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In a Dark, Dark Wood
Scritto da Ruth Ware
Narrato da Imogen Church
Azioni libro
Inizia ad ascoltare- Editore:
- Simon & Schuster Audio
- Pubblicato:
- Aug 4, 2015
- ISBN:
- 9781442390508
- Formato:
- Audiolibro
Descrizione
What should be a cozy and fun-filled weekend deep in the English countryside takes a sinister turn in Ruth Ware's suspenseful, compulsive, and darkly twisted psychological thriller.
Leonora, known to some as Lee and others as Nora, is a reclusive crime writer, unwilling to leave her nest of an apartment unless it is absolutely necessary. When a friend she hasn't seen or spoken to in years unexpectedly invites Nora (Lee) to a weekend away in an eerie glass house deep in the English countryside, she reluctantly agrees to make the trip. Forty-eight hours later, she wakes up in a hospital bed injured but alive, with the knowledge that someone is dead. Wondering not "what happened?" but "what have I done?", Nora (Lee) tries to piece together the events of the past weekend. Working to uncover secrets, reveal motives, and find answers, Nora (Lee) must revisit parts of herself that she would much rather leave buried where they belong: in the past.
In the tradition of Paula Hawkins' instant New York Times best seller The Girl on the Train and S. J. Watson's riveting national sensation Before I Go to Sleep, this gripping literary debut from UK novelist Ruth Ware will leave you on the edge of your seat through the very last second.
Includes an excerpt from Ruth Ware's The Lying Game!
A Simon & Schuster audio production.
Informazioni sul libro
In a Dark, Dark Wood
Scritto da Ruth Ware
Narrato da Imogen Church
Descrizione
What should be a cozy and fun-filled weekend deep in the English countryside takes a sinister turn in Ruth Ware's suspenseful, compulsive, and darkly twisted psychological thriller.
Leonora, known to some as Lee and others as Nora, is a reclusive crime writer, unwilling to leave her nest of an apartment unless it is absolutely necessary. When a friend she hasn't seen or spoken to in years unexpectedly invites Nora (Lee) to a weekend away in an eerie glass house deep in the English countryside, she reluctantly agrees to make the trip. Forty-eight hours later, she wakes up in a hospital bed injured but alive, with the knowledge that someone is dead. Wondering not "what happened?" but "what have I done?", Nora (Lee) tries to piece together the events of the past weekend. Working to uncover secrets, reveal motives, and find answers, Nora (Lee) must revisit parts of herself that she would much rather leave buried where they belong: in the past.
In the tradition of Paula Hawkins' instant New York Times best seller The Girl on the Train and S. J. Watson's riveting national sensation Before I Go to Sleep, this gripping literary debut from UK novelist Ruth Ware will leave you on the edge of your seat through the very last second.
Includes an excerpt from Ruth Ware's The Lying Game!
A Simon & Schuster audio production.
- Editore:
- Simon & Schuster Audio
- Pubblicato:
- Aug 4, 2015
- ISBN:
- 9781442390508
- Formato:
- Audiolibro
Informazioni sull'autore
Correlati a In a Dark, Dark Wood
Recensioni
In a Dark, Dark Wood is a psychological murder mystery novel by Ruth Ware.
Nora Shaw is the narrator. She attempts to recall the events of a bachelorette weekend in which a man was murdered that both she and the bride-to-be loved. This proves to be difficult due to her amnesia as a result of that night.
Meet Nora; a twenty-six year-old writer living in London, puzzling as to why she has been invited to Clare Cavendish’s hen do (bachelorette party weekend), because she and her old college friend have barely spoken for years. Nora turns her friend Nina de Souza, who has also been invited. Both girls make a pact to attend the weekend as long as the other goes.
Nora and Nina rent a car to drive to Northumberland to stay in a summer house in the remote Kiedler Forest. This fabulous house belongs to the aunt of Clare’s best friend and hen host, Florence “Flo” Clay. It's a small group, including Melanie, a new mother and an old roommate of Flo and Clare’s. Then there's Tom, a gay playwright who works with Nora at the Royal Theatre Company. Tom feels uncomfortable that there is a shotgun in the house, even though it is only loaded with blanks. That evening, Nora goes out for a run, and encounters Clare on her way to the house. Clare explains to Nora that she needed to tell Nora face-to-face that she is marrying James, James Nora’s ex-boyfriend. Nora has never really gotten over him. Nora is stunned and hurt.
As the weekend progresses, Melanie leaves early because she misses her baby. Nora is concerned that her phone has gone missing, and puzzled to find a set of footprints in the snow leading from the garage to the house. This house is in an extremely remote area and no one has been to the garage. Late at night, a "strange" man appears in the house. Flo intends to scare him off with the shotgun, only to discover that it is NOT loaded with blanks. The injured man turns out to be James. Clare rushes to drive James to the hospital. Nora’s memory becomes very spotty between here and her own arrival at a hospital with a terrible head injury which has cost her her short-term memory. The police come to consider Nora a suspect, for Clare is also in the hospital, and Nora struggles to remember what happened.
Here the plot gets complicated and thick and you can't read fast enough to find out what happens next.
I was fascinated with the setup - a group of (mostly) strangers, alone in a big glass house deep in the woods, completely secluded. Remember that movie 13 Ghosts? I loved it for a similar reason. Because WHO KNOWS what can happen in the middle of the woods in the dark of night? If a book features that setup, I'm in.
I also love the whole unreliable narrator thing, and I think that Nora having lost her memory was a great way to do that. Again, I am AWFUL at solving mysteries, but I honestly had no idea what was going happen at any point. Some people have mentioned that the book was very predictable, but it didn't seem that way to me.
I was fascinated with the setup - a group of (mostly) strangers, alone in a big glass house deep in the woods, completely secluded. Remember that movie 13 Ghosts? I loved it for a similar reason. Because WHO KNOWS what can happen in the middle of the woods in the dark of night? If a book features that setup, I'm in.
I also love the whole unreliable narrator thing, and I think that Nora having lost her memory was a great way to do that. Again, I am AWFUL at solving mysteries, but I honestly had no idea what was going happen at any point. Some people have mentioned that the book was very predictable, but it didn't seem that way to me.
I was fascinated with the setup - a group of (mostly) strangers, alone in a big glass house deep in the woods, completely secluded. Remember that movie 13 Ghosts? I loved it for a similar reason. Because WHO KNOWS what can happen in the middle of the woods in the dark of night? If a book features that setup, I'm in.
I also love the whole unreliable narrator thing, and I think that Nora having lost her memory was a great way to do that. Again, I am AWFUL at solving mysteries, but I honestly had no idea what was going happen at any point. Some people have mentioned that the book was very predictable, but it didn't seem that way to me.
Another hyped book (I've been suckered in lately), this one didn't let me down either. The children's story with the same title is a personal favorite and one of the first books my daughter learned to read on her own. Honestly, I expected it to follow that same story in a way... the ghost in the cabinet in the dark room upstairs in the dark house at the end of the road in the dark wood. It didn't though, so I was slightly disappointed there.
I wouldn't call this the greatest mystery book, but I enjoyed reading it and trying to figure out how Nora's past caught up to her.
This was a bit of a wild ride though. There were a lot of breadcrumbs early on in the story that I picked up on and a lot of peculiar behavior by some of the potential suspects. It was similar to an Agatha Christie novel where even the innocent are guilty of something.
One of the things I loved the most about this one is the imagery. I felt like it was well-written and early on there was a sinister atmosphere established that only became darker.
However, it was a little slower than I expected. Yes, we meet all the main characters early on, but the story dragged for a good chunk in the beginning. I never wanted to completely bail on it, but I did put the book down shortly after starting because I wasn't completely committed to it yet.
Once the action picked up, I was in it for the long haul. The breadcrumbs helped me figure out, I think a little early, who was the killer and even how the murder was committed. I didn't have it completely figured out, but I had it about 90% pegged before the ending.
I was also a little mad at the police investigation because I felt like some of the clues were too obvious. Clues that perfectly pointed at one person, to me, screamed that they were planted and that someone was being framed. I wanted to yell at the police officers a couple of times, "Open your eyes! You're being fooled!" With that said, as a reader I have information that not all of the characters do, so I didn't hold that against the fictional investigation.
It felt a little unbelievable, but in that sort of this-can't-be-real sort of way, like when you watch the news and there's an unbelievable but completely true story. That's ultimately what sold me on the rating, that and the fact that once the action picked up, I couldn't put it down.
For me, it was a quick binge read. It had enough mystery to keep me interested and even though I figured out who the murderer was early on, I kept feverishly reading to find out if I was right. I hoped I was wrong, but it was satisfying to have figured out the ending.
I have decided that I am the worlds worst at solving mysteries. I had no idea until the very end how this was going to turn out.