Maxim

AN ICON EXPOSED

ast year, shortly before the untimely death of legendary German fashion photographer Peter Lindbergh, the Kunstpalast museum in Düsseldorf opened the first-ever exhibition of his work curated by Lindbergh himself. Titled , it encompassed an “uncompromising collection” of 140 photographs, which took Lindbergh two years to assemble, focusing on the lesser-known aspects of his impressive oeuvre, starting in the early 1980s and

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