Orange Island Review
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About this ebook
To counter-balance the latest education reform: STEM! STEM! STEM!, The Orange Island Arts Foundation presents our Spring issue of the Orange Island Review, a collection of poetry and artwork from high school students throughout the U.S. and edited entirely by a high school editorial staff. Here is a little Arts and Humanities to go with all that Science, Technology, Engineering and Math.
STEAM! STEAM! STEAM!
Also included, an interview with Inaugural poet Richard Blanco concerning the power of poetry on an interdisciplinary level, and the winners of the South Florida High School Poetry Contest.
If you find yourself wondering about the relevance of verse in the age of the tweet, to take a peek at what this journal has to offer: a great read and insight on the ideas and concerns and "deep feels" of high-school students all over the country. And it does it far better than a flow chart ever could!
The Orange Island Arts Foundation
Orange Island Arts Foundation, which is based in Broward County yet serves South Florida and beyond, is an organization that encourages creativity; cultivates learning; and engages youth, established and aspiring writers, and the community at large with the literary arts. By providing avenues for local and national artists, we seek to inspire those who are interested in further developing their talents. We support transformational ideas by creating literary programs to help the 21st century writer in collaboration, publishing, showcasing, and learning.
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Orange Island Review - The Orange Island Arts Foundation
Copyright
Published 2015 by Beating Windward Press LLC
For contact information, please visit:
www.BeatingWindward.com
Copyright © Orange Island Arts Foundation
and respective authors, 2015
All Rights Reserved
Cover Art by Lindsay Raham
Book & Cover Design: Copyright © KP Creative, 2014
Smashwords Edition, License Notes
This book is protected under the copyright laws of the United States of America. Any reproduction or other unauthorized use of the material or artwork herein is prohibited.
This ebook is licensed for your personal enjoyment only. This ebook may not be re-sold or given away to other people. If you would like to share this book with another person, please purchase an additional copy for each recipient. If you’re reading this book and did not purchase it, or it was not purchased for your use only, then please return to Smashwords.com and purchase your own copy. Thank you for respecting the hard work of these authors.
First Edition
ISBN: 978-1-940761-17-6
Editorial
Editor-in-Chief
Caridad Moro-McCormick
Editors
Ellene Glenn Moore
Laura McDermott
Managing Editors
Isabella Buscemi
Emmanuel Espinosa
Alexandria Lindsay
Christian Ruz
Contributing Editors
Marlene De Leon
Stephanie Feola
Yuleini Fiandor
Alexander Mallon
Christian Ruz
Bella Saavedra
Karishma Santdasani
Lauren Serrano
Poetry Editors
Keila Fuentes
Sarai Llanes
Jennifer Pinerio
Celeste Rodriguez
Editorial Staff
Claudia Boye
Jaylene Garcia
Sheila Linares
Shelby Myers
Acknowledgments
The Orange Island Review would like to thank the following for their help and support in putting this issue together:
Laura McDermott for her unflappable support and guidance.
Georgia Court and PoetryLife for their generous grant.
Principal Manuel S. Garcia, G. Holmes Braddock Sr. High School.
Mr. Daniel Brotons and The BTV Staff.
The Faculty, Staff and Administration at G. Holmes Braddock Senior High School.
Thank You!
Table of Contents
Title
Copyright
Editorial
Acknowledgements
Table of Contents
Caridad Moro
Introduction
Editor’s Notes
Poetry
Sophie Corless
It Should Not Be Named
Marlene DeLeon
Acceptance
Your Love [Breaks me]
Stephanie Feola
And Her
Does Anyone Ever Get This Right
Yuleini Fiandor
My Protector
Aleah Gatto
News
Skin
Andrea Giugni
Autumnalis
Year of the Owl
Stephanie Goldberg
Middle of the Night
Joline Hartheimer
Ode To Monday Mornings
Craig Heyne
Tuned
Tucker Huston
Fall like Rain
Fall like Leaves
Seasonal Affective Disorder
Karina Leon
Glass
Alexander Mallon
Learn To Fly
Shannon Mast
I Blame Her
My Best Friend Is a Soldier Now
Brookie McIlvaine
Nan at the Beach
4 O’Clock
Juliette Neil
Miniatures
Samantha Pappas
A.D.
Anna Reisbaum
The Librarian
Samuel Rex
Photo Album
Christian Ruiz
Bang
Karishma Santasdani
Prisoner
Jennifer Sauerman
Breathing Underwater
Creampuff
Dana Schneider
Dietary Misgivings
Dabbling Expletives
For God’s Sake, They’re Five
Lauren Serrano
Daddy Issues
Christopher Sirico
The Girl Said I Want You
Parisa Thepmankorn
Papaya Season
Katie Torre
Still
Mollie Walker
A Bull-Dozer to Christmas
David Xiang
Postcards
The Hieroglyphics of Destiny
Let Me Taste the Grapes
Interview with Richard Blanco
Transcribed by Marlene De Leon and Bella Saavedra
Art and Photography
Annalina Becker
Enhancing the Beauty of Nature
Aftermath of a Rain Shower
Monica Berrios
Aphrodite
For Luck
Nesting
Camila Godoy Heredia
Untold Thoughts
Ashley Korman
Petals and Pistils
Carson Lyttle
The Human Eye
Mirella Martinez
Dream
Aisha Philippeaux
Looking Through
Silenced
Lindsay Raham
Into the Woods (Front and Back Covers)
Coralee Stangarone
Life’s Beauty
Amelia Zook
Purple Orchid
Insect
Contributor Information
Introduction
If you believe the hype surrounding the latest educational debate regarding the sort of curriculum secondary and post-secondary students should be exposed to in order to be viable competitors in the global job market then this high-school student edited inaugural issue of The Orange Island Review—should not exist. Incredibly, some of my K-12 and collegiate-level colleagues have bought into the latest rah-rah-sis-boom-bah surrounding education reform: STEM! STEM! STEM!—a myopic curriculum built around the study of Science, Technology, Engineering and Math to the exclusion of most, if not all, humanities driven courses; courses such as art and drama and no doubt the creative writing course I teach—a class which has yielded 18 students who have contributed to the creation of this journal through every stage, from conception to completion.
Over the months, I watched them work, which strengthened my convictions regarding the STEM-only model: science and technology will never supersede the stanza, just as iambic pentameter will never impede the process of cutting edge innovation. What I know as a careered educator is that, yes, we need students who are capable of engaging in scientific and innovative discourse, but we also need individuals who are capable of thinking creatively and able to make critical and contextual leaps. This sort of intellectual adaptability can only be brought about through the study of literature, history, philosophy, and the arts.
The 18 students who collected work from other high school students around the country, and then edited this journal, are those individuals. And to be clear, my class roster is not made up of a homogeneous group of word nerds. No, this