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INTRODUCTION:
-Dakshinachitra is an exciting cross cultural living museum of art,
architecture, lifestyle, crafts and performing arts of south India.
-One can explore 17 heritage houses, enable along recreated
streetscapes, exploring contextual exhibitions, interacting with
typical village artisans and witnessing folk performances set in
an authentic ambience.
-Dakshinachitra means – “A picture of the south”
-Dakshinachitra is more than just a venue-it is a heritage village, a place where contemporary
art, Music and Dance forms of the south finds its manifestation into a journey of discovery and
self-learning.
-The sprawling 10 Acers campus is divided into four prominent states of the south-kerala,
Tamil Nadu, Karnataka and Andhra Pradesh further emphasising on their respective cultural in
terms of house architecture that is re-modelled district wise-brahmin house, potters house,
merchant house etc.. Textile and handicrafts found in temples, art exhibitions and more , other
activities in the centre include performing arts, music, research and educational programs with
workshops and heritage trips which connects thee neighbouring village at the centre.
-Here are the states clustered together but their diversifies are kept alive.
ANDHRA PRADESH
TAMIL NADU SETTLEMENT SETTLEMENT
CLIMATE :
-Rainfall is moderately low.
-The temperature is high.
-The relative humidity is semi-humid.
ENTERING DAKSHINACHITRA :
-The entry to Dakshinachitra is very cosy and small like entering a south Indian home.
-The various play with brick at the entrance compound wall facade etc..bore witness to the
involvement of brick master in the design.
-There were the archtypal chocolate pillars, thatched roofs and richly carved doors which
effectively restricts the view into the interiors, thus leaving the imagination to us.
GENERAL:
KERALA SECTION
- Reception centre
- Hindu house-trivandrum districtttt
-Crafts shop
- Cattle shed
-Seminar hall orientation film
- Hindu house-calicut district
-Gallery for temporary exhibitions
- Granary and textile exhibition
-Restaurant
- Syrian Christian house-puthupally
-Library and archives
- Small pavilion padipura
-Mandapam
-Cantten
-Craft bazaar
-Amphitheatre
-Activity hall
LIBRARY OAT
TAMIL NADU SECTION KARNATAKA SECTION:
-Merchant house chettinadu, putukotai district -Weavers house
-Agriculturists house
-Potters house
AMENITIES:
-Basket weavers house
-Guest house
-Ayyanar shrine
-Artisans quarters
-Weavers house
-Lathe workshops
-Textile exhibition
-Driver’s shed
-Agraharam brahmin house
-Gallery and stores
-Art exhibition
-Restaurant
ANDHRA PRADESH SECTION: -Crafts shop
-Ikkat weavers house -Tea shop
-Coastal Andhra Pradesh house: cattle shed and grananry
SITE PLAN:
PEDESTRIAN FLOW:
-All pedestrian paths were paved by stones with trees on either side.
-The pedestrian flow was clearly demarcated from the paths used
for commercial purposes.
-The pedestrian flow gets branched out from the entrance to various
state’s houses.
VRHICULAR FLOW:
-The vehicular flow is restricted at the entry plaza itself.
-The parking sheds are also provided in traditional style roofing.
VEGETATION:
-Trees are seen in dense near the parking area, guest houses, Kerala section and Karnataka
section.
-Trees are seen in other parts of site also along the pathways.
-Palm trees, Coconut trees were majorly seen.
WATER BODY :
-The artificial pond runs from the OAT long the Tamil nadu section, Kerala complex
and artisans complex.
-The flow of water bodies are bounded with stones.
-Wooden bridges run above the water bodies connection the children's play area and
the Tamil nadu section.
-These ponds get filled during rainy season as these ponds serve as a collecting point
for the entire site.
PLAN
BRAHMIN HOUSE FROM AMBUR :
-Brahmin houses were connected by a common wall and they were narrow in which and
very long.
-The Ambur house originally had a longer courtyard dor thecows, followed by another long
enclosed area, planted ratherwildly, which led down in a stepped river embankment.
-Due to space restrictions at Dakshinachitra, the second courtyardwas made smaller and the
third has been omitted.The upper floor was used for sleeping, drying and storing grain.
PLAN
ELEVATION
EXPLODED VIEW
POTERS HOUSE FROM CHENGLEPUT :
-The turn of the 20th century house of a practising potter is from the village of Tiruvallur, in
Chengelpet district.
-The original house, through built for one family, was occupied by two brothers and their
families, each living on one side of the house with a separate kitchen. The house depicts
the actual lifestyle of the potters, with space for living and working.
-The backyard originally had space for cooking and for cows; at Daskshinachitra, a
separate work shed behind the living quarters has been added for demonstration purposes.
Plan
AYYANAR SHRINE :
-Ayyanar workship is popular from Madurai and the Pudukkottai
area up to Vriddhachalam.
-Ayyanar is a popular village guardian deity who lives on the
outskirts of the village in a thickly wooden scared grove.
-To prepare for the shrine, the neem tree, itclili tree, peepul tree,
bantan tree and vembu maram were planted at the site before
ayyanar constructed.
KARNATAKA SECTION :
ANDHRA SECTION :
WEAVER’S HOUSE FROM NALGONDA DISTRICT :
-Most weaver’s houses and other village houses in Nalgonda and Warangal district follow a
style locally known as bhawanti. The plan used commonly in the chitra sala, with three
bays or sections and a small courtyard in the middle. The building materials include
bamboo reapers, Palmyra beams and semi-circular roof tiles.