ART & DESIGN OF TEXTILE RESEARCH CENTRE

AND TRADE CENTRE.

INTRODUTION HISTORY
 The term textiles is derived from the Latin textiles and the French texter, meaning “to weave,” and Textile art is one of the oldest forms of art in human
it originally referred only to woven fabrics. It has, however, come to include fabrics produced by other civilization. At its inception, it was not focused on looks, but
methods. Thus, threads, cords, ropes, braids, lace, embroidery, nets, and fabrics made by for practical purposes—such as clothing or blankets to keep
weaving, knitting, bonding, felting, or tufting are textiles. warm. This dates all the way back to prehistoric times, and
 World of materials gave a new dimensions to the field of Contemporary Textile art practices. Organic anthropologists estimate that this is between 100,000 to
materials are replaced by computer driven methods as well as with wood, fungi, bamboo, LED light 500,000 years ago. These goods were made from animal
tubing and recycled plastic. skins, furs, leaves, and more
 The research Centre is home to academics researching textile art and design. It runs a highly . As time wore on and the Neolithic
successful Design Unit, with links to local business, supports world-leading research in the textile cultures settled, textiles become increasingly complex. Many
materials. early pieces were made with felting, which agitates animal
fibers (like wool) to interlock them in a strong bond. Beyond
that, though, humans also spun fibers to create strands of
thread. They were woven together and resemble more of
what we’re used to today.
The Industrial Revolution was a
turning point for textiles. With the invention of the cotton gin,
spinning jenny, and power loom, creating fabric was now
automated and could be produced on a massive scale.
Textiles were not just for the wealthy anymore; as prices
dropped, they were available to more of society. It also meant
that these materials were not as precious, and creative
people could experiment with them in previously unseen
ways.

ANALYSIS AIM
To provide a platform that generates opportunities for the
town to evolve its heritage, economy and culture.

OBJECTIVES
To study about advanced knowledge and to seek new
perspectives in the fashion and textiles
TYPES OF MATERIALS The idea is to create a relationship between the built & the
unbuilt spaces. evidences of blend of traditional and
contemporary architecture. Aesthetics are cared for,
sometimes at the stake of comfort if not function
To create a landmark through its architectural features
(maximum day lighting &the ventilation in the spaces).

NEED OF THE PROJECT

There is a necessity to initiate research in the following
areas:
Design and development of the Textile Machinery to
PRODUCTION OF MATERIALS produce quality products.
 Need for the development of the shuttle less weaving
sector to provide quality Textiles, linked to readymade
garments complete value chain.
Textile wet processing Industry needs up gradation in
decentralized sector to help traditional products.
develop new products with value addition in traditional
sector in India.
.
SCOPE
This project helps cultural exchange between the people
around the world.
Let us create few more socio-economic environments
with help of this project.
Textile wet processing Industry needs up gradation in
decentralized sector to help traditional products.