C Magazine

A Bongard Problem

This text adopts the form of a Bongard problem, which is a kind of puzzle with two sides. In Bongard problems, the viewer is meant to decipher the singular difference between two sets of geometric forms. They have been used as a way to illustrate meta-rational functioning, or the ability, cognitively, to move between systems and apprehend complex intersectional patterns instead of lapsing into either fundamentalism or nihilism. They have also been used as a primary training device in AI. My interest in Bongard problems emerged from my ongoing relationship to ideas of secular spirituality, meditation, Marxist-feminist discourse, non-hierarchical pedagogy and embodied abstraction.

In this context, in this contemporary art magazine, my only instruction to you, Dear Reader, is aspirational. Consider a wild imaginary in which the practices of artistic production, criticism, teaching and curation are ones of loving kindness, generative curiosity and radical surrender.

is a person who lives in Toronto. She has some

You’re reading a preview, subscribe to read more.

More from C Magazine

C Magazine6 min read
Permanence for Black Diasporic Art in Canada
Educational institutions perhaps have the most to learn. The newly established Centre for the Study of Black Canadian Diaspora (CSBCD) is under construction at OCAD University’s (OCAD U) Toronto campus. A research and exhibition hub, the Centre is de
C Magazine4 min read
“The Best Stories I Know Come From Late Night Car Rides Or Kitchen Tables.” — Brenda Draney And Tanya Lukin Linklater Catriona Jeffries, Vancouver, 29 January To 5 March 2022
“What are we tethered to when everything seems to collapse/shatter/erupt simultaneously?” This is the question posed by Tanya Lukin Linklater in the text accompanying a recent exhibition at Catriona Jeffries, which brings together Lukin Linklater’s m
C Magazine9 min read
Mâkochî Nîbi Îhonîach (The Land is Close to Death)
On the first page of this issue, Soloman Chiniquay shows a ’70s-era mattress, resting upon a Forest Service Road, lit by the high contrast of midday sun, with a haphazardly folded piece of fabric interrupting a bold red text proclaiming “STOP.” Many

Related Books & Audiobooks