Thao Nguyen Phan Becoming Alluvium
Nov 01, 2020
2 minutes
CLEO ROBERTS
hunk of an object—green, glossy, and grainy—opened “Becoming Alluvium,” Thao Nguyen Phan’s show at Chisenhale Gallery in London. The six-sectioned lacquer screen, (2019–20), has a surface dense with swirls of deep mineral pigment and a peppery white trail, representing an aerial view of a small section of the Mekong River, which flows through South Vietnam. Composed of crushed eggshells, the speckled line
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