Aloft
Written by Chang-rae Lee
Narrated by Don Leslie
3.5/5
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About this audiobook
Chang-rae Lee
Chang-rae Lee (1965), nació en Corea del Sur y emigró a los Estados Unidos con su familia cuando tenía tres años. Su primera novela, En lengua materna, publicada en esta colección, fue premiada con el PEN Hemingway Award, el Oregon Book Award y el American Book Award, entre otros galardones, mientras que las revistas The New Yorker y Granta lo destacaron como uno de los más prometedores escritores del nuevo siglo.«Una novela vigorosa y poética que llega hasta la raíz de aquello en lo que indaga... Excelente» (Marcos Giralt Torrente, El País); «Escritura especialmente afilada y perturbadora» (Manuel Ollé, ABC). Con su segunda novela, Una vida de gestos, se consagró como una de las voces más originales y ambiciosas de la literatura norteamericana contemporánea: «La angustia y el esplendor de una prosa que fluye sin desmayo, apretada de significaciones y consoladora como el sueño de opio que trata de espantar el acoso de una pesadilla» (Juan Manuel de Prada, ABC); «Muchos críticos le han comparado a Kazuo Ishiguro. Un nuevo valor seguro en la literatura contemporánea» (Isabel Núñez, La Vanguardia). Desde las alturas es su tercera novela: «La primera novela suya que me engullo, y debo decir que, a partir de ahora, me cuento entre sus seguidores más fieles. Altísima temperatura literaria. La prosa, magnífica. A Lee le han comparado con Updike. Por derecho propio ya forma parte de la pléyade de los más grandes» (Jordi Llavina); «La cristalina prosa de un joven maestro» (Rodrigo Fresán, Página 12).
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Reviews for Aloft
171 ratings10 reviews
- Rating: 3 out of 5 stars3/5Aloft by Chang-rae Lee
3.5 stars
343 pages
Aloft is a novel about an ordinary man fast approaching 60 who is questioning his ability to engage in life. His loved ones accuse of him of taking the easy route by distancing himself emotionally when life gets tough. This is exemplified by his love of flying his small plane, alone, as a means of escape. The book is told in the first person tending toward a stream of consciousness style, fairly coherent but slow moving.
It’s a nice little story, well written and occasionally humorous, but it seems to be more about the craft than engaging the reader. “Sure I tagged along a couple of times with some guys on the crews to a Giants game at the Stadium, but I couldn’t quite muster the flushed-neck hoorahs of my spittle-laced compadres, and I’d only rise halfway to the occasion, getting up on my toes for a big play and groaning in concert with the thousands and drinking maybe one jumbo brew too many. Afterward I’d just trudge down the banked exit ramp with only a syncopated tic in my gut, a half-lurch like nothing really got started, never quite feeling the pure sheer liberty that comes from stomping your feet and hollering out your lungs because some burly throwback with a digit sewn onto his shirt has just dived for and reached a certain chalk mark on the field.”
Chang-rae Lee does an excellent job of capturing an ordinary man who has tried to coast through life emotionally, eventually forced out of his comfort zone by the women in his life coupled with family crisis. The narrator, however, is the only character that is well developed and he is, well, ordinary so failed to rouse my interest much of the time. The occasional passage that resonated wasn’t enough to overcome the pace and my lack of interest in the characters and storyline. - Rating: 4 out of 5 stars4/5Audiobook performed by Don Leslie
From the book jacket: Aloft offers a reexamination of the American dream from the inside out, through the voice of Jerry Battle, a suburban middle-aged man who has lived his entire life on Long Island, New York. Battle’s favorite diversion is to fly his small plane solo; slipping away for quick flights over the Island, Jerry has been disappearing for years. Then a family crisis occurs, and Jerry finds he must face his disengagement in his relationships.
My Reactions:
Jerry Battle is the narrator of this character-driven novel. It is his unavailability – emotionally and physically – that colors all the relationships he has. He reflects on his deceased wife, Daisy, who is apparently bi-polar, and her death, but seems really not to understand (or want to face?) what really happened. His long-term live-in girlfriend has left him, though she is still a part of his family circle since she basically raised his children and they love her. He cannot seem to admit – to himself, or more importantly to Rita – how much he misses her, or how culpable he was in destroying their relationship.
He prides himself on how well he has handled his wife’s death, raised their children alone, and managed the family business, but he seems completely unaware of what is really going on. At times he behaves like a teenager – getting into ridiculous contest to prove to his ex-girlfriend, her current fiancé, and/or to himself that he is really THE ALPHA MALE. And then he’s perplexed by his own son’s need to prove the same … with a bigger house, fancier cars, etc.
My reactions to Jerry were as puzzling as his own reactions to what’s going on around him – I was angry, confused, frustrated, ready to give up, wanted to go on, and ultimately loved him and his family. I’ll definitely try another of Lee’s novels.
Don Leslie did a fine job performing the audio version. His inflection seemed to perfectly portray Jerry’s emotional distance, and tardy awakening. - Rating: 3 out of 5 stars3/5Lee's first 2 novels, "Native Speaker" and "A Gesture Life" are two of the best novels I've read in recent years, his precise characterisation and subtle plot threads making them hard to put down Aloft, although enjoyable, doesn't reach the heights of these 2 works. Whilst the book's protaganist, Jerry Battle, is sharply drawn, the motivations and behaviours of the other main characters are hazy. Perhaps this is deliberate - a device for showing that Battle has never sufficiently emotionally connected with his friends and family to see them other than in broad brush strokes; but for me it makes the book ultimately unsatisfying The main theme of the book is avoidance; Battle avoids confronting the emotional needs of his family and girlfriends, and especially the mental deterioration and demise of his now dead wife. Learning from him, his daughter avoids thinking about and acting on her recently diagnosed cancer; his son avoids thinking about the impending implosion of the family business, his son in law avoids the crisis in his writing Battle is gradually learning to deal with the everyday crisis of family life, and the moral tone of the book is that his family would all be stronger and mentally healthier with greater engagement from him. Perhaps this is true - but the characters are so shallowly drawn that its difficult to care. I found little empathy with or understanding of Battle's daughter Theresa and son Jack, and particularly his longtime girlfriend Rita. Why Rita should have been attracted to Jerry, have chosen to stay with him for more than 20 years, and be tempted back to him, is a complete mystery. Lee writes well, and as always his dialogue is completely convincing. But although Aloft is a pleasant enough pastime, I was left with a feeling that it was ultimately trivial for a writer of Lee's undoubted talent
- Rating: 4 out of 5 stars4/5Reminds me of Richard Ford--the way Lee inhabits this late middle-aged landscaper at loose ends and confused by his grown children and their virtual stepmother (he's a long-time widower) who's left him for a richer, classier rival. There's something of Updike's Rabbit too--a less raunchy, less spiritually (transcendentally?) inclined, less current events-aware Rabbit, but I'm going with Richard Ford. Also Lee has created a character that 's much older than he is, while Updike and Ford--like so many other male novelists of their generation and slightly older ones--had already been there, done that, so their male protagonists (aren't they always?) by the time the characters appear on the stage.This is not what I expected of Lee at this stage in his career. He's a good, observant writer, but I guess I'm just not that interested in spending so much time in the head of a comfortable, affluent middle-aged guy who doesn't know enough to appreciate his good luck.
- Rating: 4 out of 5 stars4/5Really good and readable book. I identify with the characters - a little detached, a little apathetic, a little damaged, a little sorry. I cried at the end. I would recommend this book.
- Rating: 4 out of 5 stars4/5This is a touching story in which an American man living on Long Island learns to come out of the clouds, literally, and accept some of his responsibilities on the ground. Not that he's acted irresponsibly, it's just that he is distant from his loved ones. It's a lovely, obliquely written (in accordance with the character's oblique relationships), piece with a highly appropriate and memorable ending.
- Rating: 4 out of 5 stars4/5This book is the story of a soon-to-be sixty year old father, boyfriend, widower, and son. The story tells the intimate and inner thoughts of the main character. The characters are well developed, the thoughts are insightful, the writing is good. The book reminds me of the writing of Richard Russo -- the somewhat sad story of an ordinary man with an ordinary life where not everything had worked out the way he might have hoped. Reading the inner monologue of Jerry Battle as he struggles to reach out to his family and girlfriend and as he fights against his tendency to just float along distantly, I felt frustrated and sad for the main character. The author managed to bring me into the head of the protagonist. Somehow, though, rather than feeling inspired by the efforts of the protagonist, I just felt defeated and deflated.
- Rating: 3 out of 5 stars3/5I guess the point of this book is that it's kind of apathetic and just sort of drifts along with no particular direction. Which is all well and good, except that it doesn't make for a very good read. It's sort of boring and annoying. In this book, all the characters are flat, and rather unlikeable. Due to the first-person narrator, we don't even get much of a sense of the other characters; they're just sort of background-noise to the non-story being told. The effect is that we never really feel connected to the story, and don't really care about any of the characters. Also, our first-person narrator has an extreme tendency to ramble in run-on sentences. As a literary technique, I don't mind this too much, but when the character himself is boring, any little quirk in his voice becomes grating.
- Rating: 1 out of 5 stars1/5A middle aged man with a very boring family lives on Long Island. Blech
- Rating: 3 out of 5 stars3/5Not out of this world but a decent book. I liked his writing style, but the story was not as broad as I thought it could have been. A good story and good writing, but something somewhere just didn't knock it out of the park. I would recommend reading, but just have mediocre expectations.