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Clean and Well Lit
Clean and Well Lit
Clean and Well Lit
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Clean and Well Lit

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Poetry. "For more than thirty years, Tom Raworth has been at the forefront of English language writing. With the fastest line in the west, Raworth's flickering, disconsolate, syntactically restless, lilting, often angry, almost balletic poems resist habitual thought at every break, rekindling animate social consciousness. There is no better introduction to Raworth than CLEAN & WELL LIT."—Charles Bernstein. Tom Raworth was born and grew up in London. During the 1970s he traveled and worked in the United states and Mexico, returning to England in 1977 to be Resident Poet at King's College, Cambridge, in which city he lived for many years. Since 1966 he has published more than 40 books and pamphlets of poetry, prose and translations, in several countries. His graphic work has been shown in France, Italy, and the United States, and he has collaborated and performed with musicians (Steve Lacy, Joëlle Léandre, Steve Nelson-Raney, Esther Roth, Nino Locatelli), painters (Giovanni D'Agostino, Micaëla Henich), and other poets (Franco Beltrametti, Corrado Costa, Dario Villa). In 1991 he was invited to teach at the University of Cape Town: the first European writer to visit there for thirty years. Raworth now lives in Brighton, Sussex. 
LanguageEnglish
PublisherRoof Books
Release dateJan 1, 1996
ISBN9780937804643
Clean and Well Lit
Author

Tom Raworth

John F. Deane was born on Achill Island in 1943. He founded Poetry Ireland – the National Poetry Society – and The Poetry Ireland Review in 1978, and is the founder of The Dedalus Press, of which he was editor from 1985 until 2006. In 2008 he was visiting scholar in the Burns Library of Boston College. John F. Deane’s poetry has been translated and published in France, Bulgaria, Macedonia, Romania, Italy, Slovakia, Sweden and other countries. His poems in Italian won the 2002 Premio Internazionale di Poesia Città di Marineo. His fiction has been published by Blackstaff Press in Belfast; his most recent novel Where No Storms Come was published by Blackstaff in 2011. He is the recipient of the O’Shaughnessy Award for Irish Poetry and the Marten Toonder Award for Literature. John F. Deane is a member of Aosdána, the body established by the Arts Council to honour artists ‘whose work has made an outstanding contribution to the arts in Ireland’. His poetry has been shortlisted for the Irish Times Poetry Now Award and the T.S. Eliot Prize. In 2007 he was made Chevalier en l’ordre des arts et des lettres by the French government. In October 2011 Deane was awarded the Serbian prize the Golden Key of Smederevo, as well as the Laudomia Bonanni prize from L’Aquila, Italy.

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    Book preview

    Clean and Well Lit - Tom Raworth

    SUDDEN

    OUT OF THE PICTURE

    the obsolete ammunition depot

    unmissed and unreported

    put it in categories

    still glistened with dampness

    suits seemed to be identical

    through the window behind him

    a battered cardboard box

    won somewhere gambling

    dim bell in his memory

    was making a duplicate

    to see if that needed explanation

    sharply, and then, more gently

    the door opened

    three thousand miles east of home

    we avoid old bones

    conscious that their territory

    enlarges the room

    by removing a partition

    in the mirror

    disharmony seeped out

    surrounded by a strange culture

    message and hung up

    its heavy coating of dust

    whispering just loud enough

    to create a disturbance

    finding words for sorrow

    still locked in combat

    in the expanding silence

    ties with wild designs

    printed on them suited me

    to be places, camouflaged

    against the cult of personality

    panning over rough walls

    overshadowed modifications

    into missing construction

    the remote camera

    revealed a huge space

    a kind of coma

    the last gasp of civil protest

    he could not sleep, above

    starless and dark

    the cloudy sky

    was relieved only

    by electric blue traces

    shivering with more than cold

    a tumbled slope of stones

    flexed and straightened

    warping space

    into a dozen planes

    two total strangers

    retreated in panic

    without letting it appear

    the instrument of a secret

    attached to this procedure

    by a sudden doubt

    pretending he was a robot

    respectable looking

    legs hot and itchy

    faces indistinct behind windows

    look from all angles

    scornfully as

    wandering among dogs

    he is politely relieved of his wallet

    the corner of his mouth

    under a white moustache

    pried off

    with an effective tool

    giving her the illusion

    of a small, dimly lit

    parking lot

    set well back from the road

    looking at a calendar

    he realised the image of a falling body

    came from film

    a slightly altered version

    connected to these bombings

    the smell of wood burning

    should be in a museum

    thought probably was

    displayed on costumed models

    back in the car then

    slumped down in the seat

    accompanied only by printed legends

    his thoughts elsewhere

    with the thousands of dead

    each wrapped in newspaper

    he wasn’t intending to dig up more

    someone high on the power ladder

    meant nothing else would matter

    before the call came

    rain streaked the glass

    preventing identification

    between drizzle and mist

    through a labyrinth of corridors

    good feeling left

    closing the door

    fires that lined both sides

    collapsed in sparks

    riffled in the gusty breeze

    remembered from previous days

    nothing unusual on the street

    not a word in the papers

    nobody was interested

    it didn’t happen

    in the taxi heading back

    to avoid hysterical screaming

    there was not one question

    felt through thin black leather

    after stretching his muscles

    towards that cone of white light

    with little jerky movements

    spreading a cool odour

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