0 valutazioniIl 0% ha trovato utile questo documento (0 voti)
368 visualizzazioni28 pagine
Kidlat Tahimik, born in 1942 in Baguio City, is a Filipino film director, writer and actor recognized as a National Artist of the Philippines for Film in 2018. Widely regarded as the father of independent Philippine cinema, his films such as Perfumed Nightmare humorously critique neocolonialism and have inspired generations of Filipino filmmakers. He is known for creating works that evocatively critique neocolonialism through the Third Cinema movement.
Kidlat Tahimik, born in 1942 in Baguio City, is a Filipino film director, writer and actor recognized as a National Artist of the Philippines for Film in 2018. Widely regarded as the father of independent Philippine cinema, his films such as Perfumed Nightmare humorously critique neocolonialism and have inspired generations of Filipino filmmakers. He is known for creating works that evocatively critique neocolonialism through the Third Cinema movement.
Kidlat Tahimik, born in 1942 in Baguio City, is a Filipino film director, writer and actor recognized as a National Artist of the Philippines for Film in 2018. Widely regarded as the father of independent Philippine cinema, his films such as Perfumed Nightmare humorously critique neocolonialism and have inspired generations of Filipino filmmakers. He is known for creating works that evocatively critique neocolonialism through the Third Cinema movement.
He was born on August 18, 1926 to Ernesto Alcala
and Elpidia Zarate in Daraga, Albay. Through a
scholarship from Manila Timesgranted by the publisher Ramón Roces, he obtained a degree of Bachelor of Fine Arts in Painting at the University of the Philippines(UP) in 1950. He became a professor at the same university from 1951 to 1981. He also received the Australian Cultural Award accompanied by a travel study grant in 1975.[1][2][3] He started his cartooning career in 1946 while still attending school. After World War II, he created his very first comic strip, SLICE OF LIFE- MANG AMBO KALABOG EN BOSYO Born: 4 May 1954 (age 65 years), Manila Full name: Raymundo Cipriano Pujante Cayabyab Music group: Ryan Cayabyab Singers Awards: Awit Award for Best Musical Arrangement, more Education: University of the Philippines, University of the Philippines Diliman, more Ryan Cayabyab, also known as Mr. C, is a Filipino musician, composer and conductor. He was the Executive and Artistic Director for several years for the defunct San Miguel Foundation for the Performing Arts. He was named a National Artist of the Philippines in 2018. Mr C” is perhaps the most famous Filipino composer in recent history.His works range from commissioned full-length ballets, theater musicals, choral pieces, a Mass set to unaccompanied chorus, and orchestral pieces, to commercial recordings of popular music, film scores and television specials. Kay ganda Ng ating musika Da coconut nut Kailan Can this be love Paraiso Kumukutikutitap born April 4, 1930) is a Filipino playwright, puppeteer, and educator known as the "Grande Dame of Southeast Asian Children’s Theatre."[1][2][3] She was recognized in 2018 as a National Artist of the Philippines for Theater - a conferment which represents the Philippine state's highest recognition for artists.[4][5] Filipina author, educator, and puppeteer. Trained in government schools, Amelia Lapeña-Bonifacio graduated from the University of the Philippines in literature with an interest in set design Anim na dulang pilipino para sa mga bata Ang ating sinderela Treatrong mulat sa pilipinas Ang paghuhukom (February 12, 1931 – February 20, 2019) was a Filipino architect considered as one of the most influential Filipino architects of the 20th century[1] for having pioneered the art of Philippine neovernacular architecture.[2] His contributions to the development of Philippine architecture led to his recognition as a National Artist of the Philippines for Architecture in 2018.[3][4][ Mañosa is a name unknown to you, the same likely cannot be said of his iconic works. The architect known for his modern interpretation of Philippine architectural design and use of indigenous materials is behind the Coconut Palace, world-famous Amanpulo Resort in Palawan, Pearl Farm in Samal Island, Shangri-La Hotel in Mactan, and the San Miguel building in Mandaluyong, among others. For his pioneering vision and promotion of indigenous Filipino architecture, Mañosa has garnered many accolades, both locally and internationally. Born: 4 September 1943 (age 76 years), Zamboanga del Norte Education: University of San Carlos Filipino historian and critic of Philippine literature best known as for his books on Philippine history. He is acclaimed by various writers and critics as the Visayan Titan of Letters, due to his immense contribution to Visayan literature.[1] He was recognized in 2018 as a National Artist of the Philippines for Literature - a conferment which represents the Philippine state's highest recognition for artists.[2][3] Mojares is a multi-awarded writer, historian, and literary critic. His works include Origins and Rise of the Filipino Novel, The War Against the Americans, and books about eminent Filipinos, such as Vicente Sotto, Pedro Paterno, Isabelo delos Reyes, and Trinidad Pardo de Tavera. He has won several National Book Awards from the Manila Critics Circle and founded the Cebuano Studies Center, a library and research center dedicated to Cebuano culture and history. Mojares has authored books on Philippine history, literature, and politics, including studies on three eminent Filipino intellectual Waiting for mariang makiling Origins and riseof the Filipino novel The war against the Americans. Born on March 20, 1913 in Lambunao, Iloilo, Atty. Ramon L. Muzones was the eldest; Anita; Angelica; Lourdes; Manuel; Dionisio; Maria, a retired public school EVERY artist, in whatever medium of devotion, dreams and aspires of the top and most prestigious award – the National Artist of the Philippines Award. On Oct. 24, 2018, in conferment rites at Malacañang by President Rodrigo Duterte, Atty. RAMON L. MUZONES, a native of Lambunao, Iloilo and Iloilo City, was conferred the National Artist of the Philippines Award for Literature. Posthumous though the honor, it was a source of great joy and pride for all Ilonggos, as the literary works of Muzones were written in the native tongue, Hiligaynon. The sheer volume of 61 novels in the Ilonggo dialect pulled him through the tough and meticulous vetting by the committee on the selection of National Artists of the Philippines. Muzones is the preeminent name in West Visayan fiction. He is best known for his Hiligaynon novel Margosatubig: The Story of Salagunting, about a fictional Muslim state in Mindanao and the struggles of its hero, Salagunting, to wrest it from the clutches of usurpers. A tale that combines intrigue, romance, pre-colonial lore, fantasy, and adventure, it unfolded as a series in the Hiligaynon magazine Yuhum. In 1989, he received the Gawad CCP para sa Sining, an award given every 3 years to artists whose works have enriched their art form. His proclamation as National Artist is posthumous as Muzones died in 1992 Shri-Bishaya (1969) Malala nga Gutom (Malignant Hunger,1965) Babae Batuk sa Kalibutan (Woman Against the World,1959) Ang Gugma sang Gugma Bayaran (Love with Love Be Paid, 1955) Si Tamblot (1948) Margosatubig (1946) • (born October 3, 1942 in Baguio City, Philippines), better known as Kidlat Tahimik (a Tagalog translation of "silent lightning"), is a film director, writer and actor whose films are commonly associated with the Third Cinema movement through their critiques of neocolonialism. For his contributions to the development of Philippine independent cinema, he was recognized in 2018 as a National Artist of the Philippines for Film - a conferment which represents the Philippine state's highest recognition for artists.[1] Widely regarded as the father of independent Philippine cinema, Kidlat Tahimik (real name: Eric de Guia) is known for creating films that humorously but evocatively critique neocolonialism. A native of Baguio City, Tahimik has garnered numerous international and local awards for his films. His first, Perfumed Nightmare (1977), won the International Critics Award at the Berlin Film Festival. He has gone on to inspire generations of Filipino filmmakers to forge on with their independent vision, regardless of commercial considerations. In 2009, he received the UP Gawad Plaridel Award, the University of the Philippines’ highest award. Balikbayan #1: Memories of Overdevelopment Redux (2015) Japanese Summers of a Filipino Fundoshi (1996) Why Is Yellow the Middle of the Rainbow? (1983-1994) Orbit 50: Letters to My 3 Sons (1990-1992) Turumba (1983) Who Invented the Yoyo? ... Mababangong Bangungot/Perfumed Nightmare (1977)