Ceramics: Art and Perception

Ceramic Art London 2019 A Gathering of the Faithful

The number of craft shows which promote the work of ceramic makers continue to grow in the UK, with 2019 being no exception.

If the Crafts Council show COLLECT represents what the commercial galleries are selling, then Ceramic Art London (CAL) organised by the Craft Potters Association is the showcase for individual makers and members of the public looking to be inspired, and buy work at affordable prices.

CAL is also blessed with a superb venue on the main concourse area at Central Saint Martins, University of the Arts in the centre of London. The enthusiasm of the public is still growing with some 5,500 attending in 2019 over three days. Compared to 2017 when some 2,500 people attended.

This year makers from the Isle of Skye, Germany, Spain, Ireland, France, Austria, the Netherlands, Japan and Korea joined those from England. In total there were 91 individual stands and makers.

Often overlooked in reviews are the

You’re reading a preview, subscribe to read more.

More from Ceramics: Art and Perception

Ceramics: Art and Perception21 min read
Collage, Montage, and Perception: Unveiling Postcolonial Aesthetics of the Female Body in Printed Ceramics
Some of my earliest recollections include examining myself in a mirror and mentally separating my physical attributes. Growing up in India, my appearance was frequently commented on and either praised, or criticised, which is normal in our culture (C
Ceramics: Art and Perception1 min read
Ceramics: Art and Perception
Editor Bernadette Mansfield Directors Bernadette Mansfield Neil Mansfield Sub Editor Henrietta Farrelly-Barnett Editorial Adviser Josh Mansfield Layout Designer Luke Davies Administration Manager Jennifer Ireland Administration Assistants Charles Man
Ceramics: Art and Perception4 min read
Toshiko Takaezu: Shaping Abstraction
More than a decade after her death, Toshiko Takaezu’s (1922-2011) stature is still climbing – higher even than during her lifetime. One pot sold for $500 at auction in 1999; last year a similar one sold for $550,000. Her third posthumous retrospectiv

Related