Documenti di Didattica
Documenti di Professioni
Documenti di Cultura
Baudrillard
From the mid 70s on…
&
Postmodern thinking
Modernity
Challenge to Tradition and Authority, by
The Renaissance
The Protestant Reformation
The Scientific Revolution (against Dogma) (16th
& 17th centuries)
The Industrial Revolution/s
The Bourgeois Revolution
Faith in:
Science (to master the Universe)
Humanity
Progress
Jean François Lyotard
Late ’60s
Reject “Grand Theories” & Science
Postructuralists engage with
“specific analyses of how particular
forms of power achieve particular
effects within particular historical
periods” (Thiele 81)
Jacques Derrida -Deconstruction
Viruses
Virtual reality
Physics (black holes)
Jean Baudrillard: Disneyworld
Company
Real people (workers, prostitutes) transformed…
The Matrix
The Spectacle
“…reality itself, the world itself, with its frenzy of
cloning has already been transformed into an
interactive performance, some kind of Lunapark
for ideologies, technologies, works, knowledge,
death, and even destruction. All this is likely to
be cloned and resurrected in a juvenile museum
of Imagination or a virtual museum of
Information.”
Guy Debord, The Society of the Spectacle
Vanishing or disappearance of history
Meaning results from relations within a whole. Outside that
whole, there is no meaning
We have been so “liberated” (=atoms) that we no longer have
either place, meaning, or History (thrown in the emptiness of
the Virtual)
The “referential orbit of things” is broken.
Both individuals and events move in the void
(People get killed in mass scale, we die, but nobody cares… There
is no tragedies anymore. We all become “mere life”)
“A certain type of slowness or deliberation (i.e. a certain speed,
but not too much), a certain distance, yet not too much, a
certain liberation (the energy of rupture and change), but not
too much - all these are necessary for this condensation, for the
signifying crystallization of events to take place, one that we call
history - this type of coherent unfolding of causes and effects
we call the real.”
History requires duration, but our obsession with “real time”
eliminates it…
Post-historical Utopias
“Disney realizes de facto such an atemporal
utopia by producing all the events, past or
future, on simultaneous screens, and by
inexorably mixing all the sequences as they
would or will appear to a different civilization
than ours. But it is already ours. It is more and
more difficult for us to imagine the real, History,
the depth of time, or three-dimensional space,
just as before it was difficult, from our real world
perspective, to imagine a virtual universe or the
fourth dimension.”
Terrorism