The Best Brothers
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About this ebook
Bunny Best has met her unfortunate end after a mishap at a Gay Days parade. Now her two sons, Kyle and Hamilton, have the task of arranging her funeral and caring for her most beloved companion, a troublesome Italian greyhound named Enzo. In the bustle of obituary-writing, eulogy-giving, and dog-sitting, sibling rivalry quickly reaches its peak and years of buried contentions surface.
The Best Brothers is a bittersweet comedy that explores the many ways in which we grieve and the love we find in unexpected places.
Daniel MacIvor
Born in Sydney, Cape Breton in 1962, Daniel MacIvor studied theatre at Dalhousie University in Halifax and George Brown College in Toronto. A prolific playwright, dynamic performer, producer, and artistic director, MacIvor has been creating original Canadian theatre since 1986 when he founded the highly acclaimed theatre company da da kamera, which has won a Chalmers Award for Innovation in Theatre (1998). MacIvor is also a successful filmmaker. His projects include the award winning short film The Fairy Who Didn’t Want to Be a Fairy Anymore. His first feature film, Past Perfect (produced by Camelia Frieberg), premiered at the 2002 Toronto International Film Festival and was released in theatres across Canada in March and April of 2003. He also adapted his Governor General’s Award-nominated stage play, Marion Bridge, for the screen (directed by Wiebke von Carolsfeld), for which he won the Best Screenplay Award at the 2002 Atlantic Film Festival. Talonbooks published his play Cul-de-sac in 2005.
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The Best Brothers - Daniel MacIvor
Also by Daniel MacIvor:
Never Swim Alone & This Is a Play
See Bob Run & Wild Abandon
The Soldier Dreams
I Still Love You
Marion Bridge
Arigato, Tokyo
His Greatness
How It Works
You Are Here
Cul-de-sac
One Voice
In On It
Monster
Bingo!
The Best Brothers
Daniel MacIvor
Playwrights Canada Press
Toronto
To H.B. and Lucy
The Best Brothers received its world premiere on June 26, 2012, at the Stratford Shakespeare Festival Studio Theatre in Stratford, Ontario. The play featured the following cast and creative company:
Kyle Best:John Beale
Hamilton Best:Daniel MacIvor
Director: Dean Gabourie
Set designer: Julie Fox
Costume designer: Jessica Poirier-Chang
Lighting designer:Itai Erdal
Composer: Jonathan Monro
Sound designer: Jesse Ash
Dramaturge:Iris Turcott
Stage manager:Marylu Moyer
Characters
Hamilton Best
Kyle Best
Prologue: An Empty Field/A Penthouse
Light to two separate areas:
Hamilton is holding rolled blueprints. He is in an empty field.
Kyle is holding a clipboard with a real-estate listing. He is in a penthouse.
They both speak to unseen clients, off.
Hamilton:
An empty space.
Kyle:
A blank canvas.
Hamilton:
In the middle of nowhere.
Kyle:
At the top of the world.
Hamilton:
Anything is possible.
Kyle:
It’s all up to you.
Hamilton:
The plans say a window here.
Kyle:
This is your view.
Hamilton:
Imagine that a moment.
Kyle:
Take it in.
Hamilton:
Take it in.
Kyle:
A view like this?
Hamilton:
You can’t pay for a view like this.
Kyle:
It’s priceless.
Hamilton:
I want you to have the space that you need.
Kyle:
I need you to have the space that you want.
Hamilton:
Now I’m not a numbers person.
Kyle:
So four twenty-five plus condo fees, three-and-a-half plus insurance, ballpark eighty-five or ninety per.
Hamilton:
I’m not trying to sell you anything.
Kyle:
Approved at four point two five with fifty down you’re carrying at twelve hundred.
Hamilton:
Take some time.
Kyle:
Considering it just came on the market—
Hamilton:
It’s one of the most important things you will ever do.
Kyle:
It’s now or never.
Kyle and Hamilton’s phones both ring.
Both look at their call display.
This looks like something, I better take it.
Hamilton:
Excuse me a moment.
They answer their phones.
Hamilton
&
Kyle:
(on phones) Hello?
Uh huh.
An accident?
Oh dear.
How is she?
I see.
Kyle:
(on phone) So no rush then?
Hamilton:
(on phone) Yes yes of course, I’ll be there right away.
Kyle:
(on phone) Thanks.
They hang up their phones.
(to clients) Bit of a something something, nothing to be… just a something. Strange sort of… One of those things.
Hamilton:
Oh God.
Kyle:
(to clients) I should probably…
Hamilton:
(to clients) There’s been a terrible tragedy.
Kyle:
(to clients) …dash actually.
So, do you want to make an offer?
Blackout. Music.
The Obituary
Kyle’s condo.
Kyle is sitting with a notepad, pencil and a newspaper section.
Hamilton stands nearby.
Kyle:
Peacefully
?
Hamilton:
Peacefully?
Kyle:
(liking the sound of it) Peacefully.
Hamilton:
Peacefully
?
Kyle:
(writing it down) Peace-fully.
Hamilton:
You’re not serious?
Kyle:
It’s very common.
Hamilton:
Where?
Kyle:
(indicating newspaper) Here.
A series of templates.
Hamilton:
Templates?
Kyle:
Examples.
Hamilton:
I know what a template is.
Kyle:
(indicating each) Peacefully.
Peacefully.
Peacefully.
Peacefully.
Hamilton:
Put that away.
Kyle:
It’ll be helpful.
Hamilton snatches the paper from him.