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Banksy Locations & Tours Volume 1: A Collection of Graffiti Locations and Photographs in London, England
Unavailable
Banksy Locations & Tours Volume 1: A Collection of Graffiti Locations and Photographs in London, England
Unavailable
Banksy Locations & Tours Volume 1: A Collection of Graffiti Locations and Photographs in London, England
Ebook154 pages46 minutes

Banksy Locations & Tours Volume 1: A Collection of Graffiti Locations and Photographs in London, England

Rating: 3.5 out of 5 stars

3.5/5

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About this ebook

In three guided tours, Martin Bull documents 65 London street installations by guerilla art icon Banksy. While newspapers and magazines the world over send their critics to review the latest Damien Hirst show at the Tate Modern, Bull is out taking photos of the legendary political artist's work. This collection of provocative and intriguing examples of street art boastsgorgeous color photos and includes graffiti by many of Banksy's peers, such as Eine, Faile, El Chivo, Arofish, Cept, Space Invader, Blek Le Rat, D*face, and Shepherd Fairey. Volume one of this new edition includes updated locations and an additional 25 photos.
LanguageEnglish
PublisherPM Press
Release dateSep 1, 2011
ISBN9781604866018
Unavailable
Banksy Locations & Tours Volume 1: A Collection of Graffiti Locations and Photographs in London, England

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  • Rating: 2 out of 5 stars
    2/5
    Martin Bull’s Banksy: Locations & Tours is really a walking tour of some of the more important sites ornamented by London grafitti artist, Banksy. It’s a small book with postcard-sized images of Banksy’s works – bling rats, coke-snorting cops and kidnapping cash machines – accompanied by brief descriptions of the site and the work’s history. Unfortunately, as Bull admits, much and maybe even most of this work will be gone – painted over or pressure-blasted – by the time any of his readers have a chance to swing by Shoreditch or Clerkenwell with guide in hand. From this starting point of ephemerality, one could imagine the city as a giant palimpsest of temporary signs and images, or perhaps debate the pros and cons of keeping or enshrining any of these works (what does it mean when “subversive” street art is adopted by the cultural mainstream?), but Bull doesn’t. Not wanting to “intellectualize” Banksy’s street art, he limits his text to directions and status reports. Herein lies the book’s failure because what it doesn’t provide the reader is any kind of rationale for undertaking its mapped-out tours. I think there are plenty of reasons, but Bull expects them to be self-evident. If you’re interested in street art and don’t want to spend the cash on Wall and Piece, buy this book for the pictures. Otherwise, just skip it.