Theory and Technique of Ballroom Dancing
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Theory and Technique of Ballroom Dancing - Victor Silvester
RECORDS
THEORY AND TECHNIQUE
OF BALLROOM DANCING
INTRODUCTION
THE revised and enlarged edition of this book covers everything that is essential in connexion with Ballroom Dancing, from a detailed description of the standardised figures—those that do not change—down to the finer points which go to the making of a good dancer. A large part of the book is devoted to Questions and Answers for a Ballroom Examination, and under this heading is given a complete analysis of the fundamental principles—everything that it is necessary to know, not only from the viewpoint of the experienced performer but from that of the beginner.
The main feature of the Terpsichorean Art is not what you dance, but how you dance, or to put it a little more clearly, it is not so much the steps you do as how you execute them. If you can move well forwards and backwards, in an easy unaffected manner, keeping the weight of the body in the correct place, it is then simply a matter of memorising, in order to learn the figures that are used in the various dances.
The first principle of all athletics or athletic pastimes, is to get the best result with the minimum of effort. In order to do this the body must be balanced correctly and the different muscles that are brought into play must be controlled and relaxed so as to avoid all undue exertion. The reader will therefore see that although clever and attractive steps may be the ambition of the majority, they can only be made to appear attractive if the fundamental principles have been mastered. Without finish and style, the more advanced variations, and for that matter the simple ones also, look clumsy, ungainly and hard work, instead of smooth, easy and non-flamboyant, which is the stamp—the hall-mark of the good dancer.
It is this attention to detail and the technical precision with which all these points have been worked out, that have made the English style of ballroom dancing the best in the world, and the aspiration of the Continental nations.
Dancing is not a matter of fashion, there is a reason, a why and a wherefore, for everything you do, and it is all based on the most natural standard of performance. When you walk it is natural to use the heel, when you run—the ball of the foot, and as dancing may be explained as a cross between the two, or a mixture of the two, it has been built up on these principles. I could enlarge on this but you will find it all covered in the following pages; I have merely referred to this instance in an endeavour to prove to you that it is not the latest steps
that really matter.
This book will prove very helpful to every student and teacher of Ballroom Dancing. It is written on the lines of a ballroom examination and in connexion with this I would add a word or two of warning and advice.
Candidates should remember that when taking a ballroom examination, it is not enough to be able to learn the answers to the different questions by heart and to recite them like a parrot. It is necessary to be able to give a practical demonstration while explaining the different answers to an examiner, therefore it is essential that every student should take a course of training from a good teacher.
This book will tell you the correct answers to the most usual and important questions and it will help you to remember them, but—it cannot make you do them. It cannot loosen your muscles, give you good balance and movement and turn you into a finished dancer. That can only be done by a thorough training and real hard work on your part.
If you have decided to take up ballroom dancing as a profession then make up your mind to do it properly—not half-heartedly. You may not be able to get to the top of the tree but there is nothing to stop you from being really good and knowing your work thoroughly. And do not forget that it is only by the sweat of your brow, by hard work, more hard work and then some, as the Americans would say, that you will ever make a success of it.
CHAPTER I
SYLLABUS FOR A BALLROOM EXAMINATION
EVERY candidate should be able to demonstrate and explain thoroughly the following subjects and dances.
1. GENERAL KNOWLEDGE. Balance, Deportment, Contrary Body Movement, Body Sway, Rise and Fall, Alignment, Amalgamation, Time and Tempo, Definitions of Technical Terms.
2. THE SLOW FOXTROT. (Demonstrate and explain as lady and gentleman.)
3. THE WALTZ. (Demonstrate and explain as lady and gentleman.)
4. THE QUICKSTEP. (Demonstrate and explain as lady and gentleman.)
5. THE TANGO. (Demonstrate and explain as lady and gentleman.)
Every candidate should be able to perform the above dances showing a high