EMBELLISHING A N EMPIRE
the epicentre of exceptional jewellery lies one Parisian address: Place Vendôme. Its history, punctuated by war, revolt and the rise and fall of dynasties is almost as dazzling as the pieces its workshops produce. Completed in 1699 by Jules Hardouin-Mansart, whose design stamp can be traced across France’s architectural high points, from the Palace of Versailles to Notre-Dame, the ambitious feat of urban design was initiated to frame the statue of then ruler Louis XIV. Breaking away from the typical square format, Hardouin-Mansart traced out a perfect octagon, with the clean lines of the sandstone-clad, neoclassical townhouses forming its perimeter. More than a symbol of monarchy, Place Vendôme was a rare open space, where people could breathe freely beyond the maze of winding Parisian streets.
