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Australian Literature is the written or literary work produced by the people of the Commonwealth
of Australia & its preceding colonies. Its literary traditions begin with its linked to the broader
tradition of English Literature.
Themes of Australian Literature:
•Aboriginality
•Mateship
•Egalitarianism
•Democracy
•National identity
•Migration
•Australian’s unique location and geography
•Beauty and terror of the Australian bush
EVOLUTION OF AUSTRALIAN LITERATURE
Poetry came first in Australia and after that novel and drama
followed. The origins of written Australian poetry lay in the prison
systems.
From 1788 until 1823 the colony of New South Wales was classified as
a penal colony consisting mainly of convicts. From 1793 free settlers
also started to arrive.
Only those people who were educated in their mother country
(predominantly England) could read or write because there were no
formal schools in Australia. Therefore, it was difficult for early settlers to
develop literary skills. Since population was poorly educated, there
was no demand for written communication such as newspapers.
EVOLUTION OF AUSTRALIAN LITERATURE
A.D. Hope and Judith Wright were regarded as Post-War giants in Australian
poetry. In 1950s and 60s poetry expressed a solemn, ironic concern for
social and moral issues.
During this period poets like Kenneth Slessor, R.D. Fitzgerald, Douglas
Steward, Rosemary Dobson, John McAuley, Gwen Harwood, William Hart-
Smith and Bruce Dawe were influential and wrote social and political satires
as well as reflected the realist tradition. A strong social awareness with
religious overtones also permeated their poetry.
The vital feature of 1960s was the beginning of Aboriginal poetry. The
growth of Aboriginal poetry during this period enticed the attentions of the
readers worldwide. In fact the Aboriginal poets through their poetry raise
their own political issues and try to make the rest of the world aware of the
injustices done to them.
EVOLUTION OF AUSTRALIAN LITERATURE
Like poetry the commencement of Australia fiction can be related to the outlet
of the dormant emotions of convicts. The development of novel in Australia was
a slow and gradual process because of the slow publishing process. Most books
were imported from England. By 1945 only fifteen percent of books sold in
Australia were published there.
The earlier phase of Australian novel was writing about convict life, by convicts
or ex-convicts. The vast majority of the convicts to Australia were English, Irish
and Scottish. Large number of convicts were thieves and others were soldiers,
who were transported for crimes such as mutiny, desertion and disobedience.
The convicts were employed according to their skills and good behavior was
the only key, which could ensure their freedom. Convict labor was used to
develop public facilities of the colonies like roads, bridges, courthouses and
hospitals. Convicts also worked for free settlers and small land holders.
EVOLUTION OF AUSTRALIAN LITERATURE
When Australia became a federation of independent states, Henry Lawson, Miles Franklin
and Joseph Furphy brought transformation by portraying social realism and national
identity in their novels.
Australia's vast and dry landscape became a character in many works of fiction. But still
many writers struggled with the notion of what it meant to be Australian. The novel of
adventure and romance dropped its masculine spirit and transformed into nationalistic
novel. Novelists portrayed the preoccupation of Australian citizens.
Until the depression in 1929 most novelists were optimistic about the country, its past and
present. However, in the late 1930s the literary mood shifted and darker world views were
explored.
Henry Handel Richardson's trilogy The Fortunes of Richard Mahony, published between
1917 and 1929, exhibited that Australian life could be material for a tragic novel. The post-
World War Two novel sought to examine the relationship between people and the
environment. Some novelists promoted reconciliation with indigenous people in Australia
and developed a greater appreciation for their relationship with the land.
EVOLUTION OF AUSTRALIAN LITERATURE
During 1970s and 1980s prominent novelists were Helen Gamer, Jessica
Anderson, Beverly Farmers, Barbara Jaffsers, Kate Granville and Thea
Ashley. After 1980 there is no single vision or ideology in the diverse and
multicultural Australian society. So fiction also became diverse. Female
novelists developed feministic themes. The result of this dedication was that
by the late 1986s the landscape of Australian fiction was thoroughly
gendered and at the century's end women writers were a significant and
well established presence in Australian Literature.
Today novel reflects the cultural diversity of contemporary Australian
society. Furthermore, novels no longer form part of the cultural binding of
society. They now are marketed to the same variety of consumer groups as
other products, so they are not only for children or adults, but for women,
feminists, aborigines, migrants, gays, lesbians, liberals - or, even for men.
EARLY LITERARY WORKS
Among the first true works of literature produced in Australia were the
accounts of the settlement of Sydney by Watkin Tench, a captain of the
marines on the First Fleet to arrive in 1788.
In 1819, poet, explorer, journalist and politician William Wentworth published
the first book written by an Australian: A Statistical, Historical, and Political
Description of the Colony of New South Wales and Its Dependent
Settlements in Van Diemen's Land, With a Particular Enumeration of the
Advantages Which These Colonies Offer for Emigration and Their Superiority
in Many Respects Over Those Possessed by the United States of America, in
which he advocated an elected assembly for New South Wales, trial by jury
and settlement of Australia by free emigrants rather than convicts.
EARLY LITERARY WORKS
What it means to be Australian is another issue that Australian literature explores. Miles
Franklin struggled to find a place for herself as a female writer in Australia, fictionalising this
experience in My Brilliant Career (1901).
Marie Bjelke Petersen's popular romance novels, published between 1917 and 1937,
offered a fresh upbeat interpretation of the Australian bush.
The central character in Patrick White's The Twyborn Affair tries to conform to expectations
of pre–World War II Australian masculinity but cannot, and instead, post-war, tries out
another identity—and gender—overseas.
Peter Carey has toyed with the idea of a national Australian identity as a series of 'beautiful
lies', and this is a recurrent theme in his novels.
Andrew McGahan's Praise (1992), Christos Tsiolkas's Loaded (1995), Justine Ettler's The River
Ophelia (1995) and Brendan Cowell's How It Feels (2010) introduced a grunge lit, a type
of 'gritty realism' take on questions of Australian identity in the 1990s, though an important
precursor to such work came some years earlier with Helen Garner's Monkey Grip (1977),
about a single mother living on and off with a male heroin addict in Melbourne share
housing.
POETRY
Miles Franklin is best known for her feminist novel My Brilliant Career
(1901); an unsparing picture of outback life and a woman writer's
beginnings, it was later made into a highly successful film.
The finest single work of fiction expressing basic Australian attitudes
is Such Is Life (1903) by Joseph Furphy, who used the pen name Tom
Collins. Furphy's life was spent as a farmer and driver of bullock
teams before the days of the railroad. His book, written in diary form,
is a compound of episodic adventures, philosophic and literary
opinions, and homely observations about people and conditions in
Australia.
LATER FICTION
One of the finest craftsmen of Australian fiction was Frank Dalby Davison,
known primarily for his animal stories. The most distinctive of these, Man-Shy,
was published in the United States as Red Heifer (1934). It is a subtly
conceived story of a maverick on a Queensland cattle station. He is quite
as discerning in his stories of human character, as, for example, in his study
of pre-World War II suburban life in Sydney, the novel The White Thorn Tree
(1968).
Eleanor Dark wrote excellent historical novels, especially The Timeless Land
(1941), which is about the founding of Australia; she also wrote novels of
contemporary life. Both types of her fiction are distinguished by
psychological perception and brilliant descriptions of the landscape.
LATER FICTION
The Australian writer of the middle generation who was best known abroad
was Henry Handel Richardson, the pen name of Ethel Florence Lindesay
Richardson. Her earliest novel of note was Maurice Guest (1908), an
autobiographical story of an Australian studying music in Germany, but her
trilogy, The Fortunes of Richard Mahony (1917, 1925, 1929), is by far her most
widely appreciated work.
The latter novel, based on the life of the author's father, begins with the
gold rushes of the 1850s and then penetratingly describes various aspects
of Australian life in later decades. The main character, after whom the
trilogy is named, is an unstable Irish doctor who intensely dislikes Australian
life; he is considered one of the major creations of Australian literature. With
profound insight, Richardson develops Australian themes in the European
tradition of psychological realism.
LATER FICTION
John O'Grady, under the pen name Nino Culotta, wrote They're a Weird Mob
(1957), a comic novel that became one of the best-sellers of all Australian
novels.
International bestsellerdom was achieved by Colleen McCullough's The Thorn
Birds (1977), a family saga translated into many languages and made into a
television drama.
Worldwide fame was achieved by Christina Stead and Morris West. Stead's
finest novel was a bitter depiction of a failed marriage, The Man Who Loved
Children; among her other fiction was The Little Hotel (1973). West wrote several
international best-sellers, including The Devil's Advocate (1959) and The Shoes of
the Fisherman (1963).
Thomas Michael Keneally has received overseas acclaim for The Chant of
Jimmie Blacksmith (1972), the story of an Aborigine's revenge, which was made
into an equally powerful film; and Schindler's Ark (1982), which won the
prestigious Booker Prize in England.
PLAYS
In The One Day of the Year, Alan Seymour studied the paradoxical nature
of the ANZAC Day commemoration by Australians of the defeat of
the Battle of Gallipoli. Ngapartji Ngapartji, by Scott Rankin and Trevor
Jamieson, recounts the story of the effects on the Pitjantjatjara people of
nuclear testing in the Western Desert during the Cold War. It is an example
of the contemporary fusion of traditions of drama in Australia with
Pitjantjatjara actors being supported by a multicultural cast of Greek,
Afghan, Japanese and New Zealand heritage.
Eminent contemporary Australian playwrights include David
Williamson, Alan Seymour, Stephen Sewell, the late Nick Enright and Justin
Fleming. The Australian government supports a website
(australianplays.org The Home of Australian Playscripts |
AustralianPlays.org) that aims to combine playwright biographies and script
information. Scripts are also available there.
CHILDREN’S LITERATURE
Seven Little Australians by Ethel Turner is the first and only book by an Australian author to have
been continuously in print for 100 years. Ethel Turner's Seven Little Australians, is about the
adventures of seven mischievous children in Sydney.
The Getting of Wisdom (1910) by Henry Handel Richardson, about an unconventional schoolgirl in
Melbourne, has enjoyed a similar success and been praised by H. G. Wells and Germaine Greer.
Other perennial favourites of Australian children's literature include Dorothy Wall's Blinky Bill, Ethel
Pedley's Dot and the Kangaroo, May Gibbs' Snugglepot and Cuddlepie, Norman Lindsay's The
Magic Pudding, Ruth Park's The Muddleheaded Wombat and Mem Fox's Possum Magic. These
classic works employ anthropomorphism to bring alive the creatures of the Australian bush, thus
Bunyip Bluegum of The Magic Pudding is a koala who leaves his tree in search of adventure,
while in Dot and the Kangaroo a little girl lost in the bush is befriended by a group of marsupials.
May Gibbs crafted a story of protagonists modelled on the appearance of young eucalyptus
(gum tree) nuts and pitted these gumnut babies, Snugglepot and Cuddlepie, against the
antagonist Banksia men. Gibbs' influence has lasted through the generations – contemporary
children's author Ursula Dubosarsky has cited Snugglepot and Cuddlepie as one of her favourite
books.
CHILDREN’S LITERATURE
The Children's Book Council of Australia has presented annual awards for
books of literary merit since 1946 and has other awards for outstanding
contributions to Australian children's literature. Notable winners and
shortlisted works have inspired several well-known Australian films from
original novels, including the Silver Brumby series, a collection by Elyne
Mitchell which recount the life and adventures of Thowra, a Snowy
Mountains brumby stallion; Storm Boy (1964), by Colin Thiele, about a boy
and his pelican and the relationships he has with his father, the pelican,
and an outcast Aboriginal man called Fingerbone; the Sydney-based
Victorian era time travel adventure Playing Beatie Bow (1980) by Ruth Park;
and, for older children and mature readers, Melina Marchetta's 1993 novel
about a Sydney high school girl Looking for Alibrandi. Robin Klein's Came
Back to Show You I Could Fly is a story about the beautiful relationship
between an eleven-year-old boy and an older, drug-addicted girl.
CHILDREN’S LITERATURE
Banjo Paterson
Australian bush poet, journalist and author
Created most popular Australian bush poems
Notable Works: “Clancy of The Overflow”, ‘’The Man From Snowy River”,
“Waltzing Matilda”, “Prelude”, “Conroy’s Gap”
Christopher Brennan
Influenced Australian writer
Christopher Brennan Award was created lifetime achievement in poetry.
Notable Works: Because She Would Ask Me Why I loved Her, Autumn
Epiloue 1908, Fire in the Heavens, I Am Shut Out Of Mine Own Heart, Spring
Breezes, Sweet Silence After Bells
FAMOUS AUTHORS
Dorothea Mackellar
Australian poet and fiction writer
Her poem “My Country” is best known Australian poem because of its 2nd
stanza.
Notable Works: My country, Fire This Life That We Call Our Own, Dawn at The
Dawning of The Day, Colour, The Colours of Light, Burning Off, In a Southern
Garden
Dame Mary Gilmor
Teacher and a writer
Editor of woman’s pages of The Australian Worker Newspaper for 23 yrs.
Notable Works: Eve-Song, Marri’d, Nationality, No Foe Shall Gather Our Harvest,
O Singer in Brown, Old Botan Bay
FAMOUS AUTHORS
A.D Hope
Controversial figure erudite mind and wicked wit to devastating effect as a
critic
Notable Works: On An Early Photograph of My Mother, Patch And Mend, Poor
Charley’s Dream, Croesus and Lais, Pervigilium Veneris, Apollo and Daphne
Judith Wright
Prolific Australian poet, critic, short story writer
Published more than 50 books
Environmentalist, social activist campaigning aboriginal land rights
Believed that the poet should be concerned with national and social problems
Notable Works: The Old Prison, Request To a Year, Five Senses, Legend,
Magpies, The Company of Lovers, Metho Drinker
FAMOUS AUTHORS
Gwen Harwood
Australian poet librettist
One of the Australia’s finest poets
Notable Works: In The Park, Last Meeting, Anniversary, Barn Owl, The Glass Jar,
The Wound
Les Murray
Australian poet, anthologist and critic
Regarded as one of the leading poets of his generation
Notable Works: An Absolutely Ordinary Rainbow, Noonday Axeman, Pigs,
Poetry and Religion, On Home Beaches, The Aboriginal Cricketer
LITERARY JOURNALS
Most recent Australian literary journals have originated from universities, and
specifically English or Communications departments. They include:
Meanjin
Overland
Island
HEAT
Southerly
Westerly
Verandah
Rubric
LITERARY JOURNALS