Early American Country Homes: A Return to Simpler Living
By Tim Tanner
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About this ebook
Tim Tanner
Tim Tanner restored his first ca 1870s home in 1988, and has been involved in restoration and reproduction projects using reclaimed materials ever since then. He is an artist in and around Jackson Hole, Wyoming, and is on the faculty at Brigham Young University Idaho, where he teaches Art and Design.
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Early American Country Homes - Tim Tanner
Images
Introduction
Home. This one word alone conjures up countless images, thoughts, and emotions. It is said that a picture is worth a thousand words, but some words in the English language say so much more than just a simple definition—like the word home.
In this case, the word invokes a thousand pictures, and although the images are slightly different for each of us, all of them are personal, warm, and comfortably cozy. Not only do we envision images from the recesses of our minds, but sounds, smells, even feelings begin parading across the stage of our consciousness. A warm, crackling fire in the hearth; a soft, overstuffed chair; Grandpa raking crimson and golden leaves in the crisp autumn air; pumpkins, corn stalks, and hot cider; pancakes smothered in warm maple syrup; a knowing smile on the face of a loved one. Home is something down deep inside each of us, tucked into a very special place.
Our current modern world is not exactly cozy.
Oh, there are aspects of our modern living that are especially praiseworthy—hot showers, indoor plumbing, automatic dishwashers. My bet is that if our ancestors could trade places with us, most would jump at the chance. But our modern world comes with its own set of challenges. Many twenty-first–century inventions have been developed to save us time and simplify our lives. Cell phones, Wi-Fi Internet service, cars that automatically lock the doors for us...the list goes on and on. I don’t know about you, but my life doesn’t seem simplified by the technological advances. In fact, although I’m happy to have it, all of the technology often makes me yearn even more for simplicity. How many modern homes ironically display those little (or big) countrified signs that read Simplify
?
When it comes to pointing out the drawbacks of technology, I am perhaps the last person who should be calling the kettle black, sitting here typing on my iMac and processing digital photos for this book. But I often ask myself, Why is it that I am so drawn to simple, historical buildings, furnishings, and styles—and why am I not alone?
Antiques have long had an appeal to some eyes (at least in the last 100 years or so), but beauty is in the eye of the beholder, right? So why do some of us go gaga over an old, beat-up, half-broken, paint-worn, unsophisticated cabinet, chair, or box?
Could Someone Please Stop the Train?
Somewhere deep down inside of us, we all yearn for peace—simple, quiet, calm peace. If we look in a dictionary, we won’t find the word home
as a synonym for peace,
but in our inner consciousness, those words all belong together: simple, calm, home, peace, quiet. Could our modern innovations make us long even more for peace, quiet, and home? Could the contrast of our modern, hectic world make peaceful surroundings even more desirable? I recently completed the building of a very simple, spare, primitive cabin. It is only 16 feet wide and 18 feet long—hardly palatial. There is no piece of furniture in it worth more than 100 dollars or so. Envision Lifestyles of the Rich and Famous—then dash to the opposite end of the spectrum and you’ll be pretty close. Yet the comments that I hear when folks see it for the first time are, Can I just stay here forever?
or, You know, this is all a person really needs.
Could it be that the more our world becomes technologically advanced, the more peaceful untechnologically advanced
will feel to us? Could this be part of the reason why primitive, homey, worn articles and edifices continue to increase in demand and value?
Principles of Design
There are timeless, universal visual principles that have existed throughout the history of mankind. These principles, if used by someone who understands them, will make any visual item pleasing to the human eye. Most of us do not know their names, nor even realize that we are seeing applications of these principles, yet something in our brains recognizes them. For thousands of years, people have studied these principles. They were known amongst the ancient Greeks and Romans, and in ancient Egyptian and American cultures. They were rediscovered during the Renaissance and the Age of Enlightenment by men like Palladio and Thomas Jefferson. Therein we find the link to Early American architecture. While the humble, hewn-log home of an early Kentucky settler or the timber-framed structures of New England may seem very far removed from the Parthenon, these structures share many common design features, because those who influenced the architectural styles of their eras, such as Palladio and Jefferson, were aware of these classic principles. Though a farmer in backwoods Maine or Pennsylvania 200 years ago may not have known the principles by name, he was aware of the prevailing architectural styles and built his structures in