, and he nods. Back soon.

I watch as he crosses the room, gently shutting the door with a click as he leaves, then release my handbag from my chest and rest it on my lap. I keep my eyes fixed on the door for what seems like an eternity. Brian has never been able to leave the house without rushing back in seconds later to retrieve his keys, his phone, or his sunglasses or to ask a quick question. When I am sure he has gone, I turn back to Charlotte. I half expect to see her eyelids flutter or her fingers twitch, some sign that she realizes what I am about to say, but nothing has changed. She is still asleep. The doctors have no idea when, or even if, Charlotte will ever wake up. She’s been subjected to a whole battery of tests—CAT scans, MRIs, the works—with more to come, and her brain function appears normal. There’s no medical reason why she shouldn’t come around.

Darling. I take Charlotte’s diary out of my handbag, fumble it open, and turn to the page I’ve already memorized. Please don’t be angry with me but… I glance at my daughter to monitor her expression. I found your diary when I was tidying your room yesterday.

Nothing. Not a sound, not a flicker, not a tic or a twinge. And the heart monitor continues its relentless bleep-bleep-bleeping. It is a lie of course, the confession about finding her diary. I found it years ago when I was changing her sheets. She’d hidden it under her mattress, exactly where I’d hidden my own teenaged journal so many years before. I didn’t read it though, back then; I had no reason to. Yesterday I did.

In the last entry, I say, pausing to lick my lips, my mouth suddenly dry, you mention a secret.

Charlotte says nothing.

You said keeping it was killing you.

Bleep-bleep-bleep.

Is that why…

Bleep-bleep-bleep.

…you stepped in front of the bus?

Still nothing.

Brian calls what happened an accident and has invented several theories to support this belief: she saw a friend on the other side of the street and didn’t look both ways as she ran across the road, she tried to help an injured animal, she stumbled and tripped when she was texting, or maybe she was just in her own little world and didn’t look where she was walking.

Plausible, all of them. Apart from the fact the bus driver told the police she caught his eye and then deliberately stepped into the road, straight into his path. Brian thinks he’s lying, covering his own back because he’ll lose his job if he gets convicted of dangerous driving. I don’t.

Yesterday, when Brian was at work and I was on bed watch, I asked the doctor if she had carried out a pregnancy test on Charlotte. She looked at me suspiciously and asked why, did I have any reason to think she might be? I replied that I didn’t know but I thought it might explain a thing or two. I waited as she checked the notes. No, she said, she wasn’t.

Charlotte. I shuffle my chair forward so it’s pressed up against the bed and wrap my fingers around my daughter’s. Nothing you say or do could ever stop me from loving you. You can tell me anything. Anything at all.

Charlotte says nothing.

It doesn’t matter if it’s about you, one of your friends, me, or your dad. I pause. Is the secret something to do with your dad? Squeeze my fingers if it is.

I hold my breath, praying she doesn’t.

Friday, September 7, 1990

It’s 5:41 a.m. and I’m sitting in the living room, a glass of red wine in one hand, a cigarette in the other, wondering if the last eight hours of my life really happened.

I finally rang James on Wednesday evening, after an hour’s worth of abortive attempts and several glasses of wine. The phone rang and rang, and I started to think that maybe he was out when it suddenly stopped.

Hello?

I could barely say hello back, I was so nervous but then…

Susan, is that you? Gosh. You actually called.

His voice sounded different, thinner, breathy, like he was nervous too, and I joked that he sounded relieved to hear from me.

Of course, he replied. I thought there was no way you’d call after what I did. Sorry, I’m not normally such a twat, but I was so pleased to run into you alone backstage that I… Anyway, sorry. It was a stupid thing to do. I should have just asked you out like a normal person…

He tailed off, embarrassed.

Actually, I said, feeling a sudden rush of affection toward him, I thought it was funny. No one’s ever thrown a business card at me and shouted ‘call me’ before. I was almost flattered.

Flattered? I’m the one who should be flattered. You called! Oh god, he paused, you are calling to arrange a drink, aren’t you? You’re not ringing to tell me I’m an absolute jerk?

I did consider that option, I laughed, but no, I happen to be unusually thirsty today, so if you’d like to take me out for a drink, that could be arranged.

God, of course. Whenever and wherever you want to go. All drinks on me, even the expensive ones. He laughed. I want to prove to you that I’m not…well, I’ll let you make your own mind up. When are you free?

I was tempted to say NOW but played it cool instead, as Hels had ordered me to do, and suggested Friday (tonight). James immediately agreed, and we arranged to meet in the Dublin Castle.

I tried on dozens of different outfits before I went out, immediately discarding anything that made me look, or feel, fat and frumpy, but I needn’t have worried. The second I was within grabbing distance, James pulled me against him and whispered, You look beautiful, in my ear. I was just about to reply when he abruptly released me, grabbed my hand, and said, I’ve got something amazing to show you, and led me out of the pub, through the throng of Camden revelers, down a side street, and into a kebab shop. I gave him a questioning look, but he said, Trust me, and shepherded me through the shop and out a door at the back. I expected to end up in the kitchen or the toilets. Instead I stumbled into a cacophony of sound and blinked as my eyes adjusted to the smoky darkness. James pointed out a four-piece jazz band in the corner of the room and shouted, They’re the Grey Notes—London’s best kept secret, then led me to a table in the corner and held out a battered wooden chair for me to sit down.

Whiskey, he said. I can’t listen to jazz without it. You want one?

I nodded, even though I’m not a fan, then lit up a cigarette as James made his way to the bar. There was something so self-assured and masculine about the way he moved, it was almost hypnotic. I’d noticed it the first time I’d seen him on stage.

James couldn’t be more different from my ex Nathan. While Nathan was slight, baby-faced, and only a couple of inches taller than me, James was six-foot-four with a solidity to him that made me feel small and delicate. He had a cleft in his chin like Kirk Douglas, but his nose was too large to make him classically good-looking. His dirty blond hair continually flopped into his eyes, but there was something mercurial about them that reminded me of Ralph Fiennes; one minute they were cool and detached, the next they were crinkled at the corners, dancing with excitement.

I knew something was wrong the second James returned from the bar. He didn’t say anything, but as he set the whiskey tumblers down on the table, his eyes flicked toward the cigarette in my hand and I instantly understood.

You don’t smoke.

He shook his head. My father died of lung cancer.

He tried to object, to tell me that whether I smoked or not was none of his business, but his frown evaporated the second I put my cigarette out, and the atmosphere immediately lightened. The band was so loud it was hard to hear each other over the squeal of the trumpet and the scatting of the lead singer, so James moved his chair closer to mine so we could whisper into each other’s ears. Whenever he leaned in, his leg rested against mine, and I’d feel his breath against my ear and neck. It was torturous, feeling his body against mine and smelling the warm spiciness of his aftershave and not touching him. When I didn’t think I could bear it a second longer, James cupped his hand over mine.

Let’s go somewhere else. I know the most magical place.

I barely had a chance to say okay when he bounced out of his seat and crossed the room to the bar. A second later, he was back, a bottle of champagne in one hand and two glasses and a threadbare rug in the other. I raised an eyebrow, but he just laughed and said, You’ll see.

We walked for what felt like forever, weaving our way through the Camden crowds until we passed Chalk Farm. I kept asking where we were going, but James, striding alongside me, only laughed in reply. Finally we stopped walking at an entrance to a park, and he laid a hand on my shoulder. I thought he was going to kiss me. Instead he told me to shut my eyes because he had a surprise for me.

I wasn’t sure what could be quite so astonishing in a dark park at silly o’clock in the morning, but I closed my eyes anyway. Then I felt something heavy and woolen being draped over my shoulders, and warm spiciness enveloped me. James had noticed I was shivering and lent me his coat. I let him lead me through the entrance and up the hill. It was scary, putting my trust in someone I barely knew, but it was exhilarating too and strangely sensual. When we finally stopped walking, he told me to stand still and wait. A couple of seconds later, I felt the softness of the worn cotton rug under my fingers as he helped me to sit down.

Ready? I felt him move so he was crouched behind me, then his fingers touched my face, lightly brushing my cheekbones as they moved to cover my eyes. A tingle ran down my spine and I shivered, despite the coat.

I’m ready, I said.

James removed his fingers and I opened my eyes. Isn’t it beautiful?

I could only nod. At the base of the hill, the park was a checkerboard of black squares of unlit grass and illuminated pools of yellow-green light cast by glowing street lamps. It was like a magical patchwork of light and dark. Beyond the park stretched the city, windows twinkling and buildings sparkling. The sky above was the darkest navy, shot with dirty orange clouds. It was the most breathtaking vista I’d ever seen.

Your reaction when you opened your eyes… James was staring at me. I’ve never seen anything so beautiful.

Stop it! I tried to laugh but it caught in my throat.

You looked so young, Suzy, so enchanted—like a child on Christmas day. He shook his head. How is someone like you single? How is that even possible?

I opened my mouth to reply, but he wasn’t finished.

You’re the most amazing woman I’ve ever met. He reached for my hand. You’re funny, kind, intelligent, and beautiful. What on earth are you doing here with me?

I wanted to make a joke, to ask if he was so drunk he didn’t remember leading me up the hill, but I found I couldn’t.

I wanted to be here, I said. And I wouldn’t want to be anywhere else.

James’s face lit up as though I’d just given him the most wonderful compliment, and he cupped my face with his hands. He looked at me for the longest time and then he kissed me.

I’m not sure how long we kissed for, lying there on a rug on the top of Primrose Hill, our bodies entwined, our hands everywhere, grasping, pulling, clutching. We didn’t remove our clothes and we didn’t have sex, yet it was still the single most erotic moment of my life. I couldn’t let go of James for more than a second without pulling him toward me again.

It grew darker and colder, and I suggested we leave the park and go back to his flat.

James shook his head. Let me put you in a taxi home instead.

But—

He pulled his coat tighter around my shoulders. There’s time for that, Suzy. Plenty of time.

Chapter

Two

I wait until Brian leaves for work the next day before I go through his things. It’s nippy in the cloakroom, the tiled floor cold under my bare feet, the windowed walls damp with condensation, but I don’t pause to grab a pair of socks from the radiator in the hall. Instead I thrust my hands into the pockets of Brian’s favorite jacket. The coat stand rocks violently as I move from pocket to pocket, pulling out the contents and dropping them to the floor in my haste to find evidence.

I’ve finished with the jacket and have just plunged both hands into the pockets of a hooded sweatshirt when there’s a loud CRASH from the kitchen.

I freeze.

My mind goes blank—turns off—as though a switch has been thrown in my brain and I’m as rigid as the coat stand I’m standing beside, breathing shallowly, listening, waiting. I know I should move. I should take my hands out of Brian’s fleece. I should kick the contents of his wax jacket into the corner of the room and hide the evidence that I am a terrible, mistrusting wife, but I can’t.

My heart is beating so violently the sound seems to fill the room, and in an instant, I’m catapulted twenty years into the past. I’m twenty-three, living in North London, and I’m crouching in the wardrobe, a backpack stuffed with clothes in my left hand, a set of keys I stole from someone else’s jacket in my right. If I don’t breathe, he won’t hear me. If I don’t breathe, he won’t know that I’m about to…

Brian? The sense of déjà vu falls away as the faintest scraping sound reaches my ears. Brian, is that you?

I frown, straining to make out anything other than the rhythmic thump-thump-thump of my heart, but the house has fallen silent again.

Brian?

I jolt back to life, as though the switch in my brain has been flicked the other way, and I pull my hands out of his sweatshirt.

The hallway carpet is warm and plush under my feet as I inch forward, pausing every couple of seconds to listen as I head toward the kitchen. The smell of bleach fills my nose, and I realize one hand is covering my mouth, the scent of disinfectant still fresh on my fingers from cleaning the bathroom earlier. I pause again and try to slow my breathing. It is coming in small, sharp gasps, signaling a panic attack, but I am no longer afraid that my husband has come back to retrieve a forgotten briefcase or a lost house key. Instead I’m scared of—

Milly!

I’m almost knocked off my feet as an enormous golden retriever bowls down the hallway and launches herself at me, front paws on my chest, wet tongue on my chin. Normally I’d chastise her for jumping up, but I’m so relieved to see her I wrap my arms around her and rub the top of her big, soft head. When her joyful licking gets too much, I push her down.

How did you get out, naughty girl?

Milly smiles up at me, tendrils of drool dripping off her tongue. I’ve got a pretty good idea how she managed to escape.

Sure enough, when I reach the kitchen, the dog padding silently beside me, the door to the porch is open.

You’re supposed to stay in your bed until Mummy lets you out! I say, pointing at the pile of rugs and blankets where she sleeps at night. Milly’s ears prick up at the mention of the word bed and her tail falls between her legs. Did silly Daddy leave the door open on his way to work?

I never thought I’d be the kind of woman who’d refer to herself and her husband as Mummy and Daddy when speaking to a pet, but Milly is as much a part of our family as Charlotte. She’s the sister we could never give her.

I shut Milly back in the porch, my heart twisting as she looks beseechingly at me with her big, brown eyes. It’s eight o’clock. We should be strolling through the park at the back of the house, but I need to continue what I started. I need to get back to the cloakroom.

The contents of Brian’s pockets are where I left them—strewn around the base of the coat stand. I kneel down, wishing I’d grabbed a cushion from the living room as my knees click in protestation, and examine my spoils. There’s a handkerchief, white with an embroidered golfer in the corner, unused, folded neatly into a square (given to him by one of the children for Christmas); three paper tissues, used; a length of twine, the same type Brian uses to tie up the tomatoes in his vegetable garden; a receipt from the local supermarket for £40 worth of petrol; a mint candy, coated with fluff; a handful of loose change; and a crumpled cinema ticket. My heart races as I touch it—then I read the title of the film and the date—and my pulse returns to normal. It’s for a comedy we went to see together. I hated it—found it rude, crude, and slapstick—but Brian laughed like a maniac.

And that’s it. Nothing strange. Nothing out of the ordinary. Nothing incriminating.

Just…Brian stuff.

I sweep his belongings into a pile with the side of my hand, then scoop them up and carefully distribute them among his pockets, making sure everything is returned to where I found it. Brian isn’t a fastidious man; he won’t know, or care, which pocket held the change and which the cinema ticket, but I’m not taking any chances.

Maybe there is no evidence at all.

Charlotte didn’t squeeze my hand when I asked if her secret had anything to do with her father. She didn’t so much as twitch. I don’t know what I was thinking, imagining she might respond—or even asking the question in the first place. Actually, I do. I was following up a hunch; a hunch that my husband was betraying me, again.

Six years ago, Brian made a mistake—one that nearly destroyed not only our marriage, but his career too. He had an affair with a twenty-three-year-old parliamentary intern. I raged, I shouted, I screamed. I stayed with my friend Jane for two nights. I would have stayed longer but I didn’t want Charlotte to suffer. It took a long time but eventually I forgave Brian. Why? Because the affair happened shortly after one of my episodes, because my family is more important to me than anything in the world, and because, although Brian has many faults, he is a good man at heart.

A good man at heart—it sounds like such a terribly cutesy reason to forgive someone their infidelity, doesn’t it? Perhaps it is. But it’s infinitely preferable to life with a bad man, and when Brian and I met, I knew all about that.

It was the summer of 1993, and we were both living in Athens. I was teaching English as a foreign language and he was a widower businessman chasing a big deal. The first time Brian said hello to me, in a tatty tavern on the banks of the river Kifissos, I ignored him. The second time, I moved seats. The third time, he refused to let me continue pretending he didn’t exist. He bought me a drink and delivered it to my table with a note that said hello from one Brit to another, and then walked straight out of the pub without a backward glance. I couldn’t help but smile. After that, he was quietly persistent, a hello here, a what are you reading? there, and we gradually became friends. It took me a long time to lower my barriers, but finally, almost one year to the day after we first met, I let myself love him.

It was a warm, balmy evening, and we were strolling beside the river, watching the lights of the city flicker and glow on the water when Brian started telling me about Tessa, his late wife, and how devastated he was when she lost her battle with cancer. He told me how shocked he’d been—the disease had progressed so rapidly—and then how angry, how he’d waited until his son was staying with his granny and then he’d smashed up his own car with a cricket bat because he didn’t know how to deal with his rage. His eyes filled with tears when he told me how desperately he missed his son Oliver (he’d left him with his grandparents in the UK so he could fulfill a contract in Greece), but he made no attempt to blot them away. I touched his face, tracing my fingers over his skin, smudging his tears away, and then I reached for his hand. I didn’t let go for three hours.

I push open the door to Brian’s study and approach his desk, instantly feeling that I have intruded too far. I wash my husband’s clothes, I iron them, some of them I buy, but his study represents his career—a part of his world that he keeps distinct from family life. Brian is a member of Parliament. Saying it aloud makes me so proud, but I wasn’t always that way. Seventeen years ago, I was bemused when he’d rail against Tory scum, class divides, and a failing National Health Service, but Brian wasn’t content to sit on society’s sidelines and moan. When we returned to the UK from Greece, still flushed with happiness from our impromptu bare-footed wedding on a beach in Rhodes, he was resolute. We’d settle in Brighton and he’d start a new business—he had a hunch recycling would be big—and then, when it was established and making a profit, he’d run for Parliament. He didn’t have so much as a high school diploma in economics, but

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