The Fall of Icarus (The Elevator, The Fall of Icarus, and The Girl)
By NR Bates
5/5
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About this ebook
THE FALL OF ICARUS (THE ELEVATOR, THE FALL OF ICARUS, AND THE GIRL). Three interconnected short-stories set in Paris explore the issue of choice, survival and transformation. In the first story, a young man on his first business trip is waylaid by an aberrant elevator. In the pivotal tale, a young scientist re-imagines the Greek myth of Icarus and his fall to earth. In the final story, a young woman who cannot recall her own name relates the fantastical tale of a girl who can fly.
NR Bates
I am fortunate to share my life with my wife, and seven cats and one dog. British by birth, and Canadian by naturalization, I alternate between the UK, Canada and islands in the mid-Atlantic. I am an oceanographer by training, and my scientific research has focused on understanding the biological, chemical and physical processes that control carbon dioxide in the ocean and ocean acidification. I have published over one hundred and twenty scientific papers and contributed to policy documents including the Intergovernmental Panel on Climate Change (IPCC) assessments.
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Reviews for The Fall of Icarus (The Elevator, The Fall of Icarus, and The Girl)
1 rating1 review
- Rating: 5 out of 5 stars5/5The Fall of Icarus offers three interlinked short stories sharing the locale, flavor, and focus of Paris and tell of falls, flights, and endurance in the lives of three very different individuals. All this is done in a production well below a hundred pages: an amazing achievement, given that so much is imparted using so little space.
In 'The Elevator', Ianos becomes trapped in a shabby, tiny old French elevator and when the doors finally open, something magical changes his life and introduces him to a Paris of loss and possibility. How many times will he embark on that journey? A surreal saga captures reader interest.
'The Fall of Icarus' is also about flights: this one injecting the allegory of a mythical son who ignored direction and traveled too close to the sun into the life of one who chose to "…follow a middle way—not too bright, not too foolish, and not too confident. I succumbed, and I did not excel in any way. Perhaps without realizing it, I followed this path as a means of real escape and not the imagining of escape by taking flight."
It, too, is replete with the possibilities introduced by the unexpected experience which defies preset notions and logic.
'The Girl' features a protagonist even more lost (she can't remember her own name, but she is immersed in recording the stories and words of others - to the point of lacking of her own life). Can an unexpected tale introduce her to new choices and experiences?
All three stories excel in a sense of wonder and feature delightful twists and contemplative scenarios all immersed in Parisian atmosphere and powerfully surreal moments. Readers with a special affinity for the short story format who want to see atmosphere and psychology works flavored with a tinge of the eerie will delight in these well-done literary pieces.
Book preview
The Fall of Icarus (The Elevator, The Fall of Icarus, and The Girl) - NR Bates
Acknowledgements
I would like to thank the following. Margaret H.P. Best—without her support this collection of short stories would not exist, and for her patience and her reading and listening to drafts of this novel. S.J. Parkinson—I am truly grateful for his continued encouragement during the light and dark days of writing and publishing. Lynn McNamee at Red Adept Publishing (RAP), North Carolina, for her advice. Sarah Carleton at RAP for her patience, dedication, and patience with multiple edits of these short stories. Jason Anderson at Polgarus Studio, for his formatting of this book. In the cover design, the photograph of altocumulus is credited to Norikazu; while the human with wings logo is credited to Sergey Korkin—both on license from Shutterstock. All of you have my deep and grateful thanks. This collection of short stories was inspired in part by the painting, The Fall of Icarus, by Pablo Picasso.
1
THE ELEVATOR
The moving elevator carried me in its deliberate, ordinary manner until it jolted to a stop and, at the flicker of overhead light, lurched sideways in a purposeful but tremulous motion. I couldn’t help but let out a stifled gasp, fearing the worst, as I instinctively reached out to the elevator wall to steady myself, and the cane I temporarily used clattered on the metal floor. The thud of its impact added to my surprise, and my other hand reached into the fabric of my back pocket where my cell phone nestled—in safety still.
What is wrong with the lift?
I hastily thought, slipping into British English. I often switched between words from both sides of the Atlantic Ocean without it being a willful, deliberate choice. Mobile phone
would slip out in the US and cellphone
in the UK, or gas
and petrol
would be reversed. The habit suited my name, Ianos. I was baptized after a mythical namesake, Janus, the god of doorways—the god of two faces, of the present and past, and of endings. The latter term—of endings
—seemed the most appropriate at that moment.
I shared the elevator with a neat stack of bottles still tightly sealed in a covering of plastic, waiting to be released to join others somewhere within the building. The fragrance of warm bread, lying in a basket atop the bottles, filled the elevator. It was the sixth time I had taken the elevator, and its character had settled into the familiarity of memory. The first time I used the elevator, briefcase in one hand, cane in the other, and straps of my carry-on lightly weighted over my shoulders, I couldn’t help but notice the size of its interior. It was a tiny elevator. It occurred to me that if it came to an unexpected stop, and the lights turned out, I could have reached out to touch its walls with the tips of my elbows, and the claw of claustrophobia would have risen up into my throat.