The Paris Review

Merce Cunningham’s Legacy Plan

Revisited is a series in which writers look back on a work of art they first encountered long ago. Here, Eugene Lim revisits the Merce Cunningham Dance Company’s final performance.

Photo: © Daniel Arkham

CONAN: How do you obliterate space and time?

Mr. JONES: Well, you know, sometimes, when I’ve had one tequila too many and I’m lying on the floor, I feel pretty obliterated in space and time. No, but I don’t think that’s what [Merce] meant.

—Bill T. Jones remembering Merce Cunningham, on NPR.

On the few last nights of 2011, I saw a series of

You’re reading a preview, subscribe to read more.

More from The Paris Review

The Paris Review19 min read
The Beautiful Salmon
I’ve always loved salmon. Not to eat, as I don’t eat fish, but I’ve always loved salmon in general because salmon jump and no one knows why. They jump all over the place—out of rivers, up waterfalls. Some say they jump to clean their gills. Others sa
The Paris Review1 min read
The People’s History of 1998
France won the World Cup.Our dark-goggled dictator died from eating a poisoned red applethough everyone knew it was the CIA. We lived miles from the Atlantic.We watched Dr. Dolittle, Titanic, The Mask of Zorro. Our grandfather, purblind and waitingfo
The Paris Review32 min read
The Art of Fiction No. 262
My first conversations with Jhumpa Lahiri took place in Rome this past July, in her apartment near the Janiculum, above Trastevere. It was an extremely hot summer—one of our meetings was on the hottest day in Rome’s history, 110 degrees—and we sat wi

Related Books & Audiobooks