ArtAsiaPacific

Beneath the Surface

1 Farah Al Qasimi

NEW YORK

In Farah Al Qasimi’s photography, what isn’t visible is just as important as what is. The Abu Dhabi-born artist, who graduated from Yale University in 2017 with an MFA in photography, often partially obscures her subjects, highlighting the ways in which our perceptions of identity are reliant on contextual details that, in Al Qasimi’s works, are notably absent.

In her practice, Al Qasimi grapples with notions of Arab masculinity and visibility in the post-9/11 American landscape. For example, in (2017), we see the silhouette of a man standing behind a lectern, the only visible elements of his identity being his beard and turban—details that are frequently codified by the

You’re reading a preview, subscribe to read more.

More from ArtAsiaPacific

ArtAsiaPacific10 min read
Kang Seung Lee
Friendship, kinship, community—how can these interpersonal connections be established and maintained across geographies and even across generations? The multiplicity of relationships that Kang Seung Lee forms through his artistic practice is both ima
ArtAsiaPacific1 min read
Mao Ishikawa
For well over four decades, Mao Ishikawa has documented life on the margins of Okinawa, where she was born, as well as those whose presence on the Japanese island has caused great social tension. Some of her early works explored the lives of local ba
ArtAsiaPacific5 min read
24th Biennale of Sydney Ten Thousand Suns
Consider a bamboo blind and the way it obstructs and concedes light across each corded slat; recall the coolness of a material that does not carry heat quite like concrete or brick. Placed in a climate-controlled museum, the defunct blind-turned-exhi

Related