- DocumentoMargarita Tupitsyn, About Early Soviet Conceptualism (1999)caricato daAnthony Bellavista
- DocumentoPatrimoine photographié, patri... - Pour une taxinomie du patrimoi..caricato daAnthony Bellavista
- DocumentoVogelius Copycaricato daAnthony Bellavista
- DocumentoDimendberg, Capturecaricato daAnthony Bellavista
- DocumentoGeimer, Image as Tracecaricato daAnthony Bellavista
- DocumentoAesthetics of the Everydaycaricato daAnthony Bellavista
- DocumentoCarol Willis, Form Follows Financecaricato daAnthony Bellavista
- DocumentoCarol Willis, Form Follows Financecaricato daAnthony Bellavista
- DocumentoImage et survivance en anthropologie visuelle Ernesto De Martino et l’ethnographie interdisciplinairecaricato daAnthony Bellavista
- DocumentoACSA.Intl.2003.2caricato daAnthony Bellavista
- DocumentoPutnam (1933) - An Italian Lettercaricato daAnthony Bellavista
- DocumentoShore (2008) - Szarkowskicaricato daAnthony Bellavista
- DocumentoMilton Rogovin’s “Approach”caricato daAnthony Bellavista
- DocumentoBerman Marshall All That is Solid Melts Into Air the Experience of Modernitycaricato daAnthony Bellavista
- DocumentoJonas Lie’s Morning on the River, ca. 1911-12caricato daAnthony Bellavista
- DocumentoHal Foster, The Artist as Ethnographercaricato daAnthony Bellavista
- Documento1.11965JuddSpecificObjectscaricato daAnthony Bellavista
- DocumentoGiornale-Iuav-127caricato daAnthony Bellavista
- DocumentoLa libellula, n. 2caricato daAnthony Bellavista
- DocumentoAxioms for Reading the Landscapecaricato daAnthony Bellavista