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Understand the
fundamental principles
Be able to identify how of constructivist social
constructivism differs theory and what Wendt
(and doesn’t) from means when he claims
realism and liberalism that “international
anarchy is what states
make of it”
2. Rationalism also
3. Overall, rationalism
1. Rationalism takes the takes the identities of
limits theoretical
identities and interests and the interests
understandings of
of states as given generated from
change in agents and
because it only international anarchy as
structure because it
recognizes changes in given. For rationalists,
only examines changes
states’ behavior but not neither the structure of
in behavior and
in states themselves international anarchy
excludes an
(i.e. their identities and nor the self-help system
examination changes in
interests) is said to produce can
identities and interests
be changed
Typical Deviant
For the tail (spin For the dog (the
doctors and US public) to wag
policy-makers) to its tail (spin
wag the dog (the doctors and
US public policy-makers)
© 2014 Cynthia Weber
Reconsidering what is typical and
deviant in the world of Wag the Dog
Typical Deviant
For the tale (mediatic practices) Either:
to wag the tail (producers/spin For the dog (US public) to
doctors) so that it appears that wag its tail (producers/ spin
the tail (producers) wags the doctors/policy-makers)
dog (US public)
Or
For the tail (producers/ spin
doctors/ policy-makers) to
“really” wag the dog (US public)
without being wagged by the
tale (mediatic practices) itself
© 2014 Cynthia Weber
Production and seduction in Wag the
Dog
Connie: You can’t do it
Stanley: [angrily] Don’t you tell
me that. Don’t you ever tell me “Seduction doesn’t just tease us into wanting
that. I’m the producer of this
show. [looks out the window at what we cannot see. It convinces us that
the set where the patriotic funeral there is something there to be seen”
for the returned war hero is being (Weber, 2013)
shot] Look at that. That is a
complete fucking fraud, and it
looks one hundred percent real.
[contemplatively, softly] It’s the
best work I’ve ever done in my ‘The tale itself tricks us into thinking that
whole life, because it’s so there is an author of the tale’
honest…[insistently] I tell you, for (Weber, 2013)
once in my life I will not be pissed
on. I want…I want the credit. I
want the credit
(Wag the Dog)
© 2014 Cynthia Weber
Film activity: Updating Wag the Dog
Aim: Think about how the role of authorship, seduction, production and the
media might have changed from 1997 to today