Caricamenti by Peter Osim

Sun Hyun Ahn - Musical Language and Formal Design in Dallapiccola's Sicut Umbra

Brian Moseley - Transpositional Combination and Collection Interaction in George Crumbs Vox Balaenae

Alan Lessem - Schönberg and the Crisis of Expressionism

Daniel J. Arthurs - Applying Traditional and Proportional Aspects of Form to Atonal Music

Ethan Haimo - Schoenberg and the Origins of Atonality

Dika Newlin - Some Tonal Aspects of Twelve-Tone Music

Robert T. Kelley - Evaluating Prolongation in Extended Tonality

Elina Packalén - Musical Feelings and Atonal Music

Emily J. Adamowicz - Subjectivity and Structure in Milton Babbitt's Philomel

Dr. Ross Feller - Strategic Defamiliarization

Amy M. Hatch - A Transformational Network Approach to Stravinsky's Double Canon and Fireworks

Allen Forte - Context and Continuity in an Atonal Work

Benjamin John Davies - Debussy and Stravinsky

Hyojin Ahn - Karol Szymanowski's Musical Language in Mythes for Violin and Piano, Op. 30

Judith Tick - Ruth Crawford's Spiritual Concept

David Pitt - What is Tonality

Mark DeVoto - Some Notes on the Unknown Altenberg Lieder

Jacquelyn Hale - Consonance, Tertian Structures and Tonal Coherence in Wladimir Vogel's Dodecaphonic World

Joseph Straus - Harmony and Voice Leading in the Music of Stravinsky

Christopher Lewis - Tonal Focus in Atonal Music

Brian Alegant - Cross Partitions as Harmony and Voice-Leading in Twelve-Tone Music

All the Tones Paper

Bach, Carl Ph. E. - Fugue in C Major

Krenek - Studies in Counterpoint Based on the Twelve-Tone Technique (1939)