3D World

Dream a little bigger

PASSING THE TORCH

Paul Franklin reveals what excites him most about the future of the VFX industry

“The most exciting thing about VFX is that anything is possible,” Paul Franklin, creative director of DNEG, tells 3D World. “A few years ago we reached a point where pretty much any image a filmmaker can come up with, you can now create.” Exploring the creative possibilities presented by digital techniques excites Franklin and he relishes the prospect of the younger generation creating visuals he can’t even imagine. “Just as my current role didn’t exist when

You’re reading a preview, subscribe to read more.

More from 3D World

3D World1 min read
Zuko
“For this project, my primary goal was to incorporate stylised visuals, all stemming from my 3D base. The idea was to create a dynamic 2D/3D feeling, which required a complex shader to bake the lights and maintain the dynamism and hand-painted appear
3D World1 min read
Recreating Cinematic Moments
Konrad states: “For Godzilla's bridge sequence, a lot of what was essential was limiting the scope of the set so that we could digitally extend as was appropriate. MPC did the work for both the 2014 film and our take, so we had most of the same asset
3D World1 min read
Syncing Up Jimmy
Given that Anthony Hopkins was only doing the voice of Jimmy with Dustin Ceithamer on-set interacting with the actors, it was important the two performances be in sync with each other. “We did a scratch track with Anthony Hopkins that our editor Dody

Related Books & Audiobooks