Digital Camera World

Stargazing lenses

Light is arguably the most important raw material for photography, so things get a bit tricky when there’s not much to play with. Naturally, shooting outdoors in the middle of the night is particularly challenging, even when the subject in question is the Milky Way on a clear, star-studded evening.

The night sky is not only very dimly lit, but it’s also very large and constantly moving. You’ll have to choose a suitable lens wisely. To take in a generous portion of the Milky Way and avoid the further difficulty of stitching multiple images together, you’ll need a wide-angle prime or zoom lens. A focal length of around 7-10mm is ideal for Micro Four Thirds; or 10-14mm on an APS-C format camera; or around 14-20mm on a full-frame body. You’ll also need a wide aperture for sucking in as much light as possible. This avoids the need to send your camera’s ISO setting into the stratosphere while you try to keep exposures short. Matthew Richards

The contenders

1 Irix 15mm f/2.4 Blackstone £574/$675

2 Samyang 10mm f/2.8 ED AS NCS CS £379/$399

3 Samyang XP 14mm f/2.4 £899/$999

4 Sigma 14mm f/1.8 DG HSM | A £1,299/$1,599

5 Sigma 14-24mm f/2.8 DG HSM | A £1,169/$1,299

6 Tamron SP 15-30mm f/2.8 Di VC USD £1,279/$1,299

You’re reading a preview, subscribe to read more.

More from Digital Camera World

Digital Camera World2 min read
Bugging Out
Technically, true macro photography is when you magnify your subject via a ratio of at least 1:1, but people often use the term ‘macro’ to refer to any close-up image. If you’re interested in pursuing this fascinating genre, you will need to have the
Digital Camera World1 min read
Keeping Things Straight And Level
1 “Always start with a few basic pre-flight checks: the propellers are tight, the battery is pushed in and a memory card is inserted.” 2 “Water can be kicked up from the ground during take-off, or insects get stuck to the lens, so shoot a photo and c
Digital Camera World1 min read
Digital Camera World
Editor Niall Hampton niall.hampton@futurenet.com Contributing editors Claire Gillo & Marcus Hawkins Technique editor Wendy Evans wendy.evans@futurenet.com Art editor Roddy Llewellyn richard.llewellyn@futurenet.com Production editor Jon Crampin jon.cr

Related Books & Audiobooks