Art New Zealand

The Observer Effect

In her essay ‘I Must Explode: Art writing and tactical practice’, Gwynneth Porter invokes quantum physics as a discipline where the limitations of language become most palpable. She writes:

When quantum physics encountered the situation where light was found to be both particles and waves, they agonised, how could this be? The problem could be, some felt, that they were using language to study the world, and that nouns are parts of speech, not nature. Simply, the way language abstracts and over-simplifies, gives the formless form, means there are limits to its functionality.

Language, visual language included, is how we humans try to capture the world. We want to understand its mysteries, to give it structure and communicate its meaning. Quantum physics teaches us that the world will not be so easily contained, for it is always in motion, always vibrating, splitting, replicating, changing states. Nothing about our world is fixed. There is to be understood.

It can be difficult to understand that there is nothing to be understood. Celebrated theoretical physicist Freeman Dyson describes the disturbing experience students ofemphasise two things. First, as experience parsed into language, this essay is necessarily flawed. Second, there is nothing to be understood.

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