- Documentocritiquedart-1633.pdfcaricato daWonga
- Documentocritiquedart-1635.pdfcaricato daWonga
- Documentocritiquedart-1643caricato daWonga
- Documentocritiquedart-1665caricato daWonga
- Documentocritiquedart-1668caricato daWonga
- Documentocritiquedart-1661caricato daWonga
- DocumentoRosalind Krausscaricato daWonga
- DocumentoPool June 2011caricato daWonga
- DocumentoDigital memory in public memory inst.pdfcaricato daWonga
- DocumentoTen Myths of Internet Artcaricato daWonga
- DocumentoAnne Laforet (2009) - La conservation du net art au musée. Les stratégies à l'œuvre.pdfcaricato daWonga
- DocumentoMatthew Fuller (2008) - Software studies a lexicon.pdfcaricato daWonga
- DocumentoSean Cubitt and Paul Thomas (2009) - Relive. Media Art Histories 2009.pdfcaricato daWonga
- DocumentoEmmanuel Mahé - Pour une esthetique in-formationnelle. La creation artistique comme anticipation des usages sociaux des TICcaricato daWonga
- DocumentoEdmond Couchot (2003) - De la communication à la commutationcaricato daWonga
- DocumentoDPTX_2013_1_11240_0_395984_0_154828.pdfcaricato daWonga
- DocumentoThe Digital Time of Internet Art - Elisavet Christoucaricato daWonga
- DocumentoVocabulaire Whiteheadcaricato daWonga
- Documento44481346-vocabulaire-whitehead.pdfcaricato daWonga
- DocumentoSusan Haack - We pragmatists...Peirce & Rorty in conversation.pdfcaricato daWonga
- DocumentoLa communauté chez Georges Bataille, Jean- Luc Nancy, et Maurice Blanchotcaricato daWonga
- DocumentoHistoires de 4Chancaricato daWonga
- DocumentoMoles Abraham 1957 Theorie de l Information Et Perception Esthetiquecaricato daWonga
- DocumentoVERNACULARScaricato daWonga
- Documentostallabrass-aesthetics_of_net.art.pdfcaricato daWonga
- DocumentoMoles_Abraham_1970_Art_et_ordinateur.pdfcaricato daWonga
- DocumentoThéorie de l'information et perception esthétique d'Abraham Molescaricato daWonga
- DocumentoWhat Makes an Experience Aesthetic.pdfcaricato daWonga
- DocumentoNATASHA MACK CYNTHIA WOOD SONG KATHLEEN M.MACQUEEN GREG GUEST EMILY NAMEY - Qualitative Research Methods. A Data Collector's Field Guide.pdfcaricato daWonga
- DocumentoPermanence.pdfcaricato daWonga
- DocumentoArt Platforms and Cultural Production on the Internetcaricato daWonga
- DocumentoBookchin Natalie - Citizen's Dilemma and AgoraXchangecaricato daWonga
- Documento68002753-Jauss-Theorie-de-la-reception.pdfcaricato daWonga
- DocumentoArt Money Onlinecaricato daWonga
- DocumentoClaus Pias - Appropriation Art & Gamescaricato daWonga
- DocumentoCédric Barbier - Ordolibéralisme et économie sociale de marché, La voie allemande de l’Europe..pdfcaricato daWonga
- DocumentoSusan Haack - We pragmatists...Peirce & Rorty in conversation.pdfcaricato daWonga
- DocumentoAIM-871.pdfcaricato daWonga
- DocumentoNATASHA MACK CYNTHIA WOOD SONG KATHLEEN M.MACQUEEN GREG GUEST EMILY NAMEY - Qualitative Research Methods. A Data Collector's Field Guide.pdfcaricato daWonga
- DocumentoOwning online art = selling and collectinf netbased artworkscaricato daWonga
- DocumentoSo Ub or 1447531757caricato daWonga
- Documentoinclusiva net 1.pdfcaricato daWonga
- DocumentoElli Doulkaridou - Reframing Art History.pdfcaricato daWonga
- DocumentoLEA_Vol20_No1_Bookchin.pdfcaricato daWonga
- DocumentoDownloadedcaricato daWonga
- DocumentoPerformative Science.pdfcaricato daWonga
- DocumentoIntro Net Artcaricato daWonga
- Documentomarshall_mcluhan_medium.pdfcaricato daWonga
- DocumentoDissertation Tunalicaricato daWonga