British Railways in the 1950s and ’60s
By Greg Morse
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About this ebook
Greg Morse
Greg Morse has worked in railway safety since 2005 and is a Fellow of the Chartered Institution of Railway Operators. He has written extensively about the importance of remembering the past when making decisions about the future, and has spoken on that subject at many safety conferences and events. A rail historian, he grew up in Swindon, where he witnessed the end of the town’s railway factory and the birth of the Inter-City 125s.
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British Railways in the 1950s and ’60s - Greg Morse
INTRODUCTION: TRANSITION THROUGH TIME
1950
A CRISP DECEMBER MORNING, and a black cab pulls up in Drummond Street beneath a glowing winter sun. A gloved hand pays the fare, a gnarled hand opens the door, and the silk-stockinged leg of a woman appears as she steps on to the London pavement. Her dark blue coat caressed by the breeze, she walks beneath the Doric Arch, across the courtyard and into the cathedrallike Great Hall. Goodness, there are so many people! All milling around and getting in my way. But where is Hamish? I distinctly told him … No wait, there he is – over by the statue.
Janey waves gaily; Hamish waves back from his spot next to George Stephenson, happy that he’s managed to buy the tickets already. There should be plenty of room on the train – they might even get a compartment to themselves if they’re lucky. A porter, the brass buttons on his serge uniform shining, loads their luggage on to a trolley – presents for the aunts, presents for the nephews, and enough gowns and suits for a week of wining and dining in Scotland’s second city. Now, where’s our platform? Gosh, Euston can be such a gloomy, smoky place…
Just ahead, young Johnny unwraps his third toffee. He likes the departure side of the station the best. There’s nothing like the sight of a steam train starting its journey – the plume of white smoke, the quickening bark of the exhaust, the slip of a wheel, the hiss of the sander – nothing like it on earth! Johnny worships the engine drivers and hopes to follow in his father’s footsteps to become one himself. One day.
The porters and inspectors all know him – holidays and weekends, he’ll be there, notebook and pencil in hand, Ian Allan ABC in his pocket. Sometimes they let him keep his penny platform ticket – a trophy of his spoils, which he carefully places in an old tobacco tin at home. Occasionally, a driver will let him climb on to the footplate. Today, Old Charlie – a friend of his father at Camden Shed – gives him the tip. He doesn’t need asking twice and soon finds himself basking in the welcome heat of no. 46256 Sir William A. Stanier, F.R.S. – a huge ‘Pacific’ named after its designer, though built under his successor George Ivatt and wearing the new black livery of British Railways. Johnny knows all this and more (much more!) thanks to his father, and the occasional copy of The Railway Magazine that his granddad gives him. He stands back as the fireman fills up the back corners of the grate, his metal shovel clanging as coal falls into flame. The driver checks his gauges and makes one or two deft adjustments before looking at his watch: 9.55 – just five minutes to go. Johnny knows it’s time for him to leave – the ‘Royal Scot’ should never be late.
Ex-LMS ‘Duchess’ Pacific no. 46235 City of Birmingham arrives at Euston with the ‘Royal Scot’ as parcels, packages and passenger await. This locomotive is preserved and resides at Thinktank, Birmingham’s science museum.
Until 1962, the start of a journey from Euston looked like this; Philip Hardwick’s magnificent Doric Arch was erected for the London & Birmingham Railway in 1837 as a triumphant gateway to the Midlands.
Back on the platform, he runs to the front of the train to savour the sight of the locomotive. How splendid it looks against the sky! Sir William is a ‘cop’ too – an engine he’s never seen before, which means a lovely, long name to underline in the book tonight. All the same, he can’t help wondering which member of the class will take over at Carlisle ...
A group of nuns, a young family, an old couple – Ah, here we are! Janey opens the door of the empty compartment and sets about adjusting it to her requirements, dropping the blind on one side, turning up the heat, and opening the toplight a touch. These old carriages are past their best now, but they’re warm, and their upholstery is soft and inviting. Outside, Hamish tips the porter and climbs aboard. Finding his wife, he kisses her and heads for the restaurant car, smiling as he sees a boy on the platform – at his age, he’d wanted to be an engine driver too. Perhaps