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Imprisoned with the Pharaohs (Fantasy and Horror Classics): With a Dedication by George Henry Weiss
Unavailable
Imprisoned with the Pharaohs (Fantasy and Horror Classics): With a Dedication by George Henry Weiss
Unavailable
Imprisoned with the Pharaohs (Fantasy and Horror Classics): With a Dedication by George Henry Weiss
Ebook44 pages40 minutes

Imprisoned with the Pharaohs (Fantasy and Horror Classics): With a Dedication by George Henry Weiss

Rating: 3.5 out of 5 stars

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About this ebook

After being kidnapped by a local tour guide who bears a striking resemblance to an ancient pharaoh, Harold Houdini is thrown in a deep pit next to the Great Sphinx. Whilst trying to break free, he happens across a large cave where he encounters the ancient god and inspiration for the Sphinx. Written in collaboration with Harry Houdini in February 1924, “Imprisoned with the Pharaohs” is an interesting short story from master of the form, H. P. Lovecraft, and is not to be missed by fans and collectors of his seminal work. Howard Phillips Lovecraft (1890–1937) was an American writer of supernatural horror fiction. Though his works remained largely unknown and did not furnish him with a decent living, Lovecraft is today considered to be among the most significant writers of supernatural horror fiction of the twentieth century. Other notable works by this author include: “At the Mountains of Madness”, “The Rats in the Walls”, and “The Shadow Over Innsmouth”. Read & Co. is publishing this classic short story now as part of our “Fantasy and Horror Classics” imprint in a new edition with a dedication by George Henry Weiss.
LanguageEnglish
Release dateApr 4, 2013
ISBN9781447480082
Unavailable
Imprisoned with the Pharaohs (Fantasy and Horror Classics): With a Dedication by George Henry Weiss
Author

H.P. Lovecraft

Renowned as one of the great horror-writers of all time, H.P. Lovecraft was born in 1890 and lived most of his life in Providence, Rhode Island. Among his many classic horror stories, many of which were published in book form only after his death in 1937, are ‘At the Mountains of Madness and Other Novels of Terror’ (1964), ‘Dagon and Other Macabre Tales’ (1965), and ‘The Horror in the Museum and Other Revisions’ (1970).

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Rating: 3.2777777777777777 out of 5 stars
3.5/5

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  • Rating: 4 out of 5 stars
    4/5
    A very pleasing adaptation of one of my favourite Lovecraft tales. The actors do very well, though a couple of times I found Ward and Houdini hard to distinguish due to similar voices. The production is excellent and everything can be clearly heard, while sound effects add a lot of depth and action to the story.The adaption is on the whole excellent. That being said, I think it shares a drawback with the Mountains of Madness adaption in being sometimes a little too true-to-life. The opening segment featuring the variety show is surely realistic, but I found it overlong, and though convincing it isn't particularly interesting in itself. I felt like this could have been far shorter; this section alone lasts a full five minutes and is entirely irrelevant to the rest of the story. In general I felt like things took a while to get going.The first fifteen minutes or so of the story is new material made up for the audio adaptation, which I'm basically neutral about. It adds on a sort of prequel, which offers an explanation for some of the story's events which were originally pretty inscrutable. It adds a different twist, which I wouldn't call either an improvement or a detriment, it's just different. Very well done, though. Similarly, the adaptation gives Houdini a companion in his misadventure, which has the great advantage of allowing dialogue, but does remove some of the ambiguity from events. As a dramatised version with little narration we lose a lot of the descriptive passages, which is a bit of a shame as they're rather good and eerie; in particular, the lengthy descriptions of Houdini's descent into the underworld are heavily cut. However, they would be hard to do without resorting to just large blocks of narration. On the whole I felt they did a very good job of translating first-person inner monologue and musing into a third-person radio play without losing either the plot or the flavour of the original. The whole family enjoyed the atmosphere and tension of the story, and were thrilled with the excellent props that come with it. We listened to this in three blocks on three successive evenings, and I heartily recommend this strategy. A very worthwhile purchase indeed (though mine was a present).