Ceramics: Art and Perception

Ron Nagle: Getting to No at Matthew Marks Gallery, New York

It may be the bane of Ron Nagle’s existence that his work is compared with that of Ken Price. The two men are brothers in aesthetics, both known for intense color, small scale, and starting with cups but working their way to unexpected forms. Price, being a few years older, got there first. Nagle’s work is distinguished from Price’s by his continuing commitment to diminutive and imaginative scale, and it is currently more pictorial and less specifically erotic, although it retains a striking tactility.

Nagle has now been taken on by Matthew Marks, the important New York gallery that represented Price (supplementing his longtime California gallery, LA Louver) and was able to get him the

You’re reading a preview, subscribe to read more.

More from Ceramics: Art and Perception

Ceramics: Art and Perception21 min read
Collage, Montage, and Perception: Unveiling Postcolonial Aesthetics of the Female Body in Printed Ceramics
Some of my earliest recollections include examining myself in a mirror and mentally separating my physical attributes. Growing up in India, my appearance was frequently commented on and either praised, or criticised, which is normal in our culture (C
Ceramics: Art and Perception1 min read
Ceramics: Art and Perception
Editor Bernadette Mansfield Directors Bernadette Mansfield Neil Mansfield Sub Editor Henrietta Farrelly-Barnett Editorial Adviser Josh Mansfield Layout Designer Luke Davies Administration Manager Jennifer Ireland Administration Assistants Charles Man
Ceramics: Art and Perception4 min read
Toshiko Takaezu: Shaping Abstraction
More than a decade after her death, Toshiko Takaezu’s (1922-2011) stature is still climbing – higher even than during her lifetime. One pot sold for $500 at auction in 1999; last year a similar one sold for $550,000. Her third posthumous retrospectiv

Related