Ceramics: Art and Perception

City of Hobart Art Prize: Tasmanian Museum and Art Gallery

Every five years – for the last 15 – the City of Hobart Art Prize affords the ceramic medium a moment in the sun, and 2015, my first back home for a decade or so, was one such year. Still grappling with reverse culture shock, I ventured into the newly revamped Tasmanian Museum and Art Gallery (TMAG) to view the exhibition. Not only has the entrance been moved and dinosaur skeleton relocated to the reception veranda but the various galleries in the sandstone warren have also been shuffled. I was lost in a space once familiar. So, like many of the tourists that drift this far south, I inquired as to the whereabouts of the art prize exhibition and was duly directed past the blue carpet.

The City of Hobart Art Prize is an acquisitive one for work in two mediums that change every year. Previous winners in the ceramic section were Gerry Wedd (in 2010) with a composition of environmental concern that borrowed its title from Rachel Carson’s ecological critique. , was honed from the detritus observed during city meanderings and made into casts of dead birds from unknown

You’re reading a preview, subscribe to read more.

More from Ceramics: Art and Perception

Ceramics: Art and Perception21 min read
Collage, Montage, and Perception: Unveiling Postcolonial Aesthetics of the Female Body in Printed Ceramics
Some of my earliest recollections include examining myself in a mirror and mentally separating my physical attributes. Growing up in India, my appearance was frequently commented on and either praised, or criticised, which is normal in our culture (C
Ceramics: Art and Perception1 min read
Ceramics: Art and Perception
Editor Bernadette Mansfield Directors Bernadette Mansfield Neil Mansfield Sub Editor Henrietta Farrelly-Barnett Editorial Adviser Josh Mansfield Layout Designer Luke Davies Administration Manager Jennifer Ireland Administration Assistants Charles Man
Ceramics: Art and Perception4 min read
Toshiko Takaezu: Shaping Abstraction
More than a decade after her death, Toshiko Takaezu’s (1922-2011) stature is still climbing – higher even than during her lifetime. One pot sold for $500 at auction in 1999; last year a similar one sold for $550,000. Her third posthumous retrospectiv

Related Books & Audiobooks