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Charlie Chan Carries On: The Screenplay for the Lost Charlie Chan Movie
Charlie Chan Carries On: The Screenplay for the Lost Charlie Chan Movie
Charlie Chan Carries On: The Screenplay for the Lost Charlie Chan Movie
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Charlie Chan Carries On: The Screenplay for the Lost Charlie Chan Movie

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"Charlie Chan Carries On" -- the 1931 Fox motion picture starring Warner Oland as Chan -- is now considered a "lost" film (the original film materials were destroyed in a vault fire.) Unless a copy surfaces in some remote corner of the world, as happened with "Charlie Chan in Paris," this original screenplay is the closest Chan fans will come to seeing the original film. (There is also a Portuguese-language version called "Eran Trece" [There Were Thirteen] with a different cast. The 1940 film, "Charlie Chan's Murder Cruise," starring Sidney Toler, Oland's successor in the role of Charlie Chan, was also based on the same novel, but with a different script.)
LanguageEnglish
Release dateFeb 6, 2012
ISBN9781434449566
Charlie Chan Carries On: The Screenplay for the Lost Charlie Chan Movie
Author

Earl Derr Biggers

Earl Derr Biggers (1884-1933) was an American novelist and playwright. Born in Ohio, Biggers went on to graduate from Harvard University, where he was a member of The Harvard Lampoon, a humor publication for undergraduates. Following a brief career as a journalist, most significantly for Cleveland-based newspaper The Plain Dealer, Biggers turned to fiction, writing novels and plays for a popular audience. Many of his works have been adapted into film and theater productions, including the novel Seven Keys to Baldpate (1913), which was made into a Broadway stage play the same year it was published. Towards the end of his career, he produced a highly popular series of novels centered on Honolulu police detective Charlie Chan. Beginning with The House Without a Key (1925), Biggers intended his character as an alternative to Yellow Peril stereotypes prominent in the early twentieth century. His series of Charlie Chan novels inspired dozens of films in the United States and China, and has been recognized as an imperfect attempt to use popular media to depict Chinese Americans in a positive light.

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