Discover millions of ebooks, audiobooks, and so much more with a free trial

Only $11.99/month after trial. Cancel anytime.

Indigo Springs
Indigo Springs
Indigo Springs
Ebook381 pages5 hours

Indigo Springs

Rating: 3.5 out of 5 stars

3.5/5

()

Read preview

About this ebook

Indigo Springs is a sleepy town where things seem pretty normal . . . until Astrid's father dies and she moves into his house. She discovers that for many years her father had been accessing the magic that flowed, literally, in a blue stream beneath the earth, leaking into his house. When she starts to use the liquid "vitagua" to enchant everyday items, the results seem innocent enough: a "'chanted" watch becomes a charm that means you're always in the right place at the right time; a "'chanted" pendant enables the wearer to convince anyone of anything . . .

But as events in Indigo Springs unfold and the true potential of vitagua is revealed, Astrid and her friends unwittingly embark on a journey fraught with power, change, and a future too devastating to contemplate. Friends become enemies and enemies become friends as Astrid discovers secrets from her shrouded childhood that will lead her to a destiny stranger than she could have imagined . . .


At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

LanguageEnglish
Release dateNov 2, 2010
ISBN9781429985321
Indigo Springs
Author

A. M. Dellamonica

A.M. DELLAMONICA is the author of Indigo Springs, which won the Sunburst Award for Canadian Literature of the Fantastic. Her short fiction has appeared in Asimov’s, Realms of Fantasy, Sci-Fiction and Strange Horizons, and in numerous anthologies; her 2005 alternate-history Joan of Arc story, “A Key to the Illuminated Heretic,” was shortlisted for the Sideways Award and the Nebula Award. Dellamonica lives in Toronto, Ontario.

Read more from A. M. Dellamonica

Related to Indigo Springs

Titles in the series (2)

View More

Related ebooks

Fantasy For You

View More

Related articles

Reviews for Indigo Springs

Rating: 3.6935483387096775 out of 5 stars
3.5/5

62 ratings12 reviews

What did you think?

Tap to rate

Review must be at least 10 words

  • Rating: 5 out of 5 stars
    5/5
    Really fascinating. I love the characters and how complicated they are. Astrid has a monumental task as a chanter and keeper of the magic liquid in her home. Her friend Sahara is charismatic and self-serving. The people surrounding Astrid--her mother, Jacks--are wonderful, interesting characters. I love how surreal the story gets, yet I think everyone can relate to the idea of just wanting to be loved back by the one you love. Even when responsibility dictates that what it takes to get that love isn't the wisest thing, and sometimes true love is right in front of us. The story is complicated but all comes together--it leads up to the sequel (which I am going to start next!). I really like the insights into human nature through exposure to the extraordinary. Highly recommend.
  • Rating: 4 out of 5 stars
    4/5
    Originally posted here.

    I came to this book with absolutely no expectations. Prior to reading it, I knew nothing about the book or its author. The only reason I ever picked it up was because I won a copy of the second book in the series from Goodreads' First Reads program. At first, I thought that was bad luck, and I was annoyed with myself for even entering to win the second book in a series I'd never read. Well, now, I just want to pat myself on the back for being so awesome.

    This book was just so incredibly cool. Dellamonica has created magic as I've never seen it before. The worldbuilding is so incredibly cool. As crazy as it is, there's a sort of normalcy to it that calls to mind magical realism. The Unreal, and the liquid magic, are just so incredibly unique and astounding. Oh, and, it's apocalyptic. So many things that I love are in this book!

    The story alternates between past events and present ones. In the present, where we start, Will, a crisis negotiator, arrives to interrogate Astrid Lethewood. She was arrested and then apparently moved to this special facility because of her mental instability. The first chapter captured me immediately, with Astrid's craziness and everything being said making me want to know more.

    I'm not usually one to cast roles for a potential movie as I'm reading a book, but I can see Astrid as no one but Summer Glau, and I do think this could make a completely amazing television show. Although I'm not sure that Summer necessarily fits what Astrid is supposed to look like, she plays crazy and intelligent better than anyone else. Astrid comes off as a sort of a weak, quiet character, possible insanity aside. Really, though, she has so much power.

    In the past, we learn about how she discovered the truth of her father, Albert. He left her a big house, although he was a wastrel during most of his lifetime. In it, she finds a bunch of what appears to be junk, but then she discovers that all of those items are chantments, enchanted magical objects. One can turn a number two pencil into gold shavings. Another can make you more beautiful.

    Astrid begins to recover lost memories and learns more about the magic and her father, with her friends, Jacks and Sahara at her side. Sahara is so perfectly her character. I have such a vivid mental image of her in my head as well. These three are all so well-characterized. The other figures in the story, I have less of a handle on, even Will, though you see from his perspective for about half of the book. Everything is bound up in Astrid's universe, which mostly consists of three people.

    Indigo Springs may be the best urban fantasy novel I've read to date. It's vibrant, magical and edgy. I am so excited to start on Blue Magic soon.
  • Rating: 4 out of 5 stars
    4/5
    The premise: plucked from BN.com: Indigo Springs is a sleepy town where things seem pretty normal . . . until Astrid’s father dies and she moves into his house. She discovers that for many years her father had been accessing the magic that flowed, literally, in a blue stream beneath the earth, leaking into his house. When she starts to use the liquid "vitagua" to enchant everyday items, the results seem innocent enough: a “’chanted” watch becomes a charm that means you're always in the right place at the right time; a “’chanted” pendant enables the wearer to convince anyone of anything . . .But as events in Indigo Springs unfold and the true potential of vitagua is revealed, Astrid and her friends unwittingly embark on a journey fraught with power, change, and a future too devastating to contemplate. Friends become enemies and enemies become friends as Astrid discovers secrets from her shrouded childhood that will lead her to a destiny stranger than she could have imagined . . .My RatingWorth the Cash: but close to a "must have." Any fan of contemporary fantasy (fantasy that takes place in today's world that is NOT Buffy-lit) must pick this up. The magic is creative and enchanting, and the characters are so very human in their motivations and interactions, and the story itself pays off very nicely, even though it's obvious there's gonna be a sequel. That said, I was very pleased and very satisfied with this story, and I happily await said sequel. This is one of those books that lives up to the beauty of the cover art, so aside from a few bumps in the opening, you're gonna be fine. Review style: should be short and sweet, with no spoilers. If you're interested in the full review, just click on the link below, which takes you to my LJ. As always, comments and discussion are most welcome. :)REVIEW: A.M. Dellamonica's INDIGO SPRINGSHappy Reading! :)
  • Rating: 3 out of 5 stars
    3/5
    I really wanted to love this book. It's got a beautiful cover and a truly interesting premise. On paper the characters are interesting too. The main character is bisexual, another is trans (though I was never certain if that was their natural inclination or the result of magics) and another is notably narcissistic. I should love this book. Instead, I liked it but was perfectly happy to reach the end of it.

    The problem I had was that the characters never jumped out and grabbed me. They're flat, Jacks especially. The first person POV is a character who is basically outside the primary plot, the rest is third person from Astrid's (the main character's) POV. I connected to neither of them. What's more, I could never quire wrap my head around the fact that the weak, simpering woman of 95% of the novel is the same as the strong, in control woman at the end. Yeah, there's supposed to have been some time for her to adjust, but from the readers perspective it's a big change in personality almost instantly.

    All in all, it was an ok book. I'd read another of Dellamonica's works but I didn't love it.
  • Rating: 2 out of 5 stars
    2/5
    I just couldn't get into this one. The synopsis of the story sounded good, but after getting about halfway through the book, I was having a hard time keeping my attention focused (much like the lead character). I am not sure if it was just my mood when trying to read this, or the way the author wrote, that made me feel like I was reading something a grade-schooler wrote. Literally, it gave me a headache. I do admit, that I do like the idea of the story, but just couldn't deal with the writing style.
  • Rating: 4 out of 5 stars
    4/5
    This is the first book in the Astrid Lethewood series. I believe the sequel to this book, Blue Magic, ties up this duology. It was a creative and somewhat ambiguous story that can best be described as a urban fantasy apocalyptic eco-thriller. It reminds a bit of Elizabeth Hand in the somewhat vague writing style. It might not be a book for everyone but I enjoyed the creative ideas in here.Astrid inherits a house from her dead father. We hear from her both in the present and past. As the story slowly unravels we find out that Astrid’s house hides a magic spring but the magic curses most of the people it contacts. She is supposed to guard the world from it. But her housemates interfere and the magic ends up corrupting the world; resulting in giants animals and human mutations.This was a really cool concept; it was a blend of fantasy, urban fantasy, eco-thriller, and apocalyptic genres. It is a bit confusing when you start to read it because the chapters are told from two perspectives and those are not designated at the beginning of the chapter. The first perspective is from a negotiator that is sent to question Astrid in the present while the world is in the middle of a magical apocalypse. The second perspective is Astrid’s in the past (which she thinks is the present). It is awkward to get used to the switches at first, but the strangeness of the writing style really matched the weirdness of the story.Astrid is a fascinating heroine. In the scenes from the past she seems relatively normal. She lives with a childhood guy friend (who obviously wishes that he could be more to her), and her girlfriend from college (who was Astrid’s lover until she left Astrid). Astrid also has a mother who is delusional and thinks she’s a man. Yep, there is a lot of gender-bending in this book...but it really matches the mixed up reality that is thematic throughout the book.Astrid starts to loose touch with reality as she absorbs more and more magic. She doesn’t know where or when she is at some points. She also starts being able to predict the future and gets confused about what has happened and what will happen. As you can imagine this leads to ambiguity in the story, which might bother some readers.None of these characters are good characters, they are all very human. They all do noble things and they all do evil things. But all of them are just as interesting, screwed up, and strange as Astrid herself. Sahara is Astrid’s best friend and she ends up so corrupt by the magic she calls herself a god and starts to gain her own following.I loved how the plot unfolded and loved hearing about how the Blue Magic was causing strange things to happen in the world. The Blue Magic basically causes an eco-disaster of sorts. Humans mutate into part-animals, animals mutate into huge monsters, and the world starts to fall apart. This whole story is about how a few bad personal decisions can destroy the whole world.The writing is a bit confusing as tense and POV changes are really noted, you kind of have to figure them out. It makes the book hard to read at times. This book is so absolutely interesting, creative, and absolutely crazy though that I really thought it was worth the effort to read. The unraveling mystery about how the magic got out to destroy the world was just super engaging for me. Overall this was a fascinating read. I will say that this won’t be a book everyone will enjoy. It is a bit confusing at points, the story can get very ambiguous because the heroine is confused about when and where she exists. Still I really enjoyed it because it was so very different from anything I’ve ever read and so far out there. This is a seriously crazy book, but I enjoyed it. It reminded me a bit of Elizabeth Hand’s earlier books (Black Light, Waking the Moon) in style. I would recommend to those who are okay with ambiguity and want to read an urban fantasy that is vastly different from anything else out there.
  • Rating: 5 out of 5 stars
    5/5
    The first few chapters of Indigo Springs by A. M. Dellamonica was a little confusing but by the third chapter I was totally hooked. After Astrid's father dies, he leaves her a house that is full of enchanted objects. Astrid begins to uncover the mysteries behind her father as well as unlock memories that have been buried for years. With the help of her brother by marriage, Jacks, and her friend, Sahara, the three embark to uncover the mystery behind the dangerous,blue, magical substance called vitagua.The story is told from two points-of-view from two different people. The first is told from an investigator named Will. The magic that Astrid unlocks wreaks havoc on their community. It's like a whole epidemic has taken over the town and beyond. Astrid is held in a bunker below ground. Will has come to interview her to find out any information on the fugitive, Sahara. The second point-of-view is told from Astrid. She reflects and tells Will the events that has led up to the present day circumstances.Indigo Springs is a well-written novel, full of imagination and complex characters. It is a thoroughly fascinating look into the temptation of power and the consequences of using it for one's own advantage. I was completely caught up in the world that Dellamonica created. This is a book that I would definitely recommend. You won't want to put it down until you reach the end.
  • Rating: 5 out of 5 stars
    5/5
    This unique contemporary fantasy is probably going to be one of my top reads for the year.When Astrid inherited her father's run-down old house, she expects a life of small-town drudgery. With her step-brother and her old friend Sahara as housemates, she's simply eager to have everyone she loves together in the same house. Then she finds her father had a secret: the house hides a well of pure, blue magic. Her father had a knack for enchanting everyday objects with this magic, and used them to brighten the lives of strangers even as he was regarded as the town drunk and eccentric. However, Astrid's friend Sahara has no intention of doing the same old-same old. Sahara wants to find out where the magic comes from. She wants to know what it can do. And she doesn't mind using her enemies--and-friends--to get what she wants.This book hooked me right away. It follows a narrative structure like one of my very favorite books, The Sparrow, and alternates between the past and the present. From the events in the present, it's immediately clear that everything has gone horribly wrong. It's disturbing, fascinating, and beautiful all at once. I had to read on as fast as possible because I needed to find out what happened. Really, the events of the past were even more important than what would happen in the future. And when everything converged... wow. There's not a single stock character in this book. Astrid is a complicated and conflicted heroine, and Sahara is a force of nature who reminds me of a few people I've known in my own life. Not only is this book a keeper, but I intend to buy the sequel as soon as it comes out next year.
  • Rating: 4 out of 5 stars
    4/5
    I don't even know what to tell you about this that wouldn't potentially spoil something. I guess I can tell you it's an urban fantasy of sorts? It's quite the mystery: what happened? who are these people? Why are they together? Totally worth it as the story slowly unravels.
  • Rating: 4 out of 5 stars
    4/5
    Indigo Springs is a first novel by a writer who has been publishing short fiction for nearly two decades. It shows the skill of someone who has long practiced in making words do what she wants them to do, and also the inexperience of a first-time novelist who has a great idea but doesn’t exactly know how to execute it. It’s a terrific story with new ideas and a unique magic system that works. With a stronger structure and a more coherent ending, this would have been a contender for major prizes. As it stands, it is fun to read and offers great promise of even better work to come.The story is told mostly in flashbacks, a tale told by a prisoner to a law enforcement agent who has been tasked with finding out where the prisoner’s extremely dangerous friend might be, and what can be done to stop her. The agent, Will Forrest, tells us his portion of the tale, which takes place in the present, in the first person. The flashbacks are told in a third person voice, with the prisoner, Astrid, as the viewpoint character. Astrid has recently returned to her home town, Indigo Springs, to live in the house she has inherited from her father. Her stepbrother, Jackson, an artist, also lives in the house; and soon Sahara, her best friend, arrives, on the run from her cheating boyfriend in the car she has stolen from him.Astrid’s relationships with her two housemates are complicated. Jacks is in love with her, and she is in love with Sahara, who uses that love to manipulate her. This would be bad enough in a real-life situation, but it gets incredibly complicated when you add magic to the mix. Astrid has long been a magic apprentice, but she has mostly forgotten about her father’s work with her and vitagua, an indigo blue liquid that is the essence of magic. Her memories start to return when she discovers her father’s cache of “chantments,” small items that have been enchanted to accomplish magic tasks, such as a lipstick that makes the wearer beautiful or a scrub brush that cleans a kitchen all by itself, a la The Sorcerer’s Apprentice. Soon Astrid is using vitagua to make more and more chantments, which Sahara is sending around the country to those who might be able to tell them more about exactly how magic works.But Astrid ultimately doesn’t need all the advice Sahara is gathering from real witches all over the United States. A fireplace repair ruptures, spreading vitagua all over the house, contaminating Sahara and filling Astrid to the brim as she absorbs it into her body. Now Astrid knows exactly what the realm of the unreal is, and voices are giving her full information on the past, present and future. She begins to have difficulty knowing which is which, and her confusion allows Sahara to recontaminate herself. The frame for the novel, in which Astrid is a federal prisoner telling her story to a cop, lets us know that Sahara uses the magic for evil rather than good, and also that magic can get completely out of hand, transforming plant and vegetable life into unmanageable entities that are inimical to humans. How we get from Astrid rediscovering magic to the outbreak of magic that threatens the human race and destroys Will’s family, however, is not described with the loving detail lavished on the early part of the story, which is disappointing. But Dellamonica tells the story of Astrid’s gradual reintroduction to magic with true panache, making for a very enjoyable read. As the book approaches its conclusion, things become very vague indeed. The conclusion is rushed and unsatisfactory. It appears that the story isn’t intended to truly end with this book, as Dellamonica has written a sequel, Blue Magic, to be published in 2011. If it’s as good as Indigo Springs, with the added advantage of actually finishing this tale, it’ll definitely be a winner. I await it eagerly.
  • Rating: 4 out of 5 stars
    4/5
    Second time I reviewed this, hopefully it takes!I really enjoyed this book - and it was definitely a surprise. I had thought this was a urban fantasy chick lit book. I was quite confused at the male narrator at first, since it wasn't at all what I was expecting.First off, the blurb on the back of the book is deceiving - this is a dark fantasy. It starts with the main character Astrid, being interrogated by Will. The book moves back and forth between Will and Astrid's Conversation to the events before Astrid was taken by the authorities. Its works for this book. Even though I know where Astrid ends up, I was still surprised at the events that put her there. I also like the fact that the sub-plot didn't take over the book.A few things - the character of Astrid was a bit to inactive for me, while Sahara was too manipulative. I enjoyed the magic in this book- there is definitely a cost to it, and Astrid does pay a price.Its a well written book that is full of surprise and a darker plot than advertised. Well worth the read.
  • Rating: 3 out of 5 stars
    3/5
    Advertised as an apocalyptic fantasy, "Indigo Springs" is an interesting first novel from A.M. Dellamonica. Through flashbacks, we learn the story Astrid and her friend, Sierra. Astrid has inherited a house from her grandfather that sits on top of a magical spring that can embue every day objects with magical powers. Sierra sees the potential and we see how her rise to being a fringe leader rises and falls, leading to unintended consequences and the potential downfall of civilization as we know it.The story has a nice hook, but there were moments I found myself drifting in and out of interest. It's a nice start with some good ideas, but it's not quite as great as it could have been.

Book preview

Indigo Springs - A. M. Dellamonica

• Chapter One •

You’re going to fall in love today. It is the first thing Astrid Lethewood says to me. A heartbeat later Patience joins us in the foyer and I nearly believe her.

I’ve seen Patience—on TV, on security feeds—but nothing has prepared me for meeting a demi-goddess. My brain seizes up, my hands get damp, and my mouth dries. I smell popcorn, hear the distant music of a carousel. A tingle of arousal threatens to embarrass me, but that, at least, I am ready for. My jacket, folded over one arm, hangs discreetly over my groin.

Today Patience is curly haired and black, with breasts—I can’t help looking—as firm and curvaceous as if they had been sculpted by Rodin. Her lips are full, her teeth straight, and her brown eyes are luminous and warm. Her skin has the seal-fat sleekness of youth, but she does not look young.

Soon she will look utterly different, if just as devastating.

Who are you? she asks, voice full of music.

My name is Will Forest. I’m—

Another of Roche’s inquisitors? When’ll he give up?

Don’t be naïve, I say.

She pops a candy into her mouth, crunching defiantly. I got nothing to say to you.

I pull in a breath. The carousel music tinkles on, and my spirits ride along, taking my inner child to the circus. I’m here to talk to Astrid.

Great—another therapist type who thinks he can get through to her. She puts a protective hand out to Astrid, who is hiding in her shadow. Proximate invisibility, the doctors call it, as if naming the behavior gives them a measure of control. The everyday world of telecommunications and two-hour commutes is crumbling, so they crouch in the surveillance center, labeling Astrid’s every twitch.

Even now she is shrinking against the wall. Is this when the guards start shooting?

I glance at the well-armed young women in the corridor. They frown back, probably annoyed that I’m blocking the threshold of the apartment entrance.

Astrid sobs into a clenched fist, and Patience strokes her hair, glaring at me. Just leave us alone!

I’m not here to upset you, but I’m not going away either. To emphasize the point, I step inside and shut the white door. Steel bolts clunk into place behind it: a vault door sealing us inside. This prison is two hundred feet belowground and surrounded by bedrock. To get here, I have been X-rayed, frisked, fingerprinted, and DNA tested. My identity has been confirmed and reconfirmed so completely that I am almost beginning to doubt it.

As I said, my name is Will Forest. I take care to speak to them both. I’m here to interview Astrid about—

Please, Doc, go away. Patience locks her bewitching eyes on me. She can’t help you.

I want to give in, like the others before me, but I hold her gaze, fighting the spell with thoughts of my missing kids. I’m not a doctor, Patience, and I’m not leaving.

Astrid stops crying with a hiccup. Didn’t I show him around the place?

Show him the door, sweetie.

Why don’t you let her decide? Opening my suitcase, I bring out a battered, plastic-wrapped paintbrush.

Astrid’s breath catches. She looks at me closely, searching my face. I’m supposed to believe you’d let me have it back?

Cooperation is a two-way street. I don’t expect something for nothing, Astrid.

She licks her lips. I need paper. Cards. Playing cards.

I’ve brought them.

Astrid, you’re not ready, Patience says.

How long do you expect us to give her?

She’s in shock.

Astrid? I say.

It was okay, Patience. She slides to her knees, face raised, eyes locked on the paintbrush.

Fine. Throwing up her hands, Patience wafts away.

Astrid begins to hyperventilate. When are we?

You said something about showing me around.

I said that? Her tone is dubious. Is that today?

Do you know how long you’ve been here?

We were locked up for about twelve weeks…. Her eyelids flutter; she seems to be counting. Eight in jail, four here. That’s twelve.

That’s right. You were moved here a month ago.

The comfy prison. She shudders.

The apartment is part of an underground military base: a VIP housing unit that got converted to a jail cell when this crisis arose. It comes with false windows, frosted glass alight with phony full-spectrum sunshine.

You razed your gardens, Astrid says. Bird blood, right? If you put tulip bulbs in the front, daffodils—

I’m not much for the outdoors these days, I say.

The woods aren’t as deep as they seem. She breaks off, eyes wandering. Have we…Sahara—

It’s all right, I say, because I’ve watched hundreds of hours of surveillance footage on this pair, and that is what Patience tells her.

Astrid curls away, then bangs her head against the drywall. Roche sent you down here to screw me over.

It’s not like that. I grasp her shoulders. You help me, I’ll help you.

Help… She jerks her head again, but I’m holding her away from the wall.

Let me help you, Astrid.

She flinches, then seems to calm down. Want to see the rest of the place?

Sure.

She listlessly tours me through the apartment. Every counter, shelf, and tabletop is cluttered with baubles and jewelry, offerings from Patience’s admiring public. The air smells of paint, and the furniture is inexpensive particleboard, two decades out of date. One piece stands out: an oak cabinet that dominates the living room wall.

My grandfather is gonna make that, Astrid explains.

I thought he was an accountant.

He took up woodworking after he retired. Terrible at it—made Ma a rocking chair that almost killed her. Tips too far, falls, hits her head.

Ouch. Evelyn Lethewood has mentioned the incident too; it happened when she was a teenager.

Astrid leans a damp cheek against the varnished wood. Colonel Roach takes this out of Ma’s garage for me.

I asked him to.

You?

Yes. She’s mentioned the cabinet in her ramblings, even searching for it in the spot it now occupies.

You’re a regular Santa Claus, aren’t you?

I meant it as a show of good faith.

It’s all happening. Her hand drifts out, settling on my briefcase. It’s finally Will day, isn’t it?

It’s the sixth of September.

She starts to weep, tugging her hair. Will day, Jackson day, fire, quake day, cutthroats, boomsday. Blood on the paintings, painted spatters across the walls…

Patience peers through a doorway, arching her brows in challenge. Making out okay, Santa?

I’m fine. I rap my knuckles on Astrid’s cabinet, drawing her attention. Only things my granddad ever made were model airplanes and bad wine.

She sniffles. Think you can trade with me? I’ll bare my soul for treats, like a dog?

I thought you’d like to have something familiar around, that’s all.

Thinking of my welfare. Her eyes narrow. I know about you.

Do you?

You’re divorcing, I know that.

Am I supposed to believe you’re psychic? Patience could have gone through my office.

Right, Patience. I’m small potatoes, right? The side issue. The material witness.

The accomplice?

Her mouth tightens. You have two kids and a pit bull, which is funny because you don’t like dogs.

The words bring up gooseflesh on my neck. My son Carson wanted a puppy. I’m a soft touch.

She scoffs. You’re here to break me open.

Astrid, all I want is to talk.

Gull dropping mussels onto rocks, that’s you. Cracking shells, getting the meat. Break everything open.

Astrid, I know you’ve been through a traumatic—

"I’m not insane."

Then you’ve no excuse for not cooperating. I will coax the truth from this raving, damaged woman. I need to learn how Patience became a shape-changing beauty, how she defies locks and assassins by turning to mist and drifting through walls and bullets, rocks and people.

I’m here to find out how Astrid, a landscape gardener who never finished high school, came to possess a collection of objects we can only label as mystical, despite our science and rationality.

Most important, I’m supposed to learn how Astrid’s childhood friend, Sahara Knax, took those mystical items and used them to create an eco-terrorist cult with half a million devoted followers. I need to discover Sahara’s weaknesses, anything that will tell my panicked government how to fight as her numbers grow, as she unleashes monsters into the seas and forests, as she forces us to napalm U.S. territory to destroy the infestations. Her actions grow more dangerous daily, and our attempts to locate her have failed. Astrid may be our only hope.

The grumbles are so loud, Astrid says, I can’t remember when things happen. So much compressed magic…

You want to make things right, don’t you?

She clutches my arm. You had an accident last month. A contaminated blue jay attacked your car.

I rasp my tongue over my lips, remembering the eagle-sized bird pecking holes in my windshield.

That’s when you killed off your yard.

Caroline had vanished with our kids just days earlier. I’d shot the bird, then pulled up the garden and, in a rage, burned it. Instead of telling Astrid this, I say: Lots of people are sterilizing their gardens.

With a defeated sigh, she leads me to the kitchen, where Patience is sorting tea bags. Santa Claus drinks coffee, Astrid says.

We don’t have coffee.

It’s okay, tea’s fine.

Patience holds up a bag of Darjeeling. You don’t look military.

Are you asking what I do for a living?

Yeah, Astrid says. This is the part where you tell us.

You don’t already know?

Patience asked, not me.

I’m no psychic, Patience says, crunching another candy as she dangles the tea bag. The swing of her wrist is hypnotic; I nod to show Darjeeling is fine.

I’m a crisis negotiator for the Portland city police, I say.

Hostage haggler. Same as Roach. Astrid’s voice is flat with dislike. I remember anew she has been charged with kidnapping and murder.

Civilian rather than military, but essentially yes, the same as Colonel Roche. We went to school together.

Patience runs hot tap water into a stoneware teapot to warm it. "So you’re a cop and a shrink?"

If you like.

Dreamily, Astrid says: He was at the sewer outflow before they firebombed it. He got some of Sahara’s converts to come out.

Does that make you uncomfortable, Astrid?

She eyes me like a stalking cat, ready to pounce. You don’t make me uncomfortable, Santa.

I’d prefer it if you’d call me Will.

Would I, won’t I, will I? Another predatory glance. Okay…Will it is.

The kettle shrieks and Patience puts a tray together. Sugar, cream, three cups. You sure about this, sweetie?

Yeah. It’s Will day, Patience.

If you say so. Want to set up by the couch?

I think that’s what we do. Astrid pushes at her curls, flashing the mangled cartilage of her right ear. It’s hard…so much going on. Tuna and bullets and gates of brambles—

Let’s try, all right? With that, Patience leads us back the way we came. As she passes me, she whispers a threat: Don’t you mess her up worse than she already is.

The living room’s lack of a TV gives it a Victorian aura. Photographs cover the walls—snapshots of Astrid’s parents and missing stepbrother. Four couches sit facing one another in a box.

Roche tried to keep the personal touches out of the suite, but Patience kept telling the media that she and Astrid were being kept in a barren subterranean hole. Her fans raised a hue and cry. Finally Roche allowed the bric-a-brac and Patience resumed her public campaign against Sahara. Without her broadcasts, the Alchemite cult would be even larger.

Astrid slumps on a grass-green chaise. I sit on a matching love seat and pull out my digital recorder.

She scowls. Apartment’s bugged.

It can go out of sight if you like.

Doesn’t matter. The cards?

Will these do? I hand over a bulging manila envelope stuffed with greeting cards, playing cards, and a Tarot.

Perfect. Are you really going to give me my chantment?

Of course. I pass her the paintbrush.

Oh, thank you, thank you, she murmurs, rolling it between her fingers. I imagine how Roche and the others upstairs in Security must be tensing up. But her gratitude and relief seem sincere.

Astrid?

She holds the brush to her cheek, eyes glistening. You took a chance, bringing it here.

My gut clenches. Roche hadn’t wanted to hand over the paintbrush. It’s magical, he’d said. What if she uses it to change you into a frog, like the Clumber boy?

I’d brushed the objection aside, producing the transcripts of Astrid’s ramblings. Can’t think, she’d said hundreds of times. Need the brush, Jackson day, fortune cards.

Will day too appears repeatedly. Maybe it’s arrogance, but I knew she’d been saying my name.

Turn you to a frog, like the Clumber boy. It doesn’t seem so funny now.

Are you going to show me what it does? I ask.

Yes. Astrid pulls her hair up, knotting the curls atop her head. She pins them into place with the paintbrush handle. Her hands drop to the table…and as they do, they change. The fingers become longer and wider, while the nails take on the flat, fibrous texture of paintbrush bristles.

She says, Relax. Nothing terrible happens today.

Is that so? I turn her hand palm-up, running my finger over the bristles of her thumbnail.

She draws back, aloof as a cat, and digs out a ten of hearts. The cards help me keep track of things…things to come?

I’d like to talk about the past six months.

Ghosts of dimples dent her cheeks. Past, future…it’s all the same.

Tell me about the magic—when and why things started to change.

That’s two different questions. Patience tosses a couple of high-calorie protein bars onto the tray. Then she serves the tea. What exactly do you want to know?

How to change it back. Let’s start with Sahara.

That’s two questions too. Astrid cups her palms above the surface of the ten of hearts. The red ink fades, leaving it blank. Then a bead of brown paint wells from the stiff paper, like a minuscule drop of blood coaxed from a pinpricked finger. It streaks across the card, outlining a dilapidated car. Astrid watches it raptly. Me, I burn my mouth, slurping too-hot tea in a sip that becomes a gasp.

Not what you expected? Patience laughs.

On the fifteenth of April, Mark Clumber told Sahara he’d been cheating on her, Astrid says, eyes locked on the card as if she’s reading text. He confessed, then took off for a few hours—to give her space. Sahara packed her bags the second he was gone. She took his car and cat, half their money, and drove west. She was eighty miles out of Boston before Mark slunk back, looking for forgiveness.

She just left?

When someone hurts Sahara, she cuts them out of her heart forever. Ask Mark.

Mark’s beyond speech, Patience says sharply. The Clumber boy is in one of the compound’s other apartments, suffering from severe alchemical contamination.

Beyond speech, Astrid murmurs. Sahara would be pleased.

I can believe it. Sahara routinely attacks Alchemites who leave her cult, not to mention police who oppose her and reporters who question her claim to be a goddess.

On the playing card, brown paint colors in the outline of the car. Wispy strokes of black sketch a cat on its rear dashboard. Brushstrokes from an invisible brush; the hairs on my arms stand up.

So Sahara isn’t particularly forgiving?

Astrid doesn’t contradict me. She called from Billings and asked if she could stay at my house.

She means the home she inherited from her father, I know, on Mascer Lane in Indigo Springs, at the epicenter of the alchemical spill. And you said yes?

I said she could stay forever if she wanted.

What did she say?

On the card, dots of green brighten the cat’s eyes. She said I’d have to make life pretty goddamned interesting if I was going to keep her around.

• Chapter Two •

If the house Astrid had inherited from her father was in unexpectedly good repair, the yard was in a state of war. The chief aggressor was a blackberry bush that had established squatter’s rights along the fence before allying itself with some bindweed vines. These two runaway growths were making a claim for the whole backyard.

The line of defense began at an umbrella-shaped fig tree. In the spring, Astrid could see, hyacinths had flowered under the fig’s protection. Now, with summer barely under way, the tree’s leaves had unfurled. They blocked the light at ground level, daunting even the blackberries. The hyacinths had yellowed and shriveled in its shadow.

What grass remained was marshy, forlorn, and edged by moss and silverweed.

Once, though, the garden had been loved. It was bordered by hexagonal paving stones, and as she cut back the blackberries, Astrid found sickly perennials—black-eyed Susans, a lone candytuft, rust-covered hollyhocks.

She cast a worried eye at the kitchen window. Her stepbrother, Jackson, had stalked off to the grocery an hour ago. He’d barely spoken since they moved in two days before, and her attempts to lighten his mood were hitting a wall. It wasn’t like Jacks: he was the most easygoing person she knew.

As for Sahara…she was overdue. She could have cracked up on the highway, or gone back to Mark.

Things might be easier if she did go home, she thought uneasily.

As if in response, a filthy brown Toyota wobbled to a stop behind the house. Its engine died with a surly bang and the horn started up instead. Tripled honks, loud ones, ripped through the neighborhood.

Groping for the water-filled bucket at her knee, Astrid began scrubbing dirt off her hands.

Hey! she shouted. Cut it out!

Blat blat blat…extravagant and noisy.

Heart singing, she heaved the bucket over the fence, water and all. It hit the rear hood, splashing the back window. The honking stopped; the door ratcheted open. Sahara emerged, her hair shorn, arms full of cat, and manic glee written on her face.

What are you doing? Astrid shouted.

Making an entrance!

My neighbors are going to call the cops. She wrestled the gate open before Sahara could kick it out of her way. You said you’d be here days ago.

Got into an altercation. She leaned in to kiss her cheek. Astrid hastily put her dirt-slimed hands out of reach. The cat squirmed, momentarily squished.

Altercation?

Car got towed. Had to take on the Spokane police with nothing but my trusty slingshot and some thumbtacks.

You stopped to visit your grandmother.

Should have called, I know. Did I miss the heavy lifting?

Not all. That was Jacks behind them, emerging from the shadows at the rear of the yard, moving with the wiry grace of a natural athlete. A forest-green pack bulged on his back. Smudges of color—paint—decorated his hands.

Years of hiking trips, river rafting, and rock climbing had given Jacks a rugged physique that belied his artistic side, but as his gaze flicked over the two of them, Astrid could hear mental shutters clicking. He often drew, from memory, things he’d seen for just a few seconds. There’s a ton of work waiting in there for you.

Is that so? Sahara’s voice chilled.

Fridge needs moving, Jacks said. And you can unload the boxes we packed and hauled over here.

Sahara peered up into his gray-green eyes. You martyr. Want me to nail you to a cross while I’m at it?

He smiled faintly. How are you, Sahara?

Dumped. Miserable. You still the most eligible bachelor in this lousy town?

Instead of answering, he said: "Do you need a

Enjoying the preview?
Page 1 of 1