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Elsa is more reserved than Liliya in her narrations on Siberia. She applies a neutral term:
evacuation. Her memories are rather the memories of a girl of wartime who
decorated a broom with paper beads to make a New Year’s tree, and cried when
her doll was sold to buy food for the family. Elsa’s memories on Siberia, in contrast to
those of Liliya, are incorporated into the history of the war, the national history. The
Great Patriotic War had grown into the central symbol of the power of the Soviet
history, and gained a new value in Putin’s Russia, playing a tremendous role in
constructing the new Russianness. Elsa’s story is built into the Soviet/Russian national
history; when narrating she tends to relate to the Russian national “we”.
TRANSNATIONAL SUBJECTIVITIES
The continuous processes of juggling, balancing, and negotiating between
Soviet, post-Soviet, Russian, Ingrian, Finnish, Finnish Ingrian, and Russian Finnish
senses of belonging and identity, informed by the interplay of the past (as
recollected by the women) and the present, are pivotal aspects of the
constitution and renegotiation of transnational subjectivities.
Soviet subjectivities are shaped by the Soviet lived experiences (rural/urban,
ethnic differences, varying histories of translocal and transnational mobilities)
The negotiation of transnational subjectivities is a complex process in which
the past and the present - as experienced and remembered - converge to
give meanings to the grandmothers’ contemporary lives.
Varying grandmothering messages
COMMENTS AND DISCUSSIONS
Questions