17th-Century Silver

and Ceramics
Luxury items: ewer and basin, c. 1611
Modest items: tankard, London, 1635
Cup with lobes ‘humpback’, Nuremberg, 1620
Cup, Ulm, c. 1600
Nautilus shell, Utrecht,
c. 1630
Augsburg, 1630 and c. 1670
Auricular Style: Adam Van Vianen lidded ewer, 1613
Auricular style antecedents: Cornelis Floris and Palissy
Auricular Style - interest in the natural world: Jacob Lutma print, 1653
Key player: Paulus Van Vianen, 1570-1613
(right with Ottavio Miseroni)
Adam Van Vianen, 1568-1627, Tazza, 1621
Adam Van Vianen, Tazza, 1618
Theodor van Kessel
after Adam van
Vianen, 1646
Christian Van Vianen, basin, 1635
Johannes Lutma
(1584-1669)
Importance of prints, 1640s and 1650s
Appearance of footed salvers (here, London, 1658-9)
New drinks: monteith, english,1689
Introduction of new drinks, teapot, c. 1685
Italian, c. 1620
Italian wares inspired by Chinese ceramics
Plate, c. 1650-70 - Plate, c. 1600
Nevers, c.1670 (after Simon Vouet)
Nevers, 1600-1650
Nevers, Persian and Chinese influences
Rouen - typical radiating pattern C. 1700
DELFT
Production of tiles
Production of tiles
Delft key player: Adrianus Kocx ‘Greek A’ factory
Delftware for Queen Mary designed by Daniel Marot
Daniel
Marot
 Daniel Marot:

Influence of Jean Berain

Het Loo, 1684-6
Notion of unified design
Dense displays of
porcelain