ArtAsiaPacific

Architect of Virtuality

The corridor is rich in symbolism. In art and literature, it often appears as a shadowed area in which the uncanny—doppelgängers, phantoms, ghostly doubles—disturbs a sense of security. In video-game designs, architectural spaces like corridors create a tightly controlled sense of exploration—they are also, in the context of mapping real-world situations onto digital interfaces, the most realistic metaphor for life: interstitial, full of mysteries and closed doors.

In Lawrence Lek’s video-game works, he bases his closed- and open-plan designs on real-world architecture, and evokes what cultural critic Mark Fisher described in his 2016 book as “the feeling that either something is there that does not belong, which is weird, or that the world is strange because something

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Contributors
Christine Han is a Singapore-based art writer. She was previously a contributing editor at World Sculpture News and Asian Art News, and her writing has appeared in Artforum, ArtAsiaPacific, Artlink, e-flux, Frieze, Flash Art, Mousse, Ocula, and Sculp

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