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Gone
Gone
Gone
Ebook212 pages3 hours

Gone

Rating: 3.5 out of 5 stars

3.5/5

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About this ebook

Things should be great for Janie—she has graduated from high school and is spending her summer with Cabel, the guy she’s totally in love with. But deep down she’s panicking about how she’s going to survive her future when getting sucked into other people’s dreams is really starting to take its toll.

Things get even more complicated when she meets her father for the very first time—and he’s in a coma. As Janie uncovers his secret past, she begins to realize that the choice thought she had has more dire consequences than she ever imagined.
LanguageEnglish
Release dateApr 3, 2010
ISBN9781442413863
Gone
Author

Lisa McMann

Lisa McMann lives in Arizona. She is married to fellow writer and musician, Matt McMann, and they have two adult children. Her son is an artist named Kilian McMann and her daughter is an actor, Kennedy McMann. Lisa is the New York Times bestselling author of over two dozen books for young adults and children. So far she has written in genres including paranormal, realistic, dystopian, and fantasy. Some of her most well-known books are The Unwanteds series for middle grade readers and the Wake trilogy for young adults. Check out Lisa's website at LisaMcMann.com, learn more about The Unwanteds Series at UnwantedsSeries.com, and be sure to say hi on Instagram or Twitter (@Lisa_McMann), or Facebook (Facebook.com/McMannFan).

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Reviews for Gone

Rating: 3.570694164524422 out of 5 stars
3.5/5

389 ratings44 reviews

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  • Rating: 3 out of 5 stars
    3/5
    I must say that this book was such a disappointment. It wasn't what I'd hoped it would be. It was pretty predictable, kinda boring, and really slow paced. But it was a quick read, and so it went by really fast. I'm actually glad it's a trilogy, because I think that Lisa McMann is starting to run out of ideas for Janie, Cabel and all the other characters. This book wasn't as good as the other two books in my opinion.
  • Rating: 4 out of 5 stars
    4/5
    Gone is a fitting end to the trilogy. In this final entry, we are give quite a bit more background info. and more info. on dream catchers. Janie is facing a big life decision, be an active dream catcher, or not. It's as she's working out the decision that we see just how bad Janie's home life is, and what led to it being that way. If you've been reading this trilogy, you'll definitely want to finish with Gone.
  • Rating: 1 out of 5 stars
    1/5
    The series has finally completed and I am so glad. Honestly, I am embarrassed that I even felt blah about the first ones; I thought that the fantasy she concocted had promise and something interesting could be done with it. Well, McCann proved me entirely wrong with the final book in the trilogy. For one thing, there really is not a plot in this novel, which makes it weak. Since there was no plot, I was able to notice something I had previously managed to ignore: the incredibly horrific writing. McCann seems not to know how to construct full sentences. Most are sentence fragments. Let me illustrate her writing style with the first section of the book:
    "It's like she can't breathe anymore, no matter what she does.
    Like everything is closing in on her, crowding her. Threatening her.
    The hearing. The truth coming out. Reliving Durbin's party in front of a judge and the three bastards themselves, staring her down. Cameras following her around the second she steps outside the courtroom. Exposed as a narc, all of Fieldridge talking about it.
    Talking about her."
    Final tally: Sentences- 1, Fragments- 8. The whole book is written this way, so I would suggest passing on this series unless you appreciate lackluster grammar.
  • Rating: 5 out of 5 stars
    5/5
    Interesting revelation about Janie's ability and the consequences. I like the way it ended, not unrealistically happy. Great read!
  • Rating: 2 out of 5 stars
    2/5
    2.5 stars. Part of that may be that it has been so long since I read the others, but I didn't really enjoy this one. It did tie everything up nicely though.
  • Rating: 5 out of 5 stars
    5/5
    Yes, I finished Gone. I loved it. I wish there was more to it, a lot more. I can think of so many directions I'd love to see from Janie and Cabel. I thought there were far too many loose ends and far too many things that were left unanswered.
  • Rating: 5 out of 5 stars
    5/5
    Really enjoyed the whole series - especially that it was set in Michigan and I could visualize the settings.
  • Rating: 4 out of 5 stars
    4/5
    This wraps up the trilogy, not so much paranormal in this oneJanie discovers who her father is and the choices he made to stay from losing his sight and use of his hands, however she only discovers him as he's dying and she has to start to make some life choices. She has to come to terms with her life and her choices and make the choices that make the most sense to her.She also has to come to terms with her mother.It does finish off the series but it's more about people than paranormal elements and the elements in the story are much less than in the others. I got a sense of hard choices and life but nothing really shone in this one, although it did wrap the story up nicely.
  • Rating: 3 out of 5 stars
    3/5
    I REALLY enjoyed the first 2 books of this trilogy, but this one quite frankly sucked. It did tie everything up with an 'Oh good everything's going to work out just fine' ribbon, but the story was just horrible. I didn't care about the dad, I thought it was stupid that they brought Stubin back, Janie is constantly mean to Cabel, her talks with Carrie make them both sound like idiots... and did I mention the thing about her father is completely uninteresting? Very disappointing.
  • Rating: 2 out of 5 stars
    2/5
    this book has been sitting in my TBR pile for a while now and i kept telling myself to find time to read it since the first two books in the series were okay. i also wanted to know what happens to janie and cabe. well now that i read it, i'm thinking i shouldn't have bothered. the book was pretty bad. it was like lisa mcmann asked a completely different person to finish the series for her. the writing was off, the scenes felt disjointed and janie and cabe were unlikable ghosts of their previous selves. there were parts of the dialogue that turned me off too. i literally rolled my eyes when one of the characters said "dude, i am so switzerland" or something like that. i mean, switzerland, really? are we suddenly in forks? no, not cute at all. and what about the whole thing about "getting jimmy a raincoat" (raincoat = condom) and then we're suddenly in judy blume's forever? "janie's sweaty and flushed and breathy and you get the picture"? again, not amusing. it's not like the book's target audience are grade schoolers. and even then, it's better to say they had sex, slept together than give them mental pictures of jimmy in a raincoat fer cryin' out loud! oh, so those were meant to be pop-culture references. am i taking this too seriously when the whole thing's meant to be a funny? i digress. one thing's for sure, all the stuff i mentioned above made reading a book that's only 200+ pages long extremely difficult to endure.
  • Rating: 3 out of 5 stars
    3/5
    While GONE brings the series to a bittersweet end, like FADE, the final book still did not wow me as much as the first book WAKE had done. GONE seemed a little too abstract and hard to grasp, and quite honestly I just didn't want to understand. I wanted more of Janie using her dream-catching abilities to catch the bad guys. GONE didn't have that element - it focused more on the nature of dream-catching and its effect on Janie's future. Cabel's reactions were mentioned a few times, but not as much as in past books.
  • Rating: 3 out of 5 stars
    3/5
    I loved the series, up to this point. But it was so unrelentingly grim. Like an art movie - that kind of slice of life thing that you think is going so poorly it just has to redeem itself at the eleventh hour with something amazing and, if not good, good according to the plot construct. This book is like Trainspotting, if you stopped watching it 3/4 of the way through. It tries, with its Al-Anon, and the Janie/Cabe thing - but it can't decide if it wants to be supernatural, romantic, or realistic, and ends up just being sad. Janie was a great character, and deserved better. So was Cabe, for that matter. Perhaps it's trying to make a real point about hard choices in life, and how some people never have it easy, even if things do get better. But in literature, I like my characters to get their just desserts. And no one did, in this book.Why didn't Janie ever find a solution - find out that dreamcatching has a cause, and the consequences can be averted? Find out that something dramatic happened in the past, to make her father leave? Find out that her mother was a decent person, a bit like Cabel, once upon a time? Any of these things might have been a focal point - as it was, the book seemed like it tried for realism over story. It was unfocused, searching for some kind of answer, but only coming up with more questions, and stop-gap solutions. I think this is just where our paths diverge - where the postmodernists and the plot-driven part ways. I guess it is a very postmodern book - DeLillo's work, Jonathan Franzen's The Corrections - my gripes with it would apply to them as well. Rather than building to some kind of dramatic conclusion, it suffers from a general malaise that is never fully resolved. I'm glad things turned out a LITTLE well for Janie. She deserves another book to find better answers, and more lasting happiness.
  • Rating: 3 out of 5 stars
    3/5
    This is the third book after Wake and Fade. Fans of the first two will want to check this one out, but I did not particularly care for the ending.
  • Rating: 3 out of 5 stars
    3/5
    Book three of the of the series. I thought this was a well written story, not to much excitement. But enough to keep me interested. 3.5 stars if i had the choice.
  • Rating: 4 out of 5 stars
    4/5
    Totally blew through this series - all three books in one day. All in all, I loved them. This last book was like one giant downer, though, so I didn't enjoy it as much as the other two. Plus the choppy non-sentence-sentences started to get to me.

    Also, I still love Cabe. I'd like him in my pocket, please.
  • Rating: 3 out of 5 stars
    3/5
    In the final book of the Wake trilogy, Janie is forced to finally make her choice between two equally awful ways of life. Solitude or a life with Cabe where she is blind and crippled. The discovery of her father and the secrets he holds helps her to understand her options and ultimately chose.This is probably the darkest of the three books, and parts are quite difficult to get through. I really have mixed feelings about it though, because it did feel a bit anti-climactic toward the end. There was nothing that made my heart race the way her adventure at the party in Fade did. Overall, I liked the series, but I'm glad it's over.
  • Rating: 3 out of 5 stars
    3/5
    Not a completely happy ending to the trilogy but I guess the lesser of all evils.
  • Rating: 3 out of 5 stars
    3/5
    Felt like things ended sadly for Janie. We see that she has more issues to work out in her life. This last book closes up and resolves what Janie will do with her life. She makes a monumental decision. Gone is more emotional and not action-packed like Wake or Fade but manages to satisfy. It's ok, and a good end to The Dream Catcher's books.
  • Rating: 4 out of 5 stars
    4/5
    I still say the first book, Wake, is the best one in this Trilogy. I got hooked on Janie and Cabel, and as each went on, I found things starting to go south. Way too many stupid fights between these two for my taste. A good series overall!
  • Rating: 3 out of 5 stars
    3/5
    I loved this series. The first and second books had me in tears, and I couldn't wait to begin the third and final. I was completely dissapointed. I cannot believe the ending. I was very unsatisfyed with the way she chose to end things, it really provided no closure and just kinda wimped out as an ending. This drags down the awesomeness of the rest of the series and that is a shame.
  • Rating: 4 out of 5 stars
    4/5
    This was a pretty good end to the series. I still am in love with Cabel. =)
  • Rating: 3 out of 5 stars
    3/5
    Not as good as the first two, but still an enjoyable quick read. I wish there had been more character progress instead of feeling like we just saw Janie go through and make the same decision again.
  • Rating: 5 out of 5 stars
    5/5
    Gone is the highly anticipated, final installment in the Dream Catcher Trilogy. This is the story of Janie, the girl who catches dreams and, Cabel, the boy who loves her.I've really enjoyed this series. I found it original and the characters very endearing. What I truly liked about Gone is that you really get more character definition, it was more of a character driven novel. There isn't so much of a mystery in this one but rather its about the characters coming to terms with themselves... learning more about each other and accepting that. Janie has learned to deal with her "gift" and has found a greater purpose for it. But she now knows that this gift comes at a very high price. A price that not only will affect her immensely but will also affect Cabel. Janie has some tough decisions to make.There's not much more I can say without giving too much away. I did feel that this book was different from the prior two in the series, but not in a bad way. The writing was the same - with it's short chapters and even shorter sentences. Janie was whiney and not so much the tough girl I've come to love... but all is forgiven - the girl is definitely leading a rough life. For those of you who haven't read the first two books in the series and are considering reading Gone - I would not recommend you do that. Although Gone can almost be seen as a companion book since it is THAT different from the other two, you don't really get much background information as to know what happened previously so after a couple of pages you will be lost. Start at the beginning and I guarantee you will be swept away in Janie's journey. All in all, this worked for me. I enjoyed this trilogy immensely and I can definitely recommend it to not just teens but to adults alike.
  • Rating: 4 out of 5 stars
    4/5
    I usually don't like the last book in a series, but this one I did.
  • Rating: 4 out of 5 stars
    4/5
    Janie thought she knew what her future held. And she thought she had made peace with it. But she can't handle dragging Cabel down with her.She knows he will stay with her, despite what she sees in his dreams. He's amazing. And she's a train wreck. Janie sees only one way to give him the life he deserves: She has to disappear. ANd it's going to kill htem both. Then a stranger enters her life-and everything unravels. The future Janie once faced now has an ominous twist, and her choices are more dire than she'd ever thought possible. She alone must decide between the lesser of two evils. And time is running out...
  • Rating: 3 out of 5 stars
    3/5
    McMann, L. (2010). Gone. New York: Simon Pulse.9781416979180214 pages.Appetizer: In the final book of the Wake Trilogy, the town has learned that she is the key witness in the town's big court case and that's drawing a lot of unwanted attention and people have given her the lovely nickname, "narc girl." So, she and Cabe plan a little summer break and leave town, but their rest is soon interrupted by an emergency call that someone in Janie's family is in the hospital.I think Gone was a very strong conclusion to this trilogy. The sparse language is consistent with the previous books. Plus, the tensions over Janie's worries over her future that were alluded to in Wake, explored during Fade, were brought to the forefront in Gone.In Gone, I really saw how Janie's relationship with Cabe was her one supportive and loving relationship. I really liked that McMann included this, since teens often feel like their romantic partner is their world. While most of the time, I think it's important for teens to remember their friends and family are there too, in Janie's case, her relationship with her mom is so pained, her character really needs the support of someone. And readers see that.But at the same time, not everything is perfect with Cabe, since both he and Janie are worried over their future together since they know Janie's power will hurt her more and more as she ages. I liked that McMann explored these concerns as well as presented the foil of Carrie and Stu's relationship.Also, with this book, Janie's father makes an appearance. I do wish that possibility had been foreshadowed a little more in the previous books.If this is the first you've heard of the Wake Trilogy, it's important to know, dear reader, this isn't really the type of series in which you could pick up any book and start reading. The books build on one another heavily, so stick to the publication order.Dinner Conversation:"24/7/365It's like she can't breathe anymore, no matter what she does.Like everything is closing in on her, crowding her. Threatening her.The hearing. The truth coming out. Reliving Durbin's party in front of a judge and the three bastards themselves, staring her down. Cameras following her around the second she steps outside the courtroom. Exposed as a narc, all of Fieldridge talking about it.Talking about her" (p. 1)."Janie's not cut out for this--she's a loner. She is underground. It's like she hasn't even had time to let all the other stuff sink in--the real, the important. The janie life-changing stuff. The stuff from the green notebook.Going blind. Losing the use of her hands.The pressure is breathtaking.She's suffocating.Just wants to run.Hide.So she can just be" (p. 2)."Carrie, whose normally dancing eyes are dulled from the weariness of the unusual day, looks at Janie. "Apparently, it's your father, Janers. He's, like, really sick."Janie just looks at Carrie. "My father?""They don't think he's going to make it" (p. 30)."She leans her head against Cabel's shoulder and slips her arm behind his. He turns, slides her onto his lap, and they hold on tightly to each other.Because there's no one else" (p. 45)."And she imagines life without him. Blind, gnarled, but loved...at least while things are still good. And always knowing what struggles he's dealing with through his dreams. Does she really want to see that, as years go by? Does she really want to be this incredible burden to such an awesome guy?She still doesn't know which scenario wins.But she's thinking.Maybe broken hearts can mend more easily than broken hands and eyes" (p. 45).To Go with the Meal:I think this series is an excellent recommendation for reluctant female teen readers. All three of the books read quickly and girl's can relate to Janie emotionally.I also really like that the stories present a dysfunctional family in a lower class living situation. It's not often enough that this lifestyle is presented in literature. It can be a necessary window or mirror into a way of living that we need to see more often.A teacher can also provoke an honest discussion on the experience of having an alcoholic parent and can provide information on where teens can find support.Gone also references Catch 22 pretty heavily. So, a teacher could try to drum up some interest in getting kids to hit up that classic next. Or a teacher could focus discussions on making impossible decisions and the choices students would make.Tasty Rating: !!!
  • Rating: 4 out of 5 stars
    4/5
    This book was bittersweet.
  • Rating: 3 out of 5 stars
    3/5
    Reason for Reading: Next (and last) in the series.Summary: Janie has been left with a decision to make about her future and concentrates on making that decision. However, a wrench is thrown into her contemplations when her never before known father shows up in ICU causing her alcoholic mother to go off the deep end and add a twist to her previous choice. Now she must decide which is lesser of two evils.Comments: Right of the bat I'll say this was rather disappointing. For a good portion of the book, from the beginning, the story mostly concentrates on Janie's dealing and coping with her alcoholic mother. Which would have been fine if this was just another teen dysfunctional family novel (which I abhor) but it was supposed to be the final book in a, so far, exciting paranormal trilogy. Janie has become very good at blocking out dreams unless they hit her out of nowhere, so during this part of the book there is barely any semblance of paranormal activity.The introduction of Janie's father and his story that Janie learns through his comatose dreams was an interesting plot move and was certainly the highlight of the book. I enjoyed the twist it brought to the story and the extra dimension it added to Janie's decision. In the end though, I thought her decision lacked logic and I came up with a different way in which she could have possibly solved her dilemna.I won't go into any details about what I thought of the casual, s*xual relationship between Janie and Cabel, except that I was not impressed. In general I was not impressed with Gone much at all; I read the book very quickly, I was already committed to the characters and enjoyed the previous two books *very much* but Gone just did not share an exciting plot with them. The father's part was good but not that exciting and I didn't pick up this book to read about the trials, tribulations and effects of an alcoholic on a family. Readable, but disappointing for the last book in a trilogy.
  • Rating: 3 out of 5 stars
    3/5
    This book felt weaker that the earlier books in the series, probably because there was no central mystery to carry to plot forward. This book is more concerned with Janie's decision about how to handle her dream waling powers - and the terrible toll they will take on her health. This felt like a long epilogue to Fade. I'd only give this to fans of the first two books, it does not stand alone.
  • Rating: 4 out of 5 stars
    4/5
    This book was a lot darker than the last two. Janie is frustrated with the fact that she feels like she is risking everything and ruining her life by helping others with her ability. I have to admit, I was annoyed by her bad attitude in the beginning of this book.That being said, it was still well written and another super easy read. I was satisfied with the ending. I read a lot of reviews that said the ending was unsatisfactory, and I was worried that they were going to end it the other way. I won't say which so I don't ruin anything. But I feel they ended it the right way for this series, and I was happy with it. I would definitely recommend this series if you want something quick and light to read!

Book preview

Gone - Lisa McMann

JUNE 2006

24/7/365

It’s like she can’t breathe anymore, no matter what she does.

Like everything is closing in on her, crowding her. Threatening her.

The hearing. The truth coming out. Reliving Durbin’s party in front of a judge and the three bastards themselves, staring her down. Cameras following her around the second she steps outside the courtroom. Exposed as a narc, all of Fieldridge talking about it.

Talking about her.

For weeks, it’s on the local news. Gossip in the grocery store. Downtown. People point, murmur with heads close together, those looks on their faces. Randomly coming up to her and asking invasive questions. Strangers, former classmates, leaning into her space, whispering, like they’re her closest confidantes: So, what did they really do to you?

Janie’s not cut out for this—she’s a loner. She is underground. It’s like she hasn’t even had time to let all the other stuff sink in—the real, the important. The Janie life-changing stuff. The stuff from the green notebook.

Going blind. Losing the use of her hands.

The pressure is breathtaking.

She’s suffocating.

Just wants to run.

Hide.

So she can just be.

JULY 2006

Five minutes that matter.

Across the desk. The spot beside her, empty.

I don’t know anymore, she says. I just don’t know. Presses her palms into her temples, hoping her head doesn’t explode.

Whatever you decide, the woman says.

It is their secret.

AND THEN

Tuesday, August 1, 2006, 7:25 a.m.

I can’t breathe, she whispers.

His hot fingers lace her ribs, sear through her skin to her frozen lungs. He holds her. Kisses her. Breathes for her. Through her.

Makes her forget.

Afterward, he says, We’re going. Right now. Come.

She does it.

On the three-hour drive, she looks through eyelashes at her blurred fingers, curled in her lap. Pretends to be asleep. Not sure why. Just soaking in the quiet. And knowing, deep down.

Knowing that he,

and this,

are not answers to her problems.

She’s beginning to realize what is.

THE FIRST THURSDAY

August 3, 2006, 1:15 a.m.

The inquisitors are nowhere to be found on this side of the state. Here, at Charlie and Megan’s rental cabin on Fremont Lake, no one knows her. The days are peaceful but the nights . . . in a tiny cabin, the nights are bad. Dreams don’t take vacations when people do.

It’s always something, isn’t it? Always something and never nothing for Janie. Never, ever nothing.

Like the car a doctor once told her never to drive, she craves it. Craves the rebellious never, the elusive nothing. And when the next nightmare begins, she thinks about it for real.

1:23 a.m.

Janie shakes on a lumpy sofa. Beside her, stretched out in a reclining lawn chair, is Cabe. Asleep.

He’s dreaming about her.

Janie watches, as she sometimes does when his dreams are sweet. Storing up memories. For later. But this . . .

They’re playing paintball in an outdoor field with a dozen faceless people. It looks like a video game. Cabe and Janie move through the obstacles and shoot at each other, laughing, ducking, hiding. Cabel sneaks up and takes two shots at Janie, two red paintballs.

They nail her right in the eyeballs.

Red paint drips down her cheeks, her eye sockets hollow.

He keeps shooting and takes out one limb at a time, until Janie is just a body and a paint-striped face.

He sobs, remorseful, kneels next to her on the ground, and then picks her up and carries her, puts her in a wheelchair. Rolls her away to an empty part of the field and dumps her out onto the yellow grass.

Janie pulls out of it. Knows she shouldn’t be wasting dreams. But she can’t help it. She can’t look away.

When she can see, she stares in the dark at the ceiling while Cabe tosses and turns. She slides her arm over her eyes, trying to forget. Trying to pretend like this hasn’t been happening for two months straight, on top of everything else. Please stop, she whispers. Please.

4:23 a.m.

He dreams and she is forced awake again.

She holds her head.

Janie and Cabel are in the backyard of Cabe’s house, sitting in the green grass. Janie’s arms end at the elbows. Her eyes are sewn shut, needles still connected and hanging from the thread, down her cheeks. Black tears.

Cabel is frantic. He pulls an ear of corn from a paper grocery bag and strips the silk away. Attaches it to one of Janie’s elbows. He plucks two marbles from the paper bag. Big brown Tiger’s Eye shooters. He pushes them into Janie’s sewn-up eyelids, pushes hard, but they won’t stick. Janie falls over backward like a rag doll, unable to catch herself without hands. The ear of corn breaks off her elbow and rolls away. Cabe cradles the Tiger’s Eye marbles in his hands.

Janie, numb, can’t watch anymore. And she won’t try to change it. Not a dream like that. Because it’s about her, and how Cabe is dealing with things. It feels completely wrong to manipulate that. She just hopes he never asks her to help.

Still, she doesn’t want him dreaming it, period. Not any of it. She kicks out her leg. Connects. Everything goes black.

Sorry, he mumbles. Goes back to sleep.

It’s been like this.

It’s like everything he can’t say comes out in his dreams.

9:20 a.m.

Familiar stirrings put an end to dreams. A welcome relief. Janie rests on her couch half-asleep. Talking herself back up. Back to normalcy. She puts on her facade.

Until she can figure out what to do about it.

About life.

About him.

9:33 a.m.

She hears the lawn chair creak, and then feels Cabel snuggling up behind her on the sofa. She stiffens, just a little. Just for a second. Then takes a deep breath. He slips his warm fingers under her cami and slides them across her belly. She smiles and relaxes, eyes still closed. You’re going to get us in trouble, she says. You know your brother’s rules.

I’m on top of the blanket. You’re under it. They’ll be okay with that. Besides, I’m not doing anything. He strokes her skin, kisses her shoulder. Slips his fingers under the waistband of her jammie pants.

Dude. Janie links her fingers in his. Nope, she calls out, in case Charlie and Megan are paying attention. Nothing happening over here. She murmurs to Cabel, You’re making breakfast. Right?

Right. I’m starting the fire with my mind, frying bacon with my darkest, crispiest thoughts. And you thought you had a special ability. Think again, missypants.

Janie laughs, but it comes out strained. Did you sleep okay?

Yeah. His chin scratches her shoulder. Well, as good as anybody can sleep on weaved strips of fibrous plastic and a metal rod riding his ass. He nips her earlobe and adds, Why? Did I have a nightmare? You always make me nervous when you ask that.

Shh, Janie says. Go make me some bacon.

He’s quiet for a moment, and then he gets up. Slips into his jeans. Okay, then.

9:58 a.m.

They do vacationy things. Sitting around with Charlie and Megan, drinking coffee, making breakfast over the campfire. Relaxing. Getting to know one another better.

Janie’s distracted.

She stares at everything, afraid she’ll miss something that needs to be seen before it’s too late.

She really doesn’t know how to do vacations.

Besides, some stuff you just can’t get away from.

But she’s brave. Everything appears normal. Even though inside, she’s wrecked.

It’s been a tough few months.

Facing them—Doc, Happy, and Dumbass—was way more difficult than she thought it would be. Reliving all the lies. The setup. The assaults. All the things those teachers did. It was horrible.

Now it’s over, the buzz has died down, but things are still hard. Getting on track again, and facing the reality of a blind and crippled future—it’s hard. Having a mother who’s a drunk is hard too. Thinking about college, where sleeping people are everywhere . . . and a boyfriend, whose doubts and fears only come out in his dreams. Life in general . . . yeah. All of it.

Really.

Fucking.

Hard.

Janie and Cabe do the dishes together. Cabel washes, Janie dries. It feels so homey. She grips a plate tightly, wiping it with the towel. Thinking.

Wants to know if he’ll voice his dream fears.

And so she blurts it out. Do you ever think about what it’ll be like? You know, if we stick together, and me all blind and hobbling around, dropping and breaking dishes ’cause I can’t hold on to them . . . .  She puts the plate in the cupboard.

Cabel flicks his fingers at her, spraying her with water. Grinning. Sure. I think I’m pretty lucky. I bet blind people have great sex. I’ll even wear a blindfold so it’s fair. He bumps his hips lightly against hers. She doesn’t laugh. She steadies herself and then grabs a stainless steel skillet by the handle and starts drying it. Stares at her contorted reflection in it.

Hey, Cabe says. He dries his hand on his shorts and then strokes Janie’s cheek. I was just joking around.

I know. She sighs and puts the pan away. Throws the towel on the counter. Come on. Let’s go do something fun.

1:12 p.m.

She focuses her mind.

It’s cold in the water, but the afternoon sun is warm on her face, her hair.

Janie bobs in place, knees bent, arms straight but not locked, trying to balance. The life vest knocks about her ears. Her well-toned arms are like sticks shooting from the vest’s enormous sockets. Janie’s glasses are safely stowed inside the boat, so everything is blurry. It’s like looking through a wall of rain.

She takes a deep breath. Hit it! she yells, and then she is yanked forward, knees knocking, arms shaking. She grips the rope handle, knuckles white, palms and muscles already sore from two previous days’ efforts. Lean back, she remembers, and does it. Let the boat pull you up.

She straightens, sort of.

Wobbles and catches herself.

Her bum sticks out, she knows. But she can’t help it. Doesn’t care, anyway. All she can do is grin blindly as spray slaps and stings her face.

She’s up. Woo hoo! she yells.

Megan is a gentle driver at the wheel of the little pea-green speedboat. She watches Janie in the rearview mirror like the good mothers watch their children, her brow furrowed in concern but nodding her head. Smiling.

Cabel faces Janie, in the spotter position at the back of the boat, grinning like he does. His teeth gleam white next to his tan skin, and his brown hair, streaked with gold from the sunshine, flips wildly in the wind. His nubbly burn scars on his belly and chest shine silvery brown.

But they are both just blobs to Janie from seventy-five feet away. Cabe yells something that sounds enthusiastic but it’s lost in the noise of the motor and the splash.

Janie’s legs and arms shiver as they air-dry and then get slapped with spray again. Her skin buzzes.

Megan keeps them close to the willow-treed shore. As they approach the town’s beach and campground, Megan eases the boat into a wide semicircle, turning them around. Janie tenses into the turn, but it’s only a mild bump over the wake. Once they straighten out again, Janie moistens her lips, and then, determined, she gives Megan the thumbs-up.

Faster.

Megan complies, and speeds toward the dock near the little red-brown shellacked cabin, one of six dotting the shore at the Rustic Logs Resort, and then she continues past it. Exploring new territory.

I am such a badass, Janie thinks. She squints and makes a daring and ultimately successful attempt to cross the wake again as the two in the boat cheer her on.

By the time Janie senses it, it’s already too late.

A woman lies sunning herself on a water trampoline, skin gleaming from tanning oil and sweat. Janie can’t make out the scene, but she’s all too familiar with the warning signs. Her stomach twists.

Janie flies past the woman and becomes engulfed in darkness. There’s a three-second-flash of a dream before it’s all over and she’s out of range again. But it’s enough to throw Janie off-kilter. Her knees buckle, skis tangle underneath her, and she flips forward wildly, water forcing its way into her throat and nostrils. Into her brain, it seems, by the way it burns. A ski slams into her head and she’s forced back under the water. She’s not slowing down.

If you fall, let go of the rope.

Der.

Janie surfaces, coughing and sputtering, her head on fire. Amazed that the oversize life vest is still attached, though she’s all twisted up in it. Feels queasy after swallowing half the lake. She wipes the water from her stinging eyes and peers through the blur, disoriented, wishing for her glasses. Ears plugged. When weeds suddenly tickle her dangling feet, she eeps and her body does a little freak-out spasm of oogy-ness, after which she tries not to think about being surrounded by big yellow-orange carp . . . and their excrement.

Blurg. Not fond of this, hello.

Boats whine in the distance.

None of them sounds like it is coming to rescue her.

Finally she hears a muffled chugging. When the motor cuts, Janie calls out. Cabe?

It’s still the only name that feels safe on her tongue.

1:29 p.m.

In the boat, Cabel wraps a towel around her. Hands Janie her glasses. You sure you’re okay? His eyes crinkle and he’s trying not to grin.

Fine, Janie growls, peeved, teeth chattering. Megan checks out the bump on Janie’s head, and then hauls in the tow rope.

Cabel coughs lightly and then presses his lips together. That was quite, uh, quite the display, Hannagan.

Are you actually laughing at me? Seriously? Janie rubs her hair with a towel. I almost died out there. Plus my brain is now infested with plankton and carp shit. You’d better watch it, or I’ll blow a snot rocket at you.

I’m . . . eww. That’s disgusting. Cabe laughs. But seriously, you really should have seen yourself. Right, Megan? I wish we had a video camera.

Dude, I am so Switzerland, Megan says. Rope stowed, she revs up the engine and

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