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Pantheisticon
Pantheisticon
Pantheisticon
Audiobook1 hour

Pantheisticon

Written by John Toland

Narrated by LibriVox Community

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About this audiobook

Pantheisticon: or, the Form Of Celebrating the Socratic-Society.
Divided into Three Parts.
Which Contain,
I. The Morals and Axioms of the Pantheists; or the Brotherhood.
II. Their Deity and Philosophy.
III. Their Liberty, and a Law, neither deceiving, nor to be deceived.
To which is prefix'd a Discourse upon the Antient and Modern Societies of the Learned, as also upon the Infinite and Eternal Universe. And subjoined, a short dissertation upon a Two-fold Philosophy of the Pantheists, that is to be followed; together with an Idea of the best and most accomplished Man.
Written Originally in Latin, by the Ingenious Mr. John Toland. And now, for the first Time, faithfully rendered into English. (Summary from frontispiece.)

The readers for the individual chapters can be found in the table below. Three chapters were read as dialogues by two persons:
  • The First Part of the Form of Celebrating the Socratic Society: The Morals and Axioms of the Society - read by Ruth Golding & Anna Simon
  • The Second Part: The Deity and Philosophy of the Society - read by Ruth Golding & Anna Simon
  • The Third Part: The Liberty of the Society; and a Law, neither deceiving, nor be deceived - read by Alessandro Gagliardi & Anna Simon
  • LanguageEnglish
    PublisherLibriVox
    Release dateAug 25, 2014
    Pantheisticon
    Author

    John Toland

    John Toland (1912–2004) was one of the most respected and widely read historians of the twentieth century, known for writing without analysis or judgment and allowing the characters and their actions to speak for themselves. He was the author of two novels, a memoir, and more than a dozen works of nonfiction, including Adolf Hitler: The Definitive Biography and The Rising Sun: The Decline and Fall of the Japanese Empire, 1936–1945, which won the Pulitzer Prize in 1971. Upon its original publication in 1991, In Mortal Combat: Korea, 1950–1953 was hailed by the New York Times for its “panoramic” scope and its skill in presenting “the soldier’s-eye view of the war.”  

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