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The Guitar Fretwork Compendium Part III: Music Theory Fundamentals

The Guitar Fretwork Compendium Part III: Music Theory Fundamentals

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The Guitar Fretwork Compendium Part III: Music Theory Fundamentals

Lunghezza:
66 pagine
22 minuti
Editore:
Pubblicato:
Jun 21, 2014
ISBN:
9781310391514
Formato:
Libro

Descrizione

The Guitar Fretwork Compendium Part III - Music Theory Fundamentals introduces the guitarist to intervals, ear training, spelling chords, chord inversions, and harmonized scales. These concepts are the basic foundation for all music and will greatly aid the guitarist when learning any style.

Editore:
Pubblicato:
Jun 21, 2014
ISBN:
9781310391514
Formato:
Libro

Informazioni sull'autore

Derek Fox loves to tell unique stories, no matter the genre, and he currently has several in the works. He wants his readers to be just as entertained when reading his stories as he is when he is writing them. He is also an avid guitar player and teacher with over 25 years of experience. His lessons turn the focus away from the common "cheat sheets" and urge his students to acquire the real knowledge of the instrument. He currently lives in Alabama.

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The Guitar Fretwork Compendium Part III - Derek Fox

The Guitar Fretwork Compendium Part III

Music Theory Fundamentals

By Derek Fox

Copyright 2014 Derek Fox

Smashwords Edition

SERIES INTRODUCTION

Playing the guitar, or any musical instrument, is both a technical endeavor and a form of art. As a painter must be familiar with several different variations of color, the guitarist (and aspiring guitarist) must be familiar with several different variations of sound. If not, the music becomes mundane, boredom sets in, and the aspiring guitarist starts losing interest in the instrument.

The only way to break this rut is to learn something new and add it into the mix. It can be something as simple as a new chord shape, a variation in rhythm, or something as advanced as music theory. There is definitely more to playing the guitar, or writing songs, than chords and scales. There is a collection of technical knowledge behind all of that as well.

With that in mind, I designed this series of books with each part covering a different concept that will give the player that knowledge. But this series is intended for players who already know their standard chords and how to hold their instrument and so forth and who wish to expand their capabilities. It is not for the novice or dreamer who wants to be on stage next week. It is for the serious guitarist that is willing to work.

It is the goal of each part in the series to provide the player with something that can be taken to the instrument almost immediately. But I need to stress that each lesson only provides a new color to add to the painting, not the painting itself, and each lesson will only give the player something to practice that can gradually be blended into natural playing.

Along the way, players may discover that the various concepts from each part may turn into something else entirely when they apply them to a piece of music. And that is the whole idea. When players learn a new concept, they've added another color to

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