Cincinnati's Great Disasters
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About this ebook
Betty Ann Smiddy
Betty Ann Smiddy has received outstanding achievement awards in local history from the Ohio Historical Society and the Hamilton County Recorder�s Office. Smiddy is a Cincinnati Enquirer Woman of the Year and was given a key to the city of Cincinnati for her volunteer activities. She is also the author of Cincinnati�s Golden Age. Smiddy has donated her royalties from this book to the Public Library of Cincinnati and Hamilton County Foundation.
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Cincinnati's Great Disasters - Betty Ann Smiddy
County.
INTRODUCTION
Deltiology, or postcard collecting, has been a popular pastime for over a century. As a hobby, it has something for everyone, from exotic locales to individual holidays. Merchants have used them for advertising, regional recipes are always a hit, and some tell stories, poems, songs, or jokes. Buildings, art, cars, children, and greetings add more categories to collect. A small niche is local disaster photographs.
Something seems special when you are sent a postcard. Better than a note, there is a feeling the picture was chosen especially for you and the short messages assure that you are remembered. Postcards bring smiles and are often kept. This accounts for the number of very old postcards that are found today in attics, antique stores, flea markets, and postcard shows.
The first postcard where postage was affixed, rather than printed on the card by the government, was made in 1869 in Austria. The following year, postcards were being printed and mailed throughout Europe, which would dominate the postcard market until World War I.
The popularity of the postcard in the United States can be dated from 1893, when the World’s Columbian Exposition was held in Chicago. These colorful cards were of the buildings and views of the exposition. Some were government printed with a penny stamp. Others that were privately printed were considered souvenir cards and needed a 2¢ stamp affixed before mailing. All bore messages written across the front because before March 1, 1907, it was illegal to use the back, except for the address. These cards had an undivided back.
The earliest of this book’s postcards were black-and-white photographs printed on a postcard back. Postcards in color were usually printed in Europe, which had captured 75 percent of the market. German companies were the primary printers. Locally, Albert J. Kraemer and the Kraemer Art Company manufactured attractive postcards that were retouched and printed in Berlin. After March 1, 1907, postcards had a divided back, allowing for a longer message than what could fit on the front and made the photograph front more desirable. This launched postcard collecting as a major hobby, which lasted until World War I. Postcards were kept in special albums or displayed in a parlor wall rack. According to post office records, 677.8 million postcards were mailed during the fiscal year ending June 30, 1908. The United States population stood at 88.7 million at that time.
Because of World War I, German lithography stopped; thus no more high-quality postcards were being manufactured. The American and English postcard industries were a poor second in quantity and quality. After the war, Germany’s printing industry did not recover. The United States then began to dominate the industry. The quality improved, but to save money, white borders were added. The hobby of collecting also declined; the telephone was the new way to send a message.
The disaster postcards were made to memorialize an event, rather than send greetings. They eventually fell out of use because of advances in photography. The first photographic images printed were tintypes, followed by the carte de visite, which were popular during the Civil War. The latter used a glass negative and multiple copies could be made of a photograph. The big drawback to the glass negative was that it had to be developed by the photographer. The first handheld camera that used a roll of film was developed by George Eastman in 1888. The camera, with the film still inside, was sent back to the factory for development. The camera was returned with a new roll of film along with the developed prints. The negatives themselves were as large as three and a half inches by three and a half inches. In 1900, the Brownie camera was introduced, costing $1, and film was a dime a roll. While this sounds inexpensive, a loaf of bread at that time cost a penny and potatoes were 3¢ a pound.
Newspapers relied on sketches for their papers until the halftone printing process was invented, which allowed photographs to be printed. The first photograph in the Cincinnati Enquirer was published on September 5, 1898, being of the Grand Army of the Republic (GAR) encampment. At first the newspapers contracted professional photographers for their pictures, using mainly head shots to illustrate articles. Sometimes these same pictures were used for postcards. It was not until later that a staff photographer position was added.
Newspaper clippings are fragile and many people bought postcards of an event as a way to remember it. It was years before the middle class could afford a camera, and when they could, disaster postcards were no longer made. In 1906, the folding pocket camera was developed. It changed the world of news by showing photographs of the great San Francisco earthquake. Average people, not only professionals, could photograph the world as they saw it. This new camera cost $5–$7. As time passed, the cameras and film both improved, the relative price declined, and ordinary folks now could shoot their own photographs, making disaster postcards obsolete.
One
WATER
Front Street was located behind Water Street, the first street north of the river. Running east and west on Front Street, the gasworks was located west of Seventh Street near Rose Street and the waterworks was located parallel to Mount Adams. Near the waterworks was the Lexington and Nashville Railroad (L&N) depot. This area was crisscrossed