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This document discusses several blocks to creativity: fear of failure, allergy to ambiguity, touchiness, conformity, resource myopia, starved sensibilities, and rigidity. Each block is defined by its causes and symptoms. While mild forms may have some usefulness, in more severe forms they can seriously inhibit divergent and innovative thinking, risk-taking, openness to new ideas, and the flexibility needed for creativity.
This document discusses several blocks to creativity: fear of failure, allergy to ambiguity, touchiness, conformity, resource myopia, starved sensibilities, and rigidity. Each block is defined by its causes and symptoms. While mild forms may have some usefulness, in more severe forms they can seriously inhibit divergent and innovative thinking, risk-taking, openness to new ideas, and the flexibility needed for creativity.
This document discusses several blocks to creativity: fear of failure, allergy to ambiguity, touchiness, conformity, resource myopia, starved sensibilities, and rigidity. Each block is defined by its causes and symptoms. While mild forms may have some usefulness, in more severe forms they can seriously inhibit divergent and innovative thinking, risk-taking, openness to new ideas, and the flexibility needed for creativity.
Fear of Failure Allergy to Ambiguity Touchiness Conformity Resource Myopia Starved Sensibility Rigidity FEAR OF FAILURE
CAUSES : Excessive punishment of failure or
excessive concern with loss of face or honour due to failure. SYMPTOMS : Tendency to stick to safe options, avoid competitive situations or to participate only in those activities where one is sure of winning. Tendency to look for alibis for failure. Excessive fright and nervousness in test situations. FEAR OF FAILURE
USEFULNESS : In a mild form, fear of failure
galvanises a person to a better, more focussed effort at a task. HARMFULNESS TO CREATIVITY : In a virulent form it can prevent one from taking risks and in getting involved in activities in which one initially has low skills. This impedes divergent thinking and activities. It can paralyse one due to stresses arising from taking on divergent, off-beat, path breaking activities. ALLERGY TO AMBIGUITY
CAUSES : Excessive spoon feeding and structuring
of thinking. Having an excessively routinised life. Excessive specialisation.
SYMPTOMS : Tendency to avoid unclear tasks and
complex, brain teasing tasks. ALLERGY TO AMBIGUITY
USEFULNESS : In a mild form, it helps a person
seek to clear up confusion and thereby enables him to take clear and effective action.
HARMFULNESS TO CREATIVITY : In a virulent
form it makes a person shun the paths of invention, discovery and creation because of their “messiness”. TOUCHINESS (FEAR OF HUMILIATION)
CAUSES : Lack of self confidence, low self-esteem :
being painfully rejected or humiliated in the past.
SYMPTOMS : Aversion to meeting even interesting
strangers : tendency to seek flatterers; wanting to stick to the same old group : coldness towards “threatening” persons. A bearing of false hauteur. Excessive shyness. TOUCHINESS (FEAR OF HUMILIATION) USEFULNESS : For certain kinds of artistic and scientific work touchiness provides a shield from intruding outsiders. A sense of loneliness may direct energy towards creative activities of a non- interpersonal contact type in which one can get immersed and thereby forget one’s loneliness. HARMFULNESS TO CREATIVITY : In creative activities that require interpersonal collaboration, touchiness can be a major impediment. It may also make a person averse to seeking feedback. So indispensable in the uncertain vista of creative activity. CONFORMITY (FEAR OF SOCIAL CRITICISM OR PUNISHMENT)
CAUSES : Brainwashing into obedience to seniors,
elders, social norms. Severe punishment of deviance. SYMPTOMS : Herd mentality; lack of independence in judgment; excessive attachment to traditions and dislike of innovations that go counter to traditions. CONFORMITY (FEAR OF SOCIAL CRITICISM OR PUNISHMENT)
USEFULNESS : Some conformity is indispensable
for collective existence. Conformity to norms of society or collectivity helps one get acceptance and thus paradoxically facilitates a subsequent change agent role. HARMFULNESS TO CREATIVITY : Resistance to innovative ideas and divergent thinking. Missing of opportunities for growth and self-actualisation. RESOURCE MYOPIA (A FEELING OF RESOURCELESSNESS)
CAUSES : Excessive dependence, spoon feeding,
single tract existence. Being sheltered from difficulty and challenges. Lack of experience in dealing with problems. SYMPTOMS : Tendency to get dependent and become passive. Felling of helplessness. Participation in a very narrow range of activities. RESOURCE MYOPIA (A FEELING OF RESOURCELESSNESS)
USEFULNESS : None
HARMFULNESS TO CREATIVITY : Inhibits
innovation and divergent activities. Inhibits risk taking. STARVED SENSIBILITIES
CAUSES : Over-specialisation in activities.
Brainwashing into single track mission in life. An ethic of asceticism.
SYMPTOMS : Feeling of dullness. Inability to feel or
experience or imagine richly. STARVED SENSIBILITIES
USEFULNESS : In efforts requiring great
concentration and single-mindedness, some neglect of senses can release energy for the task at hand. HARMFULNESS TO CREATIVITY : Starved sensibilities reduce the supply of stimuli that may trigger divergent thinking. They reduce curiosity and openness and a sense of fresh encounter with life. RIGIDITY
CAUSES : Ignorance. Deep seated anxiety or
conflict or hostility.
SYMPTOMS : Tendency to stereotype; tendency to
dogmatism; tendency to get fixated on very particular uses, tools, ideas, arrangements. Inability to assimilate new information. Inability to learn and change. RIGIDITY
USEFULNESS : Provides some protection in a
highly turbulent or hostile situation and therefore has some survival value. To an extent simplifies life. HARMFULNESS TO CREATIVITY : Serious impediment to growth, experimentation and innovation.