The Poetry Of William Morris: "The reward of labour is life. Is that not enough?"
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The Poetry Of William Morris. Poetry is a fascinating use of language. With almost a million words at its command it is not surprising that these Isles have produced some of the most beautiful, moving and descriptive verse through the centuries. In this series we look at individual poets who have shaped and influenced their craft and cement their place in our heritage. In this volume we look at the works of William Morris. William Morris was born in Walthamstow, London on 24th March 1834 he is regarded today as a foremost poet, writer, textile designer, artist and libertarian. Morris began to publish poetry and short stories in 1856 through the Oxford and Cambridge Magazine which he founded with his friends and financed while at university. His first volume, in 1858, The Defence of Guenevere and Other Poems, was the first published book of Pre-Raphaelite poetry. Due to its lukewarm reception he was discouraged from poetry writing for a number of years. His return to poetry was with the great success of The Life and Death of Jason in 1867, which was followed by The Earthly Paradise, themed around a group of medieval wanderers searching for a land of everlasting life; after much disillusion, they discover a surviving colony of Greeks with whom they exchange stories. In the collection are retellings of Icelandic sagas. From then until his Socialist period Morris's fascination with the ancient Germanic and Norse peoples dominated his writing being the first to translate many of the Icelandic sagas into English; the epic retelling of the story of Sigurd the Volsung being his favourite. In 1884 he founded the Socialist League but with the rise of the Anarachists in the party he left it in 1890. In 1891 he founded the Kelmscott Press publishing limited edition illuminated style books. His design for The Works of Geoffrey Chaucer is a masterpiece. Morris was quietly approached with an offer of the Poet Laureateship after the death of Tennyson in 1892, but declined.
William Morris
William Morris has worked on international tax policy matters in the public and private sectors for over twenty years. He is also a member of the clergy team at St Martin-in-the-Fields, having been ordained a priest in the Church of England in 2010. He has degrees in history, law and theology, and is the author of 'Where is God at Work?'
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Reviews for The Poetry Of William Morris
1 rating1 review
- Rating: 5 out of 5 stars5/5I recall Guenevere's argument --suppose you were told to choose a red thread or a blue and be saved or damned by the result --she chose blue, as heaven's color, and was damned.
Book preview
The Poetry Of William Morris - William Morris
The Poetry Of William Morris
Poetry is a fascinating use of language. With almost a million words at its command it is not surprising that these Isles have produced some of the most beautiful, moving and descriptive verse through the centuries. In this series we look at individual poets who have shaped and influenced their craft and cement their place in our heritage. In this volume we look at the works of William Morris.
William Morris was born in Walthamstow, London on 24th March 1834 he is regarded today as a foremost poet, writer, textile designer, artist and libertarian.
Morris began to publish poetry and short stories in 1856 through the Oxford and Cambridge Magazine which he founded with his friends and financed while at university. His first volume, in 1858, The Defence of Guenevere and Other Poems, was the first published book of Pre-Raphaelite poetry. Due to its luke warm reception he was discouraged from poetry writing for a number of years.
His return to poetry was with the great success of The Life and Death of Jason in 1867, which was followed by The Earthly Paradise, themed around a group of medieval wanderers searching for a land of everlasting life; after much disillusion, they discover a surviving colony of Greeks with whom they exchange stories. In the collection are retellings of Icelandic sagas. From then until his Socialist period Morris's fascination with the ancient Germanic and Norse peoples dominated his writing being the first to translate many of the Icelandic sagas into English; the epic retelling of the story of Sigurd the Volsung being his favourite.
In 1884 he founded the Socialist League but with the rise of the Anarachists in the party he left it in 1890.
In 1891 he founded the Kelmscott Press publishing limited edition illuminated style books. His design for The Works of Geoffrey Chaucer is a masterpiece.
Morris was quietly approached with an offer of the Poet Laureateship after the death of Tennyson in 1892, but declined.
William Morris died at age 62 on 3rd October 1896 in London.
Many samples of his work are available on our audiobook collection. Samples of these can be found at our youtube channel http://www.youtube.com/user/PortablePoetry?feature=mhee Complete volumes on many poets, themes and our other products can be purchased from iTunes, Amazon and other digital stores
Index Of Poems
A Death Song
Verses For Pictures
From The Upland To The Sea
The Message Of The March Wind
Error And Loss
The Voice Of Toil
Earth The Healer, Earth The Keeper
Drawing Near The Light
Day
Autumn
Pomona
All For The Cause
Shameful Death
Sad Eyed And Soft And Grey
The Two Sides Of The River
Pray But One Prayer For Us
The Day Of Days
Our Hands Have Met
Thunder In The Garden
Tapestry Trees
The Forest
Pain And Time Strive Not
For The Bed At Kelmscott
Atlanta’s Race
The Half Of Life Gone
The Doomed Ship
Summer Dawn
The Day Is Coming
March
Spring
The End Of May
Summer
Meeting In Winter
Near Avalon
Love’s Gleaning Tide
Mine And Thine
Love’s Reward
King Arthur’s Tomb
A Death Song
What cometh here from west to east awending?
And who are these, the marchers stern and slow?
We bear the message that the rich are sending
Aback to those who bade them wake and know.
Not one, not one, nor thousands must they slay,
But one and all if they would dusk the day.
We asked them for a life of toilsome earning,
They bade us bide their leisure for our bread;
We craved to speak to tell our woeful learning;
We come back speechless, bearing back our dead.
Not one, not one, nor thousands must they slay,
But one and all if they would dusk the day.
They will not learn; they have no ears to hearken.
They turn their faces from the eyes of fate;
Their gay-lit halls shut out the skies that darken.
But, lo! this dead man knocking at the gate.
Not one, not one, nor thousands must they slay,
But one and all if they would dusk the day.
Here lies the sign that we shall break our prison;
Amidst the storm he won a prisoner's rest;
But in the cloudy dawn the sun arisen
Brings us our day of work to win the best.
Not one, not one, nor thousands must they slay,
But one and all if they would dusk the day.
Verses For Pictures
Day.
I am Day; I bring again
Life and glory, Love and pain:
Awake, arise! from death to death
Through me the World’s tale quickeneth.
Spring.
Spring am I, too soft of heart
Much to speak ere I depart:
Ask the Summer-tide to prove
The abundance of my love.
Summer.
Summer looked for long am I;
Much shall change or e’er I die.
Prithee take it not amiss
Though I weary thee with bliss.
Autumn.
Laden Autumn here I stand
Worn of heart, and weak of hand:
Nought but rest seems good to me,
Speak the word that sets me free.
Winter.
I am Winter, that do keep
Longing safe amidst of sleep:
Who shall say if I were dead
What should be remembered?
Night.
I am Night: I bring again
Hope of pleasure, rest from pain:
Thoughts unsaid ’twixt Life and Death
My fruitful silence quickeneth.
From The Upland To The Sea
Shall we wake one morn of spring,
Glad at heart of everything,
Yet pensive with the thought of eve?
Then the white house shall we leave,
Pass the wind-flowers and the bays,
Through the garth, and go our ways,
Wandering down among the meads
Till our very joyance needs
Rest at last; till we shall come
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