Lampoon Magazine International

bio-facturing: a tree is growing in the shape of a refined chair wood harvesting instead of wood cutting

Wirksworth, UK

wood design

Gavin Munro

not trained in gardening*

The number of city-trapped workers buying plants in an attempt to keep a hold on nature has been on an upwards trajectory. Rather than explaining this away as millennials wanting a touch of green in their lives, there could be a more nuanced reason. The biophilia hypothesis is one that sees humans as having an innate desire to actively seek out the natural world to create connections with it. This urge to connect with other forms of life can be neglected in this fast-paced environment, yet the human body still yearns to be brought back to nature. Gavin Munro, Managing Director of Full Grown, is working with this innate need for connection and, through his grown. They began production in 2006 after Gavin had his . He thought that It was from that moment that he worked towards ‘biofacturing’ (in antithesis to manufacturing) to solve the multi-step and inefficient process of furniture production. Efficiency and sustainability have been incorporated at every step of a Full Grown furniture piece’s life-cycle. Each item is grown in situ, harvested in situ, and finished in situ without the damage and waste that often accompanies mass furniture production. Gavin’s extensive research has ensured that the right trees are used for optimum yield, and there is no need to use synthetic glues, rather the tree creates its own joins. This not only helps to remove chemicals from the environment but, in theory, grown furniture should last much longer than as there are no bonds/joints that can be broken. Developing Full Grown and following through with its creation took many years as . Gavin Munro’s main skill for this production process was his patience and adaptability as they . When working with the natural world you have to be prepared for everything to go wrong and be able to pick up the pieces. And, throughout his journey this happened on numerous occasions. For example, during their second year of production, their small ‘furniture farm’ was trampled by cows after an extensive few months of terrace planting. Yet instead of getting disheartened, Gavin and his partner Alice picked themselves up, brushed themselves down and started again in his mother-in-law’s garden. In the beginning, their success rates were extremely low; with the rate of saplings becoming trees being only one in fifty which led them to re-envisage their production process. They instead focused on coppicing rather than attempting to grow from saplings. In 2011 they began coppicing and started a larger scale production, . Full Grown’s work is particularly unique due to the innovative way that they have harnessed the trees’ natural propensity for growth; they learnt that you could not force a tree into growing in a certain way, and have had to work alongside its natural growth patterns. Coppicing, instead of growing from saplings allows the tree itself to take the lead, self-selecting its strongest branches. . The tree itself can dictate how it wants to grow, and the type of shape that it wants to take. Gavin explained that, on more than one occasion, the tree would determine which ‘furniture shape’ it would take. He found that allowing this organic growth encouraged a more stable product to grow. While it seems that the entire process is long-winded, the Full Grown team are not twiddling their thumbs. . There is always something to do; . and natural growth has always dictated the steps that they have taken. The care and attentiveness that has gone into Full Grown’s furniture production emulates that of an art form. Gavin explains that his inspiration has come from the Bosco Verticale in Milano, where architects have brought biodiversity into the city; connecting those that live in the high-rise with the environment around them. Gavin believes that . It is through experiencing nature that you can begin to see the changes that are taking place both within, and outside of, cities. Yet experiencing something as an art form can often be seen as exclusive; for the privileged few. While they have been in development for more than ten years, they are still in their early days of production; with each item of furniture taking five to ten years to grow, Full Grown have to rely on media interest and investment. Yet sales are happening, almost organically. . This puts their product at a high, mostly inaccessible price point as they are trying to support the costs induced with their fifteen-year production. This means that a chair is unlikely to become pride of place in everyone’s household. However, when asked his thoughts on this exclusivity, Gavin’s response made sense; . Making sure that they are in the public eye plays into their long-term goal of setting in motion a reimagining of furniture production; . Gavin has expectations that this form of production will become widely used and sees nature’s benefits being utilised . He sees uses extending to hospitals where antibacterial sycamore furniture could be incorporated to aid patient rehabilitation. . While we exist in a fast-paced materialistic world where it is no longer practical to , the team at Full Grown are working on a way to enhance our relationship with nature by focusing on reimagining furniture production. The next step for Gavin will be to understand ways to scale production and educate others on biofacturing so that their products can be accessible to all.

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