The Paris Review

SAYURI ICHIDA New and Recent Photographs

In my teen years, when everything felt all mixed up with the incessant Auckland rain, I found solace in ballet class, where there were rules for every step. And beyond the rules: mystery.

I pored over books and magazines: page after page of ballerinas onstage or in studios, touching almost nothing but light and air. Ballet itself I understood as a fierce and complex art. Yet image after image insisted on only the ethereal.

As I looked, I imagined myself doing whatever the dancer was doing; I yearned to do

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Acknowledges
The Plimpton Circle is a remarkable group of individuals and organizations whose annual contributions of $2,500 or more help advance the work of The Paris Review Foundation. The Foundation gratefully acknowledges: 1919 Investment Counsel • Gale Arnol
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The Plimpton Circle is a remarkable group of individuals and organizations whose annual contributions of $2,500 or more help advance the work of The Paris Review Foundation. The Foundation gratefully acknowledges: 1919 Investment Counsel • Gale Arnol

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